Джон Голсуорси - On Forsyte 'Change

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On Forsyte ‘Change deals in the main with the older Forsytes before the events chronicled in The Man of Property. Galsworthy states in a Foreword that “They have all been written since _Swan Song was finished but in place they come between the Saga and the Comedy…”. By way of explanation he says that “_It is hard to part suddenly and finally from those with whom one has lived so long; and these footnotes do really, I think, help to fill in and round out the chronicles of the Forsyte family”.

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Aunt Juley's Courtship, 1855

The Crimean war and the marriage of Septimus Small with Miss Julia Forsyte, which both occupied part of the year 1855, were linked by a water picnic arranged for the entertainment of that 'hero,' Major Small, a younger brother of Septimus, who had been wounded in the leg. What bound Septimus himself to the Forsyte family was indubitably architecture, for he was a member of the firm of Dewbridge, Small and Keyman, who specialised in the domestic Gothic, which at that period was subjugating the taste of the British Islands. Roger Forsyte, in the course of his profession— the collection of house property—had many dealings with this firm which had designed for him a row of houses on a site he had picked up in Kensington, then somewhat out of the world; and to Septimus Small's riverside villa at Twickenham Roger sometimes repaired on Sundays to consummate his plans over cigars and claret cup. After his marriage in 1853 he would be accompanied by Mrs. Roger, and they would take her on the river, paddling with a rather deep–sea stroke, in long whiskers, ducks, and shallow wide–brimmed straw hats, while pretty little Mrs. Roger held the tiller and covered the boat's stern and other matters with her crinoline. In the severe winter 1854 Septimus, a man of weak constitution, inadvertently contracted bronchitis. He emerged with the long full beard and the cough which subsequently secured for him the cognomen 'Cough Lozenge' from the young Rogers, who all made their appearance between the years of '53 and '62—George, inventor of the nickname, having '56 to his vintage. There can be no doubt that it was this cough and long beard which won the heart of Julia, then barely 'Aunt Juley,' since only young Jolyon, young Roger, young Nicholas, Ernest, and St. John Hayman had been born, and were still mostly in the cradle. When, years later, she heard that dear Septimus went about being called 'Cough Lozenge' in the family, she nearly had a fit.

In 1855, at the age of forty, she had a certain pink and pouting charm; but would have denied with vigour Roger's frequent remark to Mrs. Roger: "Juley's setting her cap at Sep." The idea! HER cap, indeed, when it was entirely for HIS good, and his least cough set her trembling with a sort of delighted pity! He did so want someone to look after him and see that he took care at night, and to trim his beard, that was so manly and so sensible, covering his chest. To her the notion that anyone so interesting–looking, almost handsome, should be a 'confirmed bachelor,' as Roger put it, was painful. Her sister Susan, too, seven years younger than herself, and already for three years wedded to John Hayman, was always telling her how John admired her in this dress or in that, and had once gone so far as to imply that he admired her in nothing—so daring of Susan—not quite nice!

When, then, in July of 1855 she was invited to come with Roger and his wife to this water picnic, she was all of a flutter and gave much thought to her costume. She came out finally in pink with green ribbons in her bonnet, and a perfectly new crinoline. Roger, living then in Bayswater, warming a house that he intended to sell shortly at a reasonable profit—not till 'sixty–nine did he anchor himself permanently in Prince's Gate—called for her with his carriage of a new–fangled shape named 'Victoria' (always so unusual, Roger—eccentric, some people called it). On the way down to Twickenham he had to sit back to the horses on a narrow little seat that came out from below the high box, and was propped up with an iron stand; and he was so cross that it was quite a relief to them all three when they arrived, and dear Mr. Small met them at the gate, looking most manly in a puggaree and white trousers— 'ducks,' Roger called them, he was so droll. In his hand, too, he had a bunch of picotees, and held them to her nose with quite an air. "These are for you, Miss Julia," he said. Tucked into her fichu they went beautifully with her dress, and were so fragrant; it would have been perfect if Roger had not closed his left eye quickly two or three times. As if—! Then they all went into the house to meet Major Small and have light refreshment before going on the river.

