Ulla-Lena Lundberg - Ice

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Ice: краткое содержание, описание и аннотация

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The epic of Island Life that has gripped Finland Winner of the Finlandia Prize Nominated for the Nordic Criti Prize
It is the summer of 1946. A novice Lutheran priest, his wife and baby daughter arrive at a windswept island off the coast of Finland, where they are welcomed by its frugal, self-sufficient community of fisher folk turned reluctant farmers. In this deeply atmospheric and quietly epic tale, Lundberg uses a wealth of everyday detail to draw us irresistibly into a life and mindset far removed from our own—stoic and devout yet touched with humour and a propensity for song. With each season, the young family’s love of the island and its disparate and scattered inhabitants deepens, and when the winter brings ice new and precarious links appear.
Told in spare, simple prose that mirrors the islanders’ unadorned style, this is a story as immersive as it is heartrending.

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The priest hands the child to Signe, as if he understood how she longs for children. He hurries over to the railing and the others follow. The skipper and Kalle are on their side of the railing, talking, and then they quickly heave ashore the large and the small sideboards and chests and tables and chairs, which now stand newly awakened on the dock.

“Ready to move right in,” says the organist. “Sea view and high ceilings.”

Two beds and a crib follow, then a kitchen table and benches and a dresser and a commode and two bicycles, and finally the household appears to be complete. The pastor’s wife counts and checks while the pastor dandles the child, who squirms in his arms and wants down. Adele looks into the cargo space and wonders how much merchandise the skipper has brought from Åbo for the Co-op, the islands’ only store. “Not so bad,” he assures her. “Things are starting to get back to normal, bit by bit.” Which in truth they all have a right to expect, a year and a half after the war.

The skipper and Kalle will take the boat over to the Co-op’s dock to unload its goods before they can head home, and now they look at the pastor’s wife and wonder if they’ve got everything off. She thinks they have, and the skipper looks to the engine and Kalle loosens the moorings and the priest thanks them once again. The boat starts to leave, but on the dock they all stand around talking, though they ought to go inside where it’s warm and get something to eat. As usual, it’s all up to Adele. “Can’t you all see these people are done in?” she says. “Now let’s put the most important stuff in the cart and go up to the parsonage.”

They amble through the morning dew up towards the big red parsonage, the air above the chimneys quivering with warm air from the tile stoves where the reception committee have built roaring fires. In the kitchen, there are saucepans and a teakettle dancing on the stove. The porridge is warm in its pot, and there is bread, buttered and waiting, covered, by the milk pitcher.

Just as they should, they stop to catch their breath. “My goodness, such lovely warmth! And we thought we’d be coming to a cold, damp house and wondered where we’d find the key!” And, “Is it possible? Is this for us? My dear friends, you’re too good!”

“Do sit down and help yourselves,” say the reception committee in various voices at practically the same moment, taking their own advice and sitting down. Adele has brought cups in a basket, along with enough ersatz coffee for everyone. Bread too, though the idea was that some should be left over for the pastor’s family.

“Oh, oh, oh, so good,” they say. “What bread! And butter! Look, Sanna, Papa’s putting a pat of butter on your porridge. Now a big spoonful! Wasn’t that good? Now show us how you can drink milk from a cup. And what wonderful coffee! Hot enough to warm my toes. I don’t know how we can ever thank you or pay you back!”

And much, much more. It’s lovely to hear, the kind of reward everyone deserves for a job well done. The reception committee sit and talk, though they know that the newcomers need to get themselves organized and get some rest. Such a long way they’ve come and how nice it is to be here at last and get such a warm, hearty welcome. Here they mean to stay, for they’ll never find a better place.

The priest asks what villages they’re from and wants to know if these are distant. The organist, with whom he’ll work most closely, comes from farthest away, but he waves that aside—what does it matter when he has a boat? The pastor has only to call on the telephone and he’ll come. The verger lives close by and has only a narrow channel to row across to get to the church, so he’ll be glad to come and help out. As will Signe, who now thinks she’ll head for the barn and milk the cows.

The pastor’s wife pricks up her ears, for she and Petter have taken over the former priest’s two cows. She brightens with interest and wonders if she can come along but then changes her mind when she stops to think of everything she has to deal with this morning. It will have to be this evening. “Signe, if you would be so kind as to do the milking today too, then maybe we can go together this evening. Starting tomorrow, I’ll take over.”

They look at her. Pastors’ wives don’t usually enter the cow barn, but this one says she comes from a farm and has a special interest in animal husbandry. “So it will be a lot of fun to have my own cows, even though there are only two of them,” she says, and the priest looks at her proudly. “She’s good at all sorts of things, my Mona,” he says. “We’ve certainly come to the right place, because we’re going to like all the farm work, in addition to the church work, I mean.”

He turns again to the organist, who is chairman of the vestry, and smiles and says they’re going to have a lot to discuss. He hopes it won’t intrude too much on his time if he suggests that they get together informally this week and go over the parish routines, and the organist readily agrees. Adele can see that he likes this priest already, likes him even more than expected. He would have been equally obliging, though somewhat more guarded, towards a priest he liked less, but now he’s looking forward to adopting the new man and supporting him. As he’s done with a number of people he’s close to, whether or not it served him well. As he did with Adele, although, to her quiet sorrow, he was already married when she came to the Örlands.

The priest’s wife says she thinks she’ll send Petter to the store this very day, when he’s rested a little, and so he is given directions. He can put his bicycle in the skiff and row across the little inlet, and from there it’s only five kilometres to the store. “It’s nice you’ve got roots in Åland,” says Adele. “It’s been a great source of amusement to watch some of the priests from the city try to row a boat.”

Petter laughs heartily and says how fortunate he is to have already made the acquaintance of the Co-op’s manager, who looks like she might become a friend in need. Adele tells him he’ll be very welcome at the store, and she’ll look forward to his visit. He sits there at the table as if he had all the time in the world, but his wife has grown restless and gets up with her wilting daughter in her arms and looks for a place to put the child down. We ought to get our things into the house, she thinks, and get the essentials in place as quickly as we can.

Adele watches her restrain her irritation at them for not having the good sense to go home, filled to bursting as she is with all the things she wants to do, and she notices quite unexpectedly that she likes the pastor’s wife too, and quite a lot. Because they’re both cut from the same cloth, industrious types, called to step in if anything is going to get done. They look at each other and smile. Mona has also taken the measure of Adele Bergman. Adele stands up and says, “All right, my friends, I think we should let the pastor and his wife put their house in order! Thank you so much. And, once again, welcome to the parish. The men can carry up your furniture from the dock, and then we’ll say thank you for today and hope to see you soon again.”

People in the villages like to say that Adele is bossy, but for many it’s a relief that someone takes charge. The organist and the verger and Elis deliver their thank-yous and head happily for the dock, and Petter runs after them and says for heaven’s sake he can help to carry his own belongings. Four men take care of it all in no time, and soon enough everything is assembled in the parsonage parlour.

Goodbye and thank you and thanks again. The verger and Signe head off to the cow barn and Adele and the organist and Elis walk down to the church dock, happy as children, true friends of the church. Light at heart, for this has gone well.

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