Robert Musil - Posthumous Papers of a Living Author

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Posthumous Papers of a Living Author (1936) collects together short prose and fiction, almost all written between 1920 and 1929, under the headings 'Pictures', 'Ill-tempered Observations' and 'UnStorylike Stories'. It is Musil's most accessible work, the last book he published before his death in 1942, and one conceived as a unified whole. 'Where Proust seeks to crystallize a past, Musil is always pushing through that strange undergrowth to find out, if possible, where he is, where life is tending, and what is the explanation…' wrote V. S. Pritchett of Musil's masterpiece The Man without Qualities. The same search is evident in Posthumous Papers, whether Musil is considering monkeys, monuments, the Oedipus Complex, paintspreaders — 'he is to the painter what the pen-pusher is to the poet' — or the quests in a Roman boarding house. From the first fragment 'Flypaper' to the last story, 'The Blackbird', he writes in satires or parables of phenomenal wit and concentration, illuminating as he observes human life and 'the tiny traits by which it carelessly reveals itself'.

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Once during that time an enemy plane appeared in the sky over our quiet encampment. This did not happen often, for the mountains with their narrow gaps between fortified peaks could only be hazarded at high altitudes. We stood at that very moment on the summit of one of those funereal hills, and all of a sudden a machine-gun barrage spotted the sky with little white clouds of shrapnel, like a nimble powder puff. It was a cheerful sight, almost endearing. And to top it off, the sun shone through the tricolored wings of the plane as it flew high overhead, as though through a stained-glass church window, or through colored crepe paper. The only missing ingredient was some music by Mozart. I couldn’t help thinking, by the way, that we stood around like a crowd of spectators at the races, placing our bets. And one of us even said: Better take cover! But nobody it seems was in the mood to dive like a field mouse into a hole. At that instant I heard a distant ringing drawing closer to my ecstatically upturned face. Of course, it could also have happened the other way around, that I first heard the ringing and only then became conscious of the impending danger; but I knew immediately: It’s an aerial dart. These were pointed iron rods no thicker than a pencil lead that planes dropped from above in those days. And if they struck you in the skull, they came out through the soles of your feet, but they didn’t hit very often, and so were soon discarded. And though this was my first aerial dart — bombs and machine-gun fire sound altogether different — I knew right away what it was. I was excited, and a second later I already felt that strange, unlikely intuition: It’s going to hit!

And do you know what it was like? Not like a frightening foreboding, but rather like an unexpected stroke of good luck! I was surprised at first that I should be the only one to hear its ringing. Then I thought the sound would disappear again. But it didn’t disappear. It came ever closer, and though still far away, it grew proportionally louder. Cautiously I looked at the other faces, but no one else was aware of its approach. And at that moment when I became convinced that I alone heard that subtle singing, something rose up out of me to meet it: a ray of life, equally infinite to that death ray descending from above. I’m not making this up, I’m trying to put it as plainly as I can. I believe I’ve held to a sober physical description so far, though I know of course that to a certain extent it’s like in a dream where it seems as though you’re speaking clearly, while the words come out all garbled.

It lasted a long time, during which I alone heard the sound coming closer. It was a shrill, singing, solitary, high-pitched tone, like the ringing rim of a glass, but there was something unreal about it. You’ve never heard anything like it before, I said to myself. And this tone was directed at me; I stood in communion with it and had not the least little doubt that something decisive was about to happen to me. I had no thoughts of the kind that are supposed to come at death’s door, but all my thoughts were rather focused on the future; I can only say that I was certain that in the next second I would feel God’s proximity close up to my body — which, after all, is saying quite a bit for someone who hasn’t believed in God since the age of eight.

Meanwhile, the sound from above became ever more tangible; it swelled and loomed dangerously close. I asked myself several times whether I should warn the others; but let it strike me or another, I wouldn’t say a word! Maybe there was a devilish vanity in this illusion that high above the battlefield a voice sang just for me. Maybe God is nothing more than the vain illusion of us poor beggars who puff ourselves up in the pinch and brag of rich relations up above. I don’t know. But the fact remains that the sky soon started ringing for the others too; I noticed traces of uneasiness flash across their faces, and I tell you — not one of them let a word slip either! I looked again at those faces: fellows, for whom nothing would have been more unlikely than to think such thoughts, stood there, without knowing it, like a group of disciples waiting for a message from on high. And suddenly the singing became an earthly sound, ten, a hundred feet above us and it died. He — it — was here. Right here in our midst, but closer to me, something that had gone silent and been swallowed up by the earth, had exploded into an unreal hush.

My heart beat quickly and quietly; I couldn’t have lost consciousness for even a second; not the least fraction of a second was missing from my life. But then I noticed everyone staring at me. I hadn’t budged an inch but my body had been violently thrust to the side, having executed a deep, one hundred-and-eighty degree bow. I felt as though I were just waking from a trance, and had no idea how long I’d been unconscious. No one spoke to me at first; then, finally, someone said: “An aerial dart!” And everyone tried to find it, but it was buried deep in the ground. At that instant a hot rush of gratitude swept through me, and I believe that my whole body turned red. And if at that very moment someone had said that God had entered my body, I wouldn’t have laughed. But I wouldn’t have believed it either — not even that a splinter of His being was in me. And yet whenever I think back to that incident, I feel an overwhelming desire to experience something like it again even more vividly!

I did, by the way, experience it one more time, but not more vividly — Atwo began his last story. He seemed to grow suddenly unsure of himself, but you could see that for that very reason he was dying to hear himself tell the story.

It had to do with his mother, for whom Atwo felt no great love, though he claimed it wasn’t so. — On a superficial level, we just weren’t suited to each other, he said, and that, after all, is only natural for an old woman who for decades has lived in the same small town, and a son who, according to her way of thinking, never amounted to much. She made me as uneasy as one would be in the presence of a mirror that imperceptibly distorts the width of one’s image; and I hurt her by not coming home for years. But every month she wrote me an anxious letter, asking many questions, and even though I hardly ever wrote back, there was still something extraordinary about it; and despite all, I felt a strong tie to her, as the following incidents would soon prove.

Decades ago, perhaps, the image of a little boy had inscribed itself indelibly in her imagination — a boy in whom she may have set God knows what aspirations. This image could not thereafter be erased by any means; and since that long gone little boy happened to be me, her love clung to me as though all the suns that have set since then were gathered somewhere, suspended between darkness and light. Here it is again: that strange vanity that is not vain. For I can assure you that I don’t like to dwell on myself, nor as so many others do, to smugly stare at photographs of the person they once were, or delight in memories of what they did in such and such a place at such and such a time; this sort of savings bank account of self is absolutely incomprehensible to me. I am neither particularly sentimental, nor do I live for the moment; but when something is over and done with, then I am also over and done with that something in myself. And when on some street I happen to remember having often walked that way before, or when I see the house I used to live in, then even without thinking, I feel something like a shooting pain, an intense revulsion for myself, as though I had just been reminded of a terrible disgrace. The past drifts away as you change; and it seems to me that in whatever way you change, you wouldn’t do so if that fellow you left behind had been all that flawless. But for the very reason that I usually feel this way, it was wonderful to realize that there was a person who had for my entire life preserved this image of me, an image which most likely never bore me any likeness, which nonetheless was in a certain sense the mandate of my being and my deed to life.

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