Jonathan Foer - Here I Am

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Here I Am: краткое содержание, описание и аннотация

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In the book of Genesis, when God calls out, “Abraham!” to order him to sacrifice his son Isaac, Abraham responds, “Here I am.” Later, when Isaac calls out, “My father!” to ask him why there is no animal to slaughter, Abraham responds, “Here I am.”
How do we fulfill our conflicting duties as father, husband, and son; wife and mother; child and adult? Jew and American? How can we claim our own identities when our lives are linked so closely to others’? These are the questions at the heart of Jonathan Safran Foer’s first novel in eleven years-a work of extraordinary scope and heartbreaking intimacy.
Unfolding over four tumultuous weeks in present-day Washington D.C.,
is the story of a fracturing family in a moment of crisis. As Jacob and Julia and their three sons are forced to confront the distances between the lives they think they want and the lives they are living, a catastrophic earthquake sets in motion a spiraling conflict in the Middle East. At stake is the very meaning of home — and the fundamental question of how much life one can bear.
Showcasing the same high-energy inventiveness, hilarious irreverence, and emotional urgency that readers and critics loved in his earlier work,
is Foer’s most searching, hard-hitting, and grandly entertaining novel yet. It not only confirms Foer’s stature as a dazzling literary talent but reveals a mature novelist who has fully come into his own as one of the most important writers of his generation.

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But now, and without trying, she remembered her body. She remembered her breasts, which hadn’t been seen by another man, not sexually, since she was young. She remembered their heaviness, that they were the slowly descending weights powering her biological clock. They had appeared too early, but grew too slowly, and were referred to by the only college boyfriend whose birthday she still remembered as “Platonic.” They became so sensitive when she had her period that she held them as she walked around the house. Years after it was turned off for the last time, she still occasionally heard the asthmatic Medela breast pump struggling not to die. She had grown to know her breasts more intimately as there was more to fear, but she looked away when, each of the last three years, they were pressed between mammogram plates — each time the tech made the unsolicited promise that the machine delivered less radiation than she would be exposed to on a transatlantic flight. When Jacob took her to Paris for her forty-first birthday, she imagined the kids searching the sky for her plane, her breasts glowing like poisoned beacons for them.

What did she want?

She wanted everything on the outside.

She wanted something impossible, whose fulfillment would destroy her.

And then she understood Jacob. She had believed him when he said his words were only words, but she never understood him. Now she understood: he needed to stick his hand in the hinge. But he didn’t want to close the door on himself.

“I need to go home,” she said.

She needed something impossible, whose fulfillment would save her.

“That’s what you came here to tell me?”

She nodded.

He stood straight, now taller than he had been. “I get it that you’re on some sort of journey,” he said. “Nobody gets that better than I do. And I’m really glad to have served as a rest stop where you could stretch your legs, get some gas, and pee.”

“Please don’t be mad,” she said, almost like a girl.

Her skin was burning with fear — of his anger, of deserving it, of being, finally, justly punished for her badness. She could be forgiven for allowing her children to be hurt, but there is no punishment great enough for hurting one’s children knowingly. She was going to destroy her family — on purpose, and not because there were no alternatives. She was going to choose not to have a choice.

“I hope I facilitated a lot of growth,” Mark went on, now making no effort to contain his hurt. “I do. I hope you learned something with me that you can apply later with someone else. But if I can offer a little free advice?”

“I just need to go home,” she said, terrified of what he would say next, that by some magical justice it would kill her children.

“You’re not the problem, Julia. Your life is the problem.”

Kindness was worse than what she’d been most afraid of.

He opened the door. “And I say this wishing only for peace for both of us: know that next time I see your face on the screen, I’m not even going to watch you wait.”

“I need to go home,” she said.

“Good luck with that,” he said.

She left.

She took a cab to a hotel whose renovation she’d nearly been hired to oversee.

