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Джанет Фитч: The Revolution of Marina M.

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Джанет Фитч The Revolution of Marina M.

The Revolution of Marina M.: краткое содержание, описание и аннотация

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From the mega-bestselling author of White Oleander and Paint It Black, a sweeping historical saga of the Russian Revolution, as seen through the eyes of one young woman One of Entertainment Weekly’s Most Buzzworthy Books of Fall 2017 St. Petersburg, New Year’s Eve, 1916. Marina Makarova is a young woman of privilege who aches to break free of the constraints of her genteel life, a life about to be violently upended by the vast forces of history. Swept up on these tides, Marina will join the marches for workers’ rights, fall in love with a radical young poet, and betray everything she holds dear, before being betrayed in turn. As her country goes through almost unimaginable upheaval, Marina’s own coming-of-age unfolds, marked by deep passion and devastating loss, and the private heroism of an ordinary woman living through extraordinary times. This is the epic, mesmerizing story of one indomitable woman’s journey through some of the most dramatic events of the last century.

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In the dining room, we picked at the remains of the feast laid out on yards of white damask—roast goose with lingonberries, salad Olivier, smoked salmon and sturgeon and sea bass, the mushrooms we’d picked that autumn. Blini with sour cream and caviar. No boeuf Wellington as in past years, boeuf having disappeared with the war. But Vaula’s Napoleons glistened, and the Christmas tree exuded its resin, which blended with the smell of Father’s cherry tobacco, imported all the way from London by friends in the British consulate. Yes, there he was, in the vestibule, lounging in his tailcoat, his shirt a brilliant white. Handsome, clever Father. I could tell he had just said something witty by the way his dimples peeked out from his neat reddish-brown beard. And beside him on the table lay his gift to me in honor of my upcoming birthday—my first book of verse. I’d been obsessively arranging and rearranging the small volumes all day around a giant bouquet of white lilacs. I admired the aqua cover embossed in gold: This Transparent Twilight, by Marina Dmitrievna Makarova. It would be a parting gift for each guest. The poet Konstantin Balmont, a friend of my mother’s, had even reviewed it in the Echo, calling it “charming, promising great things to come.” I’d had more sensuous, grown-up poems I’d wanted to include, but Father had vetoed them. “What do you know about passion, you silly duck?”

Still, I agonized when anyone picked up a volume and paged through it. What would they think? Would they understand, or treat it as a joke? By tomorrow, people would be reading it, and around the dinner tables, they’d be saying, That Makarov girl, she really has something . Or That Makarov girl, what an embarrassment. Well, at least her father loves her . I tried to remember the ship, the South Seas, and told myself—who cared what a bunch of my parents’ friends thought? Varvara took glasses of champagne off Basya’s tray and handed them to us, “To Marina’s book and all the tomorrows.” She drank hers down as if it were kvas and put it back on the tray. Our maid scowled, already unhappy in the evening uniform she loathed, especially the little ruffled cap. She’d been on her feet since seven that morning.

The champagne added to my excitement. My father cast me an affectionate glance, and a sharp one of disapproval for my brother. He’d so wanted Seryozha in school uniform, hair shorn, looking like a seryozny chelovek —a serious person—but Mother had defended him, her favorite. “One night. What harm could there be in letting him dress as he likes?”

In the big salon, couples whirled and jewels flashed, though not so garishly as in the years before the war. In the far corner, the small orchestra sweated through a mazurka, and people who shouldn’t have, danced. A red-faced man lowered himself into a chair. My head swam in the heady mix of perfume, sweat, and tobacco. And now, a slightly fetid sweetness like rotting flowers announced the approach of Vsevolod Nikolaevich, our mother’s spiritual master, pale and boneless as a large mushroom. He took my hand in his powdery soft one. “Marina Dmitrievna, my congratulations on your book. We’re all so very proud.” He kissed it formally—the lips stopping just short of the flesh. He dismissed my friends at a glance—Varvara in her purple-black, Mina in homemade blue—as people of no consequence, and zeroed in on my brother. “Sergei Dmitrievich. So good to see you again.” He proffered his flabby hand, but my brother anticipated the gesture and hid his own behind his back, nodding instead. Unflappable, Vsevolod smiled, but took the hint and retreated.

