Jean Toomer - Cane

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Cane: краткое содержание, описание и аннотация

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"A breakthrough in prose and poetical writing…This book should be on all readers' and writers' desks and in their minds." — Maya Angelou
First published in 1923, Jean Toomer's
is an innovative literary work-part drama, part poetry, part fiction-powerfully evoking black life in the South. Rich in imagery, Toomer's impressionistic, sometimes surrealistic sketches of Southern rural and urban life are permeated by visions of smoke, sugarcane, dusk, and fire; the northern world is pictured as a harsher reality of asphalt streets. This iconic work of American literature is published with a new afterword by Rudolph Byrd of Emory University and Henry Louis Gates Jr. of Harvard University, who provide groundbreaking biographical information on Toomer, place his writing within the context of American modernism and the Harlem Renaissance, and examine his shifting claims about his own race and his pioneering critique of race as a scientific or biological concept.

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“I dont know what you mean, Tom.”

“Course y dont. Ise already cut two niggers. Had t hon, t tell em so. Niggers always tryin t make somethin out a nothin. An then besides, white folks aint up t them tricks so much nowadays. Godam better not be. Leastawise not with yo. Cause I wouldnt stand f it. Nassur.”

“What would you do, Tom?”

“Cut him jes like I cut a nigger.”

“No, Tom—”

“I said I would an there aint no mo to it. But that aint th talk f now. Sing, honey Louisa, an while I’m listenin t y I’ll be makin love.”

Tom took her hand in his. Against the tough thickness of his own, hers felt soft and small. His huge body slipped down to the step beside her. The full moon sank upward into the deep purple of the cloud-bank. An old woman brought a lighted lamp and hung it on the common well whose bulky shadow squatted in the middle of the road, opposite Tom and Louisa. The old woman lifted the well-lid, took hold the chain, and began drawing up the heavy bucket. As she did so, she sang. Figures shifted, restlesslike, between lamp and window in the front rooms of the shanties. Shadows of the figures fought each other on the gray dust of the road. Figures raised the windows and joined the old woman in song. Louisa and Tom, the whole street, singing:

Red nigger moon. Sinner!

Blood-burning moon. Sinner!

Come out that fact’ry door.

3

Bob Stone sauntered from his veranda out into the gloom of fir trees and magnolias. The clear white of his skin paled, and the flush of his cheeks turned purple. As if to balance this outer change, his mind became consciously a white man’s. He passed the house with its huge open hearth which, in the days of slavery, was the plantation cookery. He saw Louisa bent over that hearth. He went in as a master should and took her. Direct, honest, bold. None of this sneaking that he had to go through now. The contrast was repulsive to him. His family had lost ground. Hell no, his family still owned the niggers, practically. Damned if they did, or he wouldnt have to duck around so. What would they think if they knew? His mother? His sister? He shouldnt mention them, shouldnt think of them in this connection. There in the dusk he blushed at doing so. Fellows about town were all right, but how about his friends up North? He could see them incredible, repulsed. They didnt know. The thought first made him laugh. Then, with their eyes still upon him, he began to feel embarrassed. He felt the need of explaining things to them. Explain hell. They wouldnt understand, and moreover, who ever heard of a Southerner getting on his knees to any Yankee, or anyone. No sir. He was going to see Louisa to-night, and love her. She was lovely — in her way. Nigger way. What way was that? Damned if he knew. Must know. He’d known her long enough to know. Was there something about niggers that you couldnt know? Listening to them at church didnt tell you anything. Looking at them didnt tell you anything. Talking to them didnt tell you anything — unless it was gossip, unless they wanted to talk. Of course, about farming, and licker, and craps — but those werent nigger. Nigger was something more. How much more? Something to be afraid of, more? Hell no. Who ever heard of being afraid of a nigger? Tom Burwell. Cartwell had told him that Tom went with Louisa after she reached home. No sir. No nigger had ever been with his girl. He’d like to see one try. Some position for him to be in. Him, Bob Stone, of the old Stone family, in a scrap with a nigger over a nigger girl. In the good old days…Ha! Those were the days. His family had lost ground. Not so much, though. Enough for him to have to cut through old Lemon’s canefield by way of the woods, that he might meet her. She was worth it. Beautiful nigger gal. Why nigger? Why not, just gal? No, it was because she was nigger that he went to her. Sweet…The scent of boiling cane came to him. Then he saw the rich glow of the stove. He heard the voices of the men circled around it. He was about to skirt the clearing when he heard his own name mentioned. He stopped. Quivering. Leaning against a tree, he listened.

