Samuel Merwin - Calumet K

So next morning Bannon tried again. He learned that Porter was in, and all seemed to be going well until he mentioned MacBride & Company, after which Mr. Porter became very elusive. Three or four attempts to pin him down, or at least to learn his whereabouts, proved unsuccessful, and at last Bannon, with wrath in his heart, started down town.

It was nearly night before he came back, and as before, he found Pete sitting gloomily in the office waiting his return. "Well," exclaimed the night boss, looking at him eagerly; "I thought you was never coming back. We've most had a fit here, wondering how you'd come out. I don't have to ask you, though. I can see by your looks that we're all right."

Bannon laughed, and glanced over at Hilda, who was watching him closely.

"Is that your guess, too, Miss Vogel?"

"I don't think so," she said. "I think you've had a pretty hard time."

"They're both good guesses," he said, pulling a paper out of his pocket, and handing it to Hilda. "Read that." It was a formal permit for building the gallery, signed by Porter himself, and bearing the O.K. of the general manager.

"Nice, isn't it?" Bannon commented. "Now read the postscript, Miss Vogel." It was in Porter's handwriting, and Hilda read it slowly. "MacBride & Company are not, however, allowed to erect trestles or temporary scaffolding in the C. & S. C. right-of-way, nor to remove any property of the Company, such as fences, nor to do anything which may, in the opinion of the local authorities, hinder the movement of trains."

Pete's face went blank. "A lot of good this darned permit does us then. That just means we can't build it."

Bannon nodded. "That's what it's supposed to mean," he said. "That's just the point."

"You see, it's like this," he went on. "That man Porter would make the finest material for ring-oiling, dust proof, non-inflammable bearings that I ever saw. He's just about the hardest, smoothest, shiniest, coolest little piece of metal that ever came my way. Well, he wants to delay us on this job. I took that in the moment I saw him. Well, I told him how we went ahead, just banking on his verbal consent, and how his railroad had jumped on us; and I said I was sure it was just a misunderstanding, but I wanted it cleared up because we was in a hurry. He grinned a little over that, and I went on talking. Said we'd bother 'em as little as possible; of course we had to put up the trestles in their property, because we couldn't hold the thing up with a balloon.

"He asked me, innocent as you please, if a steel bridge couldn't be made in a single span, and I said, yes, but it would take too long. We only had a few days. 'Well,' he says, 'Mr. Bannon, I'll give you a permit.' And that's what he gave me. I bet he's grinning yet. I wonder if he'll grin so much about three days from now."

"Do you mean that you can build it anyway?" Hilda demanded breathlessly.

He nodded, and, turning to Pete, plunged into a swift, technical explanation of how the trick was to be done. "Won't you please tell me, too?" Hilda asked appealingly.

"Sure," he said. He sat down beside her at the desk and began drawing on a piece of paper. Pete came and looked over his shoulder. Bannon began his explanation.

"Here's the spouting house, and here's the elevator. Now, suppose they were only fifteen feet apart. Then if we had two ten-foot sticks and put 'em up at an angle and fastened the floor to a bolt that came down between 'em, the whole weight of the thing would be passed along to the foundation that the ends of the timbers rest on. But you see, it's got to be one hundred and fifty feet long, and to build it that way would take two one hundred-foot timbers, and we haven't got 'em that long.

"But we've got plenty of sticks that are twenty feet long, and plenty of bolts, and this is the way we arrange 'em. We put up our first stick (x) at an angle just as before. Then we let a bolt (o) down through the upper end of it and through the floor of the gallery. Now the next timber (y) we put up at just the same angle as the first, with the foot of it bearing down on the lower end of the bolt.

"That second stick pushes two ways. A straight down push and a sideways push. The bolt resists the down push and transmits it to the first stick, and that pushes against the sill that I marked a. Now, the sideways push is against the butt of the first timber of the floor, and that's passed on, same way, to the sill.

"Well, that's the whole trick. You begin at both ends at once and just keep right on going. When the thing's done it looks this way. You see where the two sections meet in the middle, it's just the same as the little fifteen-foot gallery that we made a picture of up here."

"I understand that all right," said Pete, "but I don't see yet how you're going to do it without some kind of scaffolding."

"Easy. I ain't going to use a balloon, but I've got something that's better. It'll be out here this afternoon. Come and help me get things ready."

There was not much to do, for the timber was already cut to the right sizes, but Bannon was not content till everything was piled so that when work did begin on the gallery it could go without a hitch. He was already several days behind, and when one is figuring it as fine as Bannon was doing in those last days, even one day is a serious matter. He could do nothing more at the belt gallery until his substitute for a scaffold should arrive; it did not come that afternoon or evening, and next morning when he came on the job it still had not been heard from. There was enough to occupy every moment of his time and every shred of his thought without bothering about the gallery, and he did not worry about it as he would have worried if he had had nothing to do but wait for it.

But when, well along in the afternoon, a water boy found him up on the weighing floor and told him there was something for him at the office, he made astonishing time getting down. "Here's your package," said Max, as Bannon burst into the little shanty. It was a little, round, pasteboard box. If Bannon had had the office to himself, he would, in his disappointment, have cursed the thing till it took fire. As it was, he stood speechless a moment and then turned to go out again.

"Aren't you going to open it, now you're here?" asked Max.

Bannon, after hesitating, acted on the suggestion, and when he saw what it was, he laughed. No, Brown had not forgotten the hat! Max gazed at it in unfeigned awe; it was shiny as a mirror, black as a hearse, tall, in his eyes—for this was his first near view of one—as the seat of a dining-room chair. "Put it on," he said to Bannon. "Let's see how it looks on you."

"Not much. Wouldn't I look silly in a thing like that, though? I'd rather wear an ordinary length of stovepipe. That'd be durable, anyway. I wonder what Brown sent it for. I thought he knew a joke when he saw one."

Just then one of the under-foremen came in. "Oh, Mr. Bannon," he said, "I've been looking for you. There's a tug in the river with a big, steel cable aboard that they said was for us. I told 'em I thought it was a mistake—"

It was all one movement, Bannon's jamming that hat—the silk hat—down on his head, and diving through the door. He shouted orders as he ran, and a number of men, Pete among them, got to the wharf as soon as he did.

"Now, boys, this is all the false work we can have. We're going to hang it up across the tracks and hang our gallery up on it till it's strong enough to hold itself. We've got just forty-eight hours to do the whole trick. Catch hold now—lively."

It was a simple scheme of Bannon's. The floor of the gallery was to be built in two sections, one in the main house, one in the spouting house. As fast as the timbers were bolted together the halves of the floor were shoved out over the tracks, each free end being supported by a rope which ran up over a pulley. The pulley was held by an iron ring fast to the cable, but perfectly free to slide along it, and thus accompany the end of the floor as it was moved outward. Bannon explained it to Pete in a few quick words while the men were hustling the big cable off the tug.