'Parsons' Villa' (Aunt Juley subsequently changed the name to Sunninglea) had not been built by Dewbridge, Small and Keyman; it was in fact Georgian, on two floors, with French windows from the drawing–room on to the lawn, the river close below, and a little island opposite. In the drawing–room were four persons, making eight in all for the picnic: Major Small, a fine, full–bearded figure of a man, with a stiff leg, in a tussore suit; Hatty Chessman, always the life and soul of any party, and—"Who do you think, my dear?"—Augustus Perry; almost famous for those delightful books with music and rhymes in them, and his recitals at parties. It was he who made up that 'Round' which became so popular:

"A boat, a boat unto the ferry,

And we'll go over and be merry,

And laugh and quaff and sing Down–derry."

And he had witty variations for the last line, such as: "And laugh and quaff and drink brown sherry," or: "And laugh and quaff— Augustus Perry."

Seated on a chintz–covered chair with a glass of sherry cobbler in her hand, and a bowl of lavender close to her nose, Julia could not help looking at Mrs. Augustus Perry and wondering a little if she liked being the wife of anyone so popular, so sought after as Gus Perry, who played the guitar, too. She was hoping so much that she herself would not be in a boat with Roger—he was such a tease, especially if their dear host were in the same boat. And she hoped he was noticing how brightly she was talking with Major Small; and indeed it was an honour to be talking to him, for after all it was he who had the stiff leg, and was the hero; but all the time she contrived to watch their dear host and to note that he looked a little anxious. Then they all went down across the lawn to the two boats, so graceful, with striped cushions and brown varnish. It WAS a moment, not knowing in which boat she was to be, with Augustus Perry cracking so many jokes. But her arm was taken gently, firmly, above the elbow by Mr. Septimus, and she was stepping into a boat, and sitting down quite quickly beside her sister–in–law on the stern seat.

"My dear," she said, "I hope I am not required to steer. It's such a responsibility."

"Oh! I will steer, dear Juley," replied her sister–in–law.

Crinoline by crinoline they sat, and—so gratifying—who should step into the boat but dear Mr. Septimus himself, and Augustus Perry. She could not help smiling when that droll Gus said:

"I shall take my coat off, Sep."

And Mr. Septimus, always courtly, asked:

"Do you mind, ladies?" Indeed, they didn't!

So both took their coats off, and placed the oars in the rowlocks. And then the boat glided out. It WAS delightful! Julia felt, somehow, that not only herself, but dear little Mary beside her, who was looking so pretty, was glad that dear Roger (even though he was her husband) was not in their boat. How beautifully they rowed, almost together; Augustus Perry—his face was so round, without whiskers or anything—kept popping it out from behind Mr. Septimus's back, to make such amusing remarks. And then he 'caught a crab' on purpose! How they did laugh; he looked so droll! So first they went up the stream, and then they came down the stream, with the water all green and the swans all white—and landed on the little island opposite Parson's Villa, where they found the picnic baskets—fancy! It WAS all beautifully planned, and so romantic under the willow trees, with rugs for them to sit on, and Augustus Perry's guitar, quite like a picture by Watteau.

The lunch was exquisite: lobster salad, pigeon pie, tipsy cake, raspberries, and champagne: with plates and spoons, forks and napkins, and a dear little water rat looking on. She had never enjoyed anything so much, and she was really quite relieved when Major Small flirted outrageously with Hatty Chessman, and gave them no more anxiety. To be waited on by their dear host was such a privilege, and Roger and Gus Perry were so droll; altogether it was enchanting. When they had all finished lunch and the gentlemen were smoking their cigars, they sang some delightful 'rounds': 'A boat, a boat,' 'Three blind mice,' 'White sand and grey sand.' Mr. Septimus's voice was so manly—deep and hollow, almost like an organ. Then they played hide–and–seek. Each in turn was allowed five minutes to hide from the others—such a clever idea, so thoughtful. She herself hid among some willow bushes, and who do you think found her? Mr. Septimus: he was so surprised! When they had all hidden it was time for tea, and such a to–do boiling the kettle. Roger, indeed—it was just like him—suggested that they should leave the kettle and go over and have tea in the house; but that would have destroyed all the romance. And when at last the kettle did boil, it would have been a delicious cup, only the water was smoky. But nobody minded, because, of course, it was a picnic. Then came the moment when the other six got into one boat and rowed away. It seemed quite providential. So she and their dear host helped the servants to pack everything in the other boat to take over to the house. While they were doing that, she noticed that he coughed three times.

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