William Faulkner - Mosquitoes

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Over the course of a four-day yacht trip, an assortment of guests goes through the motions of socializing with their wealthy host while pursuing their own disparate goals. As the guests are separated into artists and non-artists, youth and widows, males and females,
explores gender and societal roles, sexual tension, and unrequited love as Faulkner delves into what it means to be an artist.
Faulkner’s second novel,
was first published in 1927, but did not receive any critical response until his literary reputation was well-established.

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She looked at him with a sort of patient exasperation. “Well, what are you going to do with it? Have you got any reason for keeping it? You didn’t steal it, did you? Don’t tell me you haven’t got any use for seventeen dollars, living like you do. I bet you haven’t got five dollars to your name, right now. Bet you came on this party to save food. I’ll give you twenty dollars, seventeen in cash.” He continued to gaze at her as though he had not heard. —and the king spoke to a slave crouching at his feet — Halim— Lord? I possess all things, do I not? — Thou art the Son of Morning, Lord — Then listen, Halim: I have a desire— “Twenty-five,” she said, shaking his arm.

“No.”

“No, no, no, no!” She hammered both brown fists on the rail. “You make me so damn madl Can’t you say anything except No? You — you—” She glared at him with her angry tanned face and her grave opaque eyes, and used that phrase Jenny had traded her.

He took her by the elbows, and she became taut, still watching his face: he could feel the small hard muscles in her arms. “What are you going to do?” she asked. He raised her from the floor, and she began to struggle. But he carried her implacably across the deck and sat on a deckchair and turned her face downward across his knees. She clawed and kicked in a silent fury, but he held her, and she ceased to struggle, and set her teeth into his leg through the gritty cloth of his trousers, and clung like a raging puppy while he drew her skirt tight across her thighs and spanked her, good.

“I meant it!” she cried, raging and tearless, when he had dragged her teeth loose and set her upright on his lap. There was a small wet oval on his trouserleg. “I meant it!” she repeated, taut and raging.

“I know you meant it. That’s why I spanked you. Not because you said it: what you said doesn’t mean anything because you’ve got the genders backward. I spanked you because you meant it, whether you knew what to say or not.”

Suddenly she became lax, and wept, and he held her against his breast. But she ceased crying as abruptly, and lay quiet while he moved his hand over her face, slowly and firmly, but lightly. It is like a thing heard, not as a music of brass and plucked: strings is heard and a pallid voluption of dancing girls among the strings; nay, Halim, it is no pale virgin from Tal with painted fingernails and honey and myrrh cunningly beneath her tongue. Nor is it a scent as of myrrh and roses to soften and make to flow like water the pith in a man’s bones, nor yet — Stay, Halim: Once I was. . once I was? Is not this a true thing? It is dawn, in the high cold hills, dawn is like a wind in the clean hills, and on the wind comes the thin piping of shepherds, and the smell of dawn and of almond trees on the wind. Is not that a true thing? — Ay, Lord. I told thee that. I was there.

“Are you a petter, as well as a he-man?” she asked, becoming taut again and rolling upward her exposed eye. His hand moved slowly along her cheekbone and jaw, pausing, tracing a muscle, moving on. Then hark thee, Halim: I desire a thing that, had I not been at all, becoming aware of it I would awake; that, dead, remembering it I would cling to this world though it be as a beggar in a tattered robe; yea, rather that would I than a king among kings amid the soft and scented sounds of paradise. Find me this, O Halim. “Say,” she said curiously, no longer alarmed, “what are you doing that for?”

“Learning your face.”

“Learning my face? Are you going to make me in marble?” she asked quickly, raising herself. “Can you do a marble of my head?”

“Yes.”

“Can I have it?” She thrust herself away, watching his face. “Make two of them, then,” she suggested. And then: “If you won’t do that, give me the other one, the one you’ve got, and I’ll pose for this one without charging you anything. How about that?”

“Maybe.”

“I’d rather do that than to have this one. Have you learned my face good?” She moved again, quickly, returning to her former position. She turned her face up. “Learn it good.” Now, this Halim was an old man, so old that he had forgotten much. He had held this king on his first pony, walking patiently beside him through the streets and paths; he had stood between the young prince and all those forms of sudden and complete annihilation which the young prince had engendered after the ingenuous fashion of boys; he had got himself between the young prince and the inevitable parental admonishment which these entailed. And he sat with his gray hands on his thin knees and his gray head bent above his hands while dusk came across the simple immaculate domes of the city and into the court, stilling the sound of birds so that the lilac silence of the court was teased only by the plashing of water, and on among the grave restlessness of the palms. After a while Halim spoke. — Ah, Lord, in the Georgian hills I loved this maid myself, when I was a lad. But that was long ago, and she is dead.

She lay still against his breast while sunset died like brass horns across the water. She said, without moving:

“You’re a funny man. . I wonder if I could sculp? Suppose I learn your face?. . Well don’t, then. I’d just as soon lie still. You’re a lot more comfortable to lie on than you look. Only I’d think you’d be getting tired now — I’m no hummingbird. Aren’t you tired of holding me?” she persisted. He moved his head at last and looked at her again with his caverned uncomfortable eyes, and she tried to do something with her eyes, assuming at the same time an attitude, a kind of leering invitation, so palpably theatrical and false that it but served to emphasize that grave, hard sexlessness of hers.

“What are you trying to do,” he asked quietly, “vamp me?”

She said, “Shucks.” She sat up, then squirmed off his lap and to her feet. “So you won’t give it to me? You just won’t?”

“No,” he told her soberly. She turned away, but presently she stopped again and looked back at him.

“Give you twenty-five dollars for it.”

“No.”

She said, “Shucks,” again, and she went on on her brown silent feet, and was gone. (Your name is like a little golden bell hung in my heart, and when I think of you. . ) The Nausikaa sped on. It was twilight abruptly; soon, a star.

SEVEN O’CLOCK

The place did appear impregnable, but then he had got used to feeling it behind him in his chair, where he knew nothing was going to happen to it. Besides, to change now, after so many days, would be like hedging on a bet. . Still, to let those two old bums kid him about it. . He paused in the door of the saloon.

The others were seated and well into their dinner, but before four vacant places that bland eternal grapefruit, sinister and bland as taxes. Some of them hadn’t arrived: he’d have time to run back to his room and leave it. And let one of them drunkards throw it out the window for a joke?

Mrs. Wiseman carrying a tray said briskly, “Gangway, Pete,” and he crowded against the wall for her to pass, and then the niece turned her head and saw him. “Belly up,” she said, and he heard a further trampling drawing near. He hesitated a second, then he thrust his hat into the little cubbyhole between the two shelves. He’d risk it tonight, anyway. He could still sort of keep an eye on it. He took his seat.

Fairchild’s watch surged in: a hearty joviality that presently died into startled consternation when it saw the grapefruit. “My God,” said Fairchild in a hushed tone.

“Sit down, Dawson,” Mrs. Wiseman ordered sharply. “We’ve had about all that sort of humor this voyage will stand.”

“That’s what I think,” he agreed readily. “That’s what Julius and Major Ayers and me think at every meal. And yet, when we come to the table, what do we see?”

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