Antal Szerb - The Queen's Necklace

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The Queen's Necklace: краткое содержание, описание и аннотация

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A witty and erudite love letter to a bygone age, from one of Europe's last great humanists. "A sparkling slice of eighteenth-century life" Paul Bailey, In August 1785 Paris buzzed with scandal. It involved an eminent churchman, a notorious charlatan, a female fraudster, a part-time prostitute and the hated Queen herself. At its heart was the most expensive diamond necklace ever assembled and the web of fraud, folly and self-delusion it had inspired. In Szerb's last major work, a witty and often surprising account of events, the story is used as a standpoint from which to survey the entire age. Written in war-torn Hungary in the early 1940s, it constitutes a remarkable gesture of defiance against the brutal world in which the writer lived and died.
Antal Szerb
The Pendragon Legend, Oliver VII
Journey by Moonlight
The Queen's Necklace
Love in a Bottle and Other Stories

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At that moment he burst in, in great excitement.

“What? Haven’t you heard? Where have you been living? Prince Rohan, the Cardinal, has been arrested. Something to do with diamonds, apparently …”

Suddenly Jeanne felt unwell.

She went out, ordered her carriage to be made ready, and she and Beugnot left the abbey. By the time they were sitting in the coach she had regained her composure.

“This whole business is Cagliostro’s doing,” she told her astonished companion.

Then she lapsed into a deep silence. His advice that she fly to England before it was too late was met with scorn. She had already worked out her battle plan: how to shift the blame for the whole affair onto Cagliostro.

She was arrested at four the next morning. The amiable police made no objection when the Comte de la Motte, who had otherwise conducted himself very calmly, tore the glittering jewels off his wife and thoughtfully put them aside against better times.

Rivarol, that witty and whimsical commentator, wrote: “M de Breteuil plucked the Cardinal out of Mme de la Motte’s clutches and dashed him against the Queen’s brow, where he certainly left his mark.” It is a grotesque image, but an expressive one.

Chapter Ten. The Bastille, the Parlement and the King

To M de Launay,

I write to request that you receive my cousin the Cardinal Rohan into my fortress known as the Bastille, and hold him there pending my further instructions, for which I beg thanks for your assistance.

Louis, Baron Breteuil

Versailles, 16th August 1785

Such was the tenor of the royal arrest warrant, the lettre de cachet on whose authority, on the evening of 16th August, the Commander of the Bastille (the same de Launay who died when the building was stormed in 1789), and the Comte d’Agoult, Captain of the Guard, escorted Rohan by coach into the prison. He had spent the day at home, and had been seen in the great window of his salon playing with his pet ape: perhaps they were taking their leave of one another.

At dawn on 18th August, on the authority of a second lettre de cachet , Jeanne de la Motte was also detained. The summons served on her husband failed to reach him. He had in fact set out for Paris with the idea of defending his wife, but had second thoughts along the way, and took himself off to London instead.

The modern visitor to the Bastille finds only the spot where the old building stood, the circular Place with the lofty memorial column at its centre. The historic building was destroyed on that memorable quatorze juillet which has since become the National Day, since it marks the beginning of freedom not just for the French but for people all over the world.

The Bastille was originally a circular fortress. Later, when no longer used to defend the city, it became a prison, playing much the same role as the Tower in London. It was so hated that it came to be seen as the physical symbol of tyranny, thanks above all to the lettres de cachet , whose victims were for the most part imprisoned there — but not only there: every region had its own equivalent, where people were locked away in hospitals, madhouses and solitary cells.

The lettre de cachet , as we have noted, was a warrant for arrest. Its significance lay in that the King himself issued it, without needing to give any reason. The detained person did not appear before any court. He remained in prison until the King saw fit to set him free. “The Bastille,” wrote a contemporary, “is a place in which anyone, without regard to age, sex or social rank, might find himself, without having any idea why he is there, how long he might remain, or how he will ever get out.”

Everyone at the time knew that the police had special agents from whom, for large sums of money, one could buy lettres de cachet already prepared — you had only to fill in the name — and furthermore, that both in the Bastille and others of His Majesty’s prisons large numbers of people would languish for the rest of their miserable days simply because they had been arrested on the basis of one of these documents and then forgotten about. In 1784, a M Latude was released after thirtyfive years in prison. He had been locked away for planning an attack (involving a time bomb) on one of the Pompadours. And Malesherbes mentions one unfortunate who had gone blind, had been let out with no one to care for him, and promptly begged to be allowed back into the prison. The Bastille was not a comfortable place. Malesherbes once told Prime Minister Maurepas that he ought to show Louis XVI around it.

“I never have,” was the reply. “If I did, he’d never send anyone there again.”

In recent decades the intellectual life of France has been largely dominated by writers and historians of the royalist persuasion, who, partly by astute reasoning and partly through the sheer mass of data they have assembled, have established that the Ancien Régime was for the most part innocent of those crimes that the Revolution, and libertarian writers of the nineteenth century, ascribed to it. Among those prepared to judge on the basis of facts is Frantz Funck-Brentano, and it was he who went through the entire body of documents relating to the Bastille and came to the surprising conclusion that the lettre de cachet was generally not the cruel weapon of a tyrannical monarchy, but on the contrary, an outstandingly useful institution for the rest of society.

Its great advantage was that it enabled the prosecuting authorities to make rapid progress in situations where the slow and cumbersome nature of criminal proceedings might otherwise drag matters out for years. It could also be used to invoke the power of the monarchy to intervene in situations which did not fall within its normal jurisdiction. These were almost always family cases.

Lettres de cachet were often used by parents against their own children; for example, if the son were an impulsive and incorrigible gambler, he could be taught discipline by showing him that he might spend the rest of his life being arrested and charged — thus preserving the family from shame. Funck-Brentano generally saw the device as a way of defending traditional French family life. His idea was that the world order of the Ancien Régime was based on the power of, and respect for, the family, and that the main cause of its collapse was that that respect was undermined by the influence of eighteenth century philosophy. If, for example, a young aristocrat wished to marry a bourgeois girl and thus dishonour his family, there was a simple solution. On the basis of a lettre de cachet the young man or the girl would be locked away and kept a prisoner until there was a change of attitude. Events of that kind naturally did not cause much of a stir, unlike those occasions when a writer such as Voltaire or Beaumarchais was imprisoned for showing too much self-assurance in the eyes of his betters. But such examples, at least according to Funck-Brentano, were very isolated.

While we have every respect for Funck-Brentano, and the present work has so much to thank him for, and although we would not for a moment dare question the accuracy of his information, from a moral point of view we cannot agree with him. We give greater credence to the worthy Cagliostro, another of those who were unjustly imprisoned in the Bastille, who, following his release, declared in a pamphlet he wrote in England entitled Letter to the French People:

“You, the French people, have everything you need for happiness: a fertile land and a gentle climate; good hearts and a enchanting joie de vivre ; you have both genius and grace, no equals in the art of pleasing, and no masters in the others. All you lack, my friends, is this one trifle: the right to sleep soundly in your beds while you remain innocent.”

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