Макс Нордау - How Women Love

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"How do you feel, Prince?" asked the lieutenant-colonel, bending anxiously over him.

"I feel," he answered softly, "as if I ought to shout: Long live the king! Long live our native land!" Then, after a brief pause, he added almost inaudibly, while a barely perceptible smile flickered over his white lips: "But I certainly am not at a public meeting."

These were his last words.

THE ART OF GROWING OLD.

Baron Robert von Linden was standing between the panels of his triple mirror. The sunlight of a bright May morning was streaming upon him through the lofty window so brilliantly that it made the places which it illumined almost transparent. He put his face very close to the crystal surface, so that it nearly touched and he was obliged to hold his breath in order not to dim it, examining his reflected image a long time, with a scrutiny which at once seeks and fears discoveries, looked at himself in front, then from the side, changed the light, sometimes bringing his face under the full radiance of the sunshine, sometimes receiving it at different angles or shading himself slightly with his hand. At last, sighing heavily, he stepped back, laid the tortoise-shell comb and ivory brush on the marble washstand, sank into the arm-chair standing in the corner, and bowed his head on his breast, while his arms hung at full length as if nerveless.

Alas! the hour when he made his morning toilet was no longer a happy one for Baron Robert. He dreaded the inexorable mirror, and yet self-torturing curiosity impelled him to inspect his face with the keen observation of a Holbein. Not even the least deterioration in his appearance escaped his search and scrutiny. He perceived and examined all the ravages which life had made in his exterior: the lines crossing the brow, the little wrinkles extending from the corners of the eyes toward the temples, the deep ones, as well as those which seemed, as it were, lightly sketched with a faint stroke to be more strongly marked later, and which were now visible only in a side-light, the creased appearance of the lower eyelids and the space between the inner corners of the eyes and the bridge of the nose, the granulated condition of the smoothly shaven cheeks, which resembled the peel of ripe oranges or fine Morocco leather; the flabbiness of the narrow strip of skin between the edge of the beard and the ears, which looked as if it had been lightly powdered with greyish-yellow dust; the pallor near the cheek-bone, which was as colourless and withered as a dead tea-rose leaf. He counted the white hairs already visible on the temples—he pulled out the ones in the moustache—let the sunbeams play over his hair and, turning and bending his head, saw that it was growing thinner and, from the brow to the crown, showed the smooth scalp shining through. The investigation lasted a long while, he performed it with cruel thoroughness, locking himself into his room meanwhile, since he would not allow even his valet to be a witness of the painful discoveries of which he believed that he alone was aware.

Perhaps he was not mistaken in this comforting supposition. His appearance as a whole was still handsome and stately. Time had not marred the lines of his slender figure, no increase of flesh enlarged his girth, no weakness made his shoulders droop and rounded his back, and when dressed with exquisite taste, and carrying his head proudly erect, he walked with a light, elastic step through the streets or across the carpet of a drawing-room, he would have been taken at a distance, or if one was a little near-sighted, not only for a handsome man, but even for one still young.

He said this to himself when, after a few minutes of discouragement, he rose from the arm-chair, hastily completed his toilet, and again looked at the whole effect in the mirror, this time not close at hand, but from a distance of several paces.

Some one knocked at the door. "The doctor," said the servant’s voice.

"I’m coming," replied Baron Robert, hastening to open the door and enter the adjoining drawing-room, where Dr. Thiel was awaiting him. He came regularly one morning every week to see the baron before the latter went out; for Baron Robert was a little anxious about his health, and liked to be told by the physician, who was also his friend, that certain trifling symptoms—great thirst on a hot day, slight fatigue after a ball, a little heaviness in his limbs after a long walk, were of no importance.

"Well, how are you to-day?" cried Dr. Thiel, rising to meet him.

"Fairly well," replied Linden, clasping both his hands.

"Yet, surely you look rather downcast?" asked the physician.

"For good reasons," answered Linden sighing.

"What is the matter now? Have you no appetite after eating? Do you feel more tired at midnight than in the morning?"

"Don’t ridicule me. You don’t know what day this is."

Thiel looked at him inquiringly.

"My birthday," said Linden mournfully.

"Why, to be sure," cried Thiel, "let me see, what one is it?"

"No number," interrupted Linden quickly, covering his friend’s mouth with his hand.

"You’re worse than a coquette," remarked Thiel, pushing his hand away. He had had "an old coquette" on the tip of his tongue, but suppressed the adjective. "A man can speak of his age without regret, when he is only in the mid-forties."

"Not yet the middle, I beg of you," Linden eagerly protested, "I am forty-four years old to-day."

Thiel smiled. "Well, I wish you many happy----"

Linden did not let him finish. "Happiness! Happiness! Is there any happiness after youth is over?"

"Everything depends upon what is meant by happiness."

Linden did not seem to hear what Thiel was saying, but pursued his own train of thought. "How futile your science is! You find a bacillus here, a ptomain there. What use is that to me? None! Teach me how to keep young forever, then I shall have some respect for your staring into your beloved microscope. The ancients alone were right in that, as in everything else. To die young. In undiminished vigour. The gods can bestow no greater happiness. What is there to seek in life when youth has fled?"

"Nothing, of course, if, like a drone, we have but a single task in existence: to live. A drone must die, when it has performed its mission. I am not at all blind to the beauty of the butterfly, which lets its magnificent velvet wings glisten in the sunshine throughout a long summer day, and has no organs for receiving nourishment, but does nothing except hover around flowers and the females of his species, wooing and loving, and dies in the evening without ever waking from his ecstasy of delight. It is the same thing with the flower. It blooms, exhales its fragrance, displays beautiful forms and colours merely for the purpose of propagation, withering quickly when that purpose is attained. The butterfly and the flower are both beautiful. Yet, after all, they are inferior forms of life, and man is higher, though he does not exhale fragrance and usually possesses no velvet wings."

"Is it so absolutely certain that man is superior? For my part I envy the butterfly and the flower, which perish in the full glory of youth, beauty, and love. That is the way I have always imagined an existence worth living. A dazzling display of fireworks. A sudden flashing, flaming, crackling, and detonating amid the darkness. A triumphant ascent of glittering balls and serpents, before whose splendid hues the stars of heaven pale. At every rain of fire and explosion, a rapturous, ah! and a thunder of applause from the gaping Philistines, who are in a tumult of ecstasy at the sight, and thus, without cessation, have flash follow flash, and report report, in a continual increase of magnificence, until the closing piece on whose marvellous splendour darkness must fall with no transition. That is life. That is happiness. But the rockets must always be fully charged. Otherwise they will not fly upward amid universal admiration to the stars, but fizz a little, hop up with ridiculous effort, fall plump, and go out pitifully in a malodorous smoke. A dismal end."

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