There was a cartoonishly large, unnaturally symmetrical floral arrangement centered under ten thousand chandelier crystals.

And a bellhop said something into a palmed microphone whose cord ran up his sleeve and down his side to a transmitter clipped to his belt — there had to be a better way to communicate.

And the desk clerk, who could almost have been Sam in fifteen years, but with a perfect left hand, asked, “How many keys will you be needing?”

She thought of saying, “All of them.” She thought of saying, “None.”

WHO’S IN THE UNOCCUPIED ROOM?

By the time Jacob came back downstairs with the pot, Tamir had already turned an apple into a pipe, seemingly without tools.

“Impressive,” Jacob said.

“I am an impressive person.”

“Well, you can certainly turn a piece of fruit into drug paraphernalia.”

“Still smells like pot,” Tamir said, opening the innermost bag. “That’s a good sign.”

They cracked some windows and smoked in a silence broken only by Jacob’s humiliating coughing. They sat back. They waited.

Somehow the station had changed to ESPN. Had the television achieved sentience and will? There was a documentary about the 1988 trade that sent Wayne Gretzky from the Edmonton Oilers to the L.A. Kings — the effects it had on Gretzky, Edmonton, L.A., the sport of hockey, planet Earth, and the universe. What at any other time would have compelled Jacob to either smash his TV or blind himself was suddenly the happiest reprieve. Had Tamir put it on?

They lost track of how much time passed — it could have been forty-five seconds or forty-five minutes. It mattered as little to them as it did to Isaac.

“I feel good,” Jacob said, leaning as he’d been told to do at the Passover seders of his childhood, as befits a free man.

“I feel very good,” Tamir said.

“Just basically, fundamentally … good .”

“I know the feeling.”

“But the thing is, my life isn’t good.”

“Yeah.”

“Yeah, you know? Yeah, yours isn’t, either?”

“Yeah.”

“Childhood is good,” Jacob said, “the rest is pushing things around. If you’re lucky, you give a shit about the things. But it’s different only by degrees.”

“But those degrees matter.”

“Do they?”

“If one thing matters, everything matters.”

“That is a seriously good impersonation of wisdom.”

“Lo mein matters. Stupid, dirty jokes matter. Firm mattresses and soft sheets matter. The Boss matters.”

“The Boss?”

“Springsteen. A heated toilet seat matters. The small things: changing a lightbulb, losing to your child at basketball, driving nowhere. There’s your Great Flatness. And I could go on.”

“Better still, do you think you could go back to the beginning and do that, exactly that, again, and I’ll record it?”

“Chinese food matters. Stupid, dirty jokes matter. Firm mattresses and soft sheets—”

“I’m high.”

“I’m looking at the chandelier from above.”

“Is it dusty?” Jacob asked.

“Another person would ask if it was beautiful.”

“People shouldn’t be allowed to get married until it’s too late to have kids.”

“Maybe you could get enough signatures to make that happen.”

“And having a gratifying career is impossible.”

“For anyone?”

“For good fathers. But it’s so hard to deviate. All these fucking Jewish nails driven through my palms.”

“Jewish nails?”

“Expectations. Prescriptions. Commandments. Wanting to please everyone. And the rest of them.”

“Them?”

“Did you ever have to read that poem, or journal entry, or whatever, by the kid who died in Auschwitz? Or maybe Treblinka? Not really the important detail, I just … The one about ‘Next time you throw a ball, throw it for me’?”

“No.”

“Really?”

“I don’t think so.”

“Consider yourself lucky. Anyway, I might not be getting it exactly right, but the gist is: don’t mourn for me, live for me. I’m about to get gassed, so do me a favor and have fun.”

“Never heard it.”

“I must have heard it a thousand times. It was the theme song of my Jewish education, and it ruined everything. Not because every time you throw a ball you’re thinking of the corpse of a kid who should have been you, but because sometimes you just want to veg out in front of shitty TV, and instead you think, ‘I should really go throw a ball.’”

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