Gilbert Chesterton - The Flying Inn

“Sells!”

Pump looked at him sharply with a remarkable expression growing on his grim face. But the Doctor was far too rabidly rejoicing in his triumph to understand the Captain’s meaning.

“Sells alcohol, are the exact words,” he insisted, brandishing the blue oblong of the new Act of Parliament.

“So far as I am concerned they are inexact words,” said Captain Dalroy, with polite indifference. “I have not been selling alcohol, I have been giving it away. Has anybody here paid me money? Has anybody here seen anybody else pay me money? I’m a philanthropist just like Dr. Meadows. I’m his living image!”

Mr. Leveson and Dr. Meadows looked across at each other, and on the face of the first was consternation, and on the second a full return of all his terrors of the complicated law.

“I shall remain here for several weeks,” continued the Captain, leaning elegantly on the can, “and shall give away, gratis, such supplies of this excellent drink as may be demanded by the citizens. It appears that there is no such supply at present in this district, and I feel sure that no person present can object to so strictly legal and highly charitable an arrangement.”

In this he was apparently in error; for several persons present seemed to object to it. But curiously enough it was not the withered and fanatical face of the philanthropist Meadows, nor the dark and equine face of the official Leveson, which stood out most vividly as a picture of protest. The face most strangely unsympathetic with this form of charity was that of the ex-proprietor of Hugby’s Ales. His gooseberry eyes were almost dropping from his head and his words sprang from his lips before he could stop them.

“And you blooming well think you can come here like a big buffoon, you beast, and take away all my trade–”

Old Meadows turned on him with the swiftness of an adder.

“And what is your trade, Mr. Hugby?” he asked.

The brewer bubbled with a sort of bursting anger. The goats all looked at the ground as is, according to a Roman poet, the habit of the lower animals. Man (in the character of Mr. Patrick Dalroy) taking advantage of a free but fine translation of the Latin passage, “looked aloft, and with uplifted eyes beheld his own hereditary skies.”

“Well, all I can say is,” roared Mr. Hugby, “if the police come all this way and can’t lock up a dirty loafer whose coat’s all in rags, there’s an end of me paying these fat infernal taxes and–”

“Yes,” said Dalroy, in a voice that fell like an axe, “there is an end of you, please God. It’s brewers like you that have made the inns stink with poison, till even good men asked for no inns at all. And you are worse than the teetotallers, for you prevented what they never knew. And as for you, eminent man of science, great philanthropist, idealist and destroyer of inns, let me give one cold fact for your information. You are not respected. You are obeyed. Why should I or anyone respect you particularly? You say you built this town and get up at daybreak to watch this town. You built it for money and you watch it for more money. Why should I respect you because you are fastidious about food, that your poor old digestion may outlive the hearts of better men? Why should you be the god of this valley, whose god is your belly, merely because you do not even love your god, but only fear him? Go home to your prayers, old man; for all men shall die. Read the Bible, if you like, as they do in your German home; and I suppose you once read it to pick texts as you now read it to pick holes. I don’t read it myself, I’m afraid, but I remember some words in old Mulligan’s translation; and I leave them with you. ‘Unless God,’” and he made a movement with his arm, so natural and yet so vast that for an instant the town really looked like a toy of bright coloured cardboard at the feet of the giant; “‘unless God build the city, their labour is but lost that build it; unless God keep the city, the watchman watcheth in vain. It is lost labour that you rise up early in the morning and eat the bread of carefulness; while He giveth His beloved sleep.’ Try and understand what that means, and never mind whether it’s Elohistic. And now, Hump, we’ll away and away. I’m tired of the green tiles over there. Come, fill up my cup,” and he banged down the cask in the car, “come saddle my horses and call out my men. And tremble, gay goats, in the midst of your glee; for you’ve no’ seen the last of my milk can and me.”

This song was joyously borne away with Mr. Dalroy in the disappearing car; and the motorists were miles beyond pursuit from Peaceways before they thought of halting again. But they were still beside the bank of that noble and enlarging river; and in a place of deep fern and fairy-ribboned birches with the glowing and gleaming water behind them, Patrick asked his friend to stop the car.

“By the way,” said Humphrey, suddenly, “there was one thing I didn’t understand. Why was he so afraid of the Public Analyst? What poison and chemicals does he put in the milk?”

“H20,” answered the Captain, “I take it without milk myself.”

And he bent over as if to drink of the stream, as he had done at daybreak.

MR. ADRIAN CROOKE was a successful chemist whose shop was in the neighbourhood of Victoria, but his face expressed more than is generally required in a successful chemist. It was a curious face, prematurely old and like parchment, but acute and decisive, with real headwork in every line of it. Nor was his conversation, when he did converse, out of keeping with this: he had lived in many countries, and had a rich store of anecdote about the more quaint and sometimes the more sinister side of his work, visions of the vapour of eastern drugs or guesses at the ingredients of Renascence poisons. He himself, it need hardly be said, was a most respectable and reliable apothecary, or he would not have had the custom of families, especially among the upper classes; but he enjoyed as a hobby, the study of the dark days and lands where his science had lain sometimes on the borders of magic and sometimes upon the borders of murder. Hence it often happened that persons, who in their serious senses were well aware of his harmless and useful habits, would leave his shop on some murky and foggy night, with their heads so full of wild tales of the eating of hemp or the poisoning of roses, they could hardly help fancying that the shop, with its glowing moon of crimson or saffron, like bowls of blood and sulphur, was really a house of the Black Art.

It was doubtless for such conversational pleasures, in part, that Hibbs However entered the shop; as well as for a small glass of the same restorative medicine which he had been taking when Leveson found him by the open window. But this did not prevent Hibbs from expressing considerable surprise and some embarrassment when Leveson entered the same chemist’s and asked for the same chemical. Indeed, Leveson looked harassed and weary enough to want it.

“You’ve been out of town, haven’t you?” said Leveson. “No luck. They got away again on some quibble. The police wouldn’t make the arrest; and even old Meadows thought it might be illegal. I’m sick of it. Where are you going?”

“I thought,” said Mr. Hibbs, “of dropping in at this Post-Futurist exhibition. I believe Lord Ivywood will be there; he is showing it to the Prophet. I don’t pretend to know much about art, but I hear it’s very fine.”

There was a long silence and Mr. Leveson said, “People always prejudiced against new ideas.”

Then there was another long silence and Mr. Hibbs said, “After all, they said the same of Whistler.”

Refreshed by this ritual, Mr. Leveson became conscious of the existence of Crooke, and said to him, cheerfully, “That’s so in your department, too, isn’t it? I suppose the greatest pioneers in chemistry were unpopular in their own time.”