Once the mystic was out of sight, Seryozha extended his hand floppily, making his mouth soft and drooly. “Wishing you all the best!” he snuffled, then took his own hand and kissed it noisily. It took many minutes for us to catch our breaths as he went through his Master Vsevolod routine, ending by reaching into a bouquet, plucking a lilac, and munching it.

I swayed hopefully to the music, my head bubbling like the champagne—French champagne, too, its presence in wartime negotiated months in advance—and watched the sea of dancers launch into a foxtrot. I was an excellent dancer, and hated to wait out a single number. Having removed her glasses, Mina squinted at what must have been a blur of motion and color while Varvara examined the Turkish pants and turbans of the more fashionable women with a smirk both ironic and envious. One of the British aides had just smiled at me over his partner’s shoulder, when a vision beyond anything I could have wished for up in the nursery swam into view: a trim, moustached officer with uptilted blue eyes, his chestnut hair cropped close, lips made for smiling. Heat flashed through me as if I’d just downed a tumbler of vodka. Kolya Shurov was back from the front.

Was he the most handsome man in the room? Not at all. Half these men were better looking than he was. And yet, women were already smiling at him, adjusting their clothing, as if it were suddenly too tight or insecurely fastened.

Kolya was coming this way. Mother was leading him to us!

“Enfants, regardez qui en est venu!” she said, glowing with pleasure. She always loved him—well, who didn’t? Look who’s here! “Just in time for New Year’s.”

He leaned in and kissed my cheeks formally, three times—for Father, Son, and Holy Ghost—and I caught a whiff of his cologne, Floris Limes, and the cigar he’d been smoking. He held me out at arm’s length to examine me, beaming as if I were a creature of his own invention. The blood tingled in my cheeks under his scrutiny, the warmth of his hands through the thin sleeves of my dress. My face flushed. I could hardly think for the pounding in my chest. “Look how elegant you’ve become, Marina Dmitrievna. Where’s the skinny girl disappearing around corners, braids flying out behind her?”

“She disappeared. Around a corner,” I said, an attempt at wit. I wanted him to know that things had changed since he’d last seen me. I was a woman now—a person of substance and accomplishment. He couldn’t treat me like that girl he used to whirl around by an arm and a leg. “It’s been a while, Kolya.”

“How I’ve missed beautiful women.” He sighed and smiled at Mina—she was blushing like a peony. My God, he would flirt with a post!

Now he embraced my brother, clapping him on the back, ruffling his hair. “And how is our young Repin? Nice shirt, by the way.” That shirt, which Seryozha had sewed himself and which my father had mocked. Kolya took him by the shoulder, turned him this way and that, examining the needlework. “I should have some made up just like it.” Who didn’t love Kolya? None of Volodya’s other friends ever paid us the least attention, but Kolya wanted everyone to be happy. No one escaped the wide embrace of his nature. “Are you still waiting for me, Marina?” he said into my ear. “I’m going to come and carry you off. I told you I would.” When I was a scabby-kneed six-year-old and he a worldly man of twelve.

Was this the ship, then, the wax sails? Kolya Shurov? Blood roared in my ears. The intensity of my desire frightened me, I wanted to put words between us, like spikes, to keep myself from falling into him like a girl without bones. “You’re too old for me, Kolya,” I said. “What do I need a starik for?” But that was wrong, too, horrible. Oh God, how to be! I imagined myself a woman, but at times like this, I could not find my own outlines. For all my hours of mirror gazing, and the poems addressing my vast coterie of nonexistent lovers, I was a mystery to myself.

“Not so old anymore,” he said. “When the war’s over, six years’ difference will be—nothing.” He chucked me under the chin, as if I were ten.

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