“Bad nigger. Yassur, he sho is one bad nigger when he gets started.”

“Tom Burwell’s been on th gang three times fo cuttin men.”

“What y think he’s agwine t do t Bob Stone?”

“Dunno yet. He aint found out. When he does — Baby!”

“Aint no tellin.”

“Young Stone aint no quitter an I ken tell y that. Blood of th old uns in his veins.”

“Thats right. He’ll scrap, sho.”

“Be gettin too hot f niggers round this away.”

“Shut up, nigger. Y dont know what y talkin bout.”

Bob Stone’s ears burned as though he had been holding them over the stove. Sizzling heat welled up within him. His feet felt as if they rested on red-hot coals. They stung him to quick movement. He circled the fringe of the glowing. Not a twig cracked beneath his feet. He reached the path that led to factory town. Plunged furiously down it. Halfway along, a blindness within him veered him aside. He crashed into the bordering canebrake. Cane leaves cut his face and lips. He tasted blood. He threw himself down and dug his fingers in the ground. The earth was cool. Cane-roots took the fever from his hands. After a long while, or so it seemed to him, the thought came to him that it must be time to see Louisa. He got to his feet and walked calmly to their meeting place. No Louisa. Tom Burwell had her. Veins in his forehead bulged and distended. Saliva moistened the dried blood on his lips. He bit down on his lips. He tasted blood. Not his own blood; Tom Burwell’s blood. Bob drove through the cane and out again upon the road. A hound swung down the path before him towards factory town. Bob couldnt see it. The dog loped aside to let him pass. Bob’s blind rushing made him stumble over it. He fell with a thud that dazed him. The hound yelped. Answering yelps came from all over the countryside. Chickens cackled. Roosters crowed, heralding the bloodshot eyes of southern awakening. Singers in the town were silenced. They shut their windows down. Palpitant between the rooster crows, a chill hush settled upon the huddled forms of Tom and Louisa. A figure rushed from the shadow and stood before them. Tom popped to his feet.

“Whats y want?”

“I’m Bob Stone.”

“Yassur — an I’m Tom Burwell. Whats y want?”

Bob lunged at him. Tom side-stepped, caught him by the shoulder, and flung him to the ground. Straddled him.

“Let me up.”

“Yassur — but watch yo doins, Bob Stone.”

A few dark figures, drawn by the sound of scuffle, stood about them. Bob sprang to his feet.

“Fight like a man, Tom Burwell, an I’ll lick y.”

Again he lunged. Tom side-stepped and flung him to the ground. Straddled him.

“Get off me, you godam nigger you.”

“Yo sho has started somethin now. Get up.”

Tom yanked him up and began hammering at him. Each blow sounded as if it smashed into a precious, irreplaceable soft something. Beneath them, Bob staggered back. He reached in his pocket and whipped out a knife.

“Thats my game, sho.”

Blue flash, a steel blade slashed across Bob Stone’s throat. He had a sweetish sick feeling. Blood began to flow. Then he felt a sharp twitch of pain. He let his knife drop. He slapped one hand against his neck. He pressed the other on top of his head as if to hold it down. He groaned. He turned, and staggered towards the crest of the hill in the direction of white town. Negroes who had seen the fight slunk into their homes and blew the lamps out. Louisa, dazed, hysterical, refused to go indoors. She slipped, crumbled, her body loosely propped against the woodwork of the well. Tom Burwell leaned against it. He seemed rooted there.

Bob reached Broad Street. White men rushed up to him. He collapsed in their arms.

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