Barry Unsworth - The Ruby In Her Navel

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If one had the misfortune to be born in the 12th century, then Sicily was the place to be. The Normans had conquered the island, finding it effectively divided in two, inhabited partly by Arabs, partly by Greeks. From the outset, they had given both these communities major responsibility in the government. As well as Latin and Norman French, Greek and Arabic were official languages of the developing state; and when in 1130 that state became a kingdom under Roger II, it was already an example to all Europe of cultural and religious toleration. The chief minister and head of the all-important navy was always a Greek (our word admiral derives through Norman Sicily from the Arab title of emir), while the treasury was entrusted to Arabs, whose mathematics were better than anyone else's.
Roger himself was as unlike a Norman knight as it is possible to be. Brought up in Palermo by an Italian mother in a world of Greek and Muslim tutors, he was a southerner – indeed, an oriental – through and through; and the chapel that he built in the Royal Palace is one of the wonders of the world. The ground plan is that of a western basilica; but the walls are encrusted with Byzantine mosaics as fine as any in existence, while the wooden roof, in the classical Islamic style, would do credit to Cairo or Damascus. Here as nowhere else the Norman achievement is given visual expression.
But of course it was all too good to last. The independent Norman kingdom of Sicily endured only 64 years, ending soon after the death of the last legitimate king, William the Good. But perhaps that kingdom, swallowed up by the Holy Roman Empire, carried within itself the seeds of its own destruction. It was too heterogeneous, too eclectic, too cosmopolitan. It hardly tried – or perhaps it had no time – to develop any natural traditions of its own. And it paid the price.
Here, then, is the tragedy that forms the backdrop to the Booker-longlisted The Ruby in her Navel. Nowadays the story of Norman Sicily is largely and undeservedly forgotten; knowing it and loving it as I do, I picked the book up with some trepidation (which, I may say, was hardly diminished by its appalling title). But I have long admired its author, so I plunged in – and was instantly, and almost literally, transported. Now, it is not easy to transport a reader 1,000 years into the past, into a country and cultural climate 1,000 miles away from his own; I can only say that Unsworth succeeded triumphantly. His hero, born in England of a Norman father but brought to Sicily as a child, tells his story in the first person. It begins with him working as a civil servant in the office of a high-ranking Arab; he is sent on a mission to Calabria, where he meets a troupe of travelling dancers from eastern Anatolia (one of them the owner of the eponymous navel) and where he is accidentally reunited with a childhood sweetheart, now unhappily married. There follows a somewhat picaresque story of love, betrayals and attempted regicide, all of it set against the constant rivalries of Latin and Greek, Christian and Muslim – the latter further exacerbated by the recent catastrophic second crusade.
It is a good story, which holds the attention from start to finish; but its real strength lies in the power of the author's historical imagination. He made me feel what it was actually like to live, work and travel in Norman Sicily. There is no whitewashing; almost all the characters, including the narrator himself, are to a greater or lesser degree unpleasant. But life, one feels, was never dull, if one had the misfortune to be born in the 12th century.

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I could not long remain where I was, in any case; my presence among them was the chief impediment to my hopes; while I was in Adhemar's company I certainly would not succeed in seeing Alicia alone. So after some further talk I made as if I was retiring, bade them good night and walked a little way off towards the place where I had left my boat.

I did not go far, only into the darkness of the trees. From here I could watch without being seen, as they were still in the light of the fires.

Servants with lighted lanterns were waiting at the little jetty where the boats were moored, which made me fear that people might be returning to the palace before long, and Alicia with them, constrained by her brother and uncle. I waited there and watched and hoped – it was all I could do. For some time they stood talking together. Then – miracle of miracles! – the two men withdrew together, though they did not speak any farewells, or take definite leave, as far as I could tell; it was as if they were intending shortly to return. I thought perhaps they had gone to relieve themselves. Alicia remained alone and took some steps towards the moored boats and some steps back towards the fires.

It was my chance, the only one I might have. I went through the trees towards her. I came into the open and Alicia saw me and paused a moment then walked towards me. I took a lantern from one of the men waiting there, and holding this in one hand I held out the other to her. When I would have led her into the cover of the trees she held back, but I told her that the boat was there, not far away, and I begged her to give me her company, if only for a little time, to let me be with her when no one else was by, and at these words she resisted no longer but followed behind me as I held the lantern up to show the way.

The place where I had left the boat had not been well chosen: there was no secure stepping place on to it from the shore. I had to bring it close and help her on to it while holding up the lantern so she could see where she was setting her feet. In order successfully to achieve this I was obliged to go over my knees in the water and she was concerned and said that now I would be wet and uncomfortable and it would be her fault. But her hand was on my shoulder and mine rested a moment against the small of her back as she got on the boat, and I felt heat not chill and this I told her and she laughed and said my name in a tone that lay between remonstrance and tenderness and my heart expanded to hear her say it thus. Nevertheless, I was thankful that it had not befallen at a time when I was wearing my new hunting clothes.

The boat had two narrow benches. She took one and sat facing me while I seated myself on the other and took up the paddle, which had only one blade and so had to be used from side to side. The lantern we set between us. There was no breath of wind; the surface of the water was still and dark, no faintest tremor on it as it stretched away across the lake. The ripples and rings of earlier, when there had still been light, insects skating on the surface, fish rising, were gone now. The light from the lantern was cast upward over her bosom and face, and white moths came out of the shadows of the bank to flutter against the flame.

I paddled out into the open water, taking the moths with us, aware of nothing for the moment but her face before me and the need not to shed a single drop of water on her as I crossed the paddle from one side to the other. As we moved out towards the middle of the lake, I had the feeling that together she and I were entering a territory altogether new, a place from which we would not emerge unchanged. I brought in the paddle and the boat drifted round, following some current of the water imperceptible on the calm surface.

I began now, as my exhilaration subsided, to see some disadvantages in this boat. I could only look at Alicia, I could not touch her. At the most, leaning forward, I could have laid my hand on her knee, but such a gesture could have had no sequel, would moreover seem grotesque, as if I were about to offer some ponderous advice, like a wise elder. Closer than that, without much care on my part and extreme docility on hers – and it was too soon for that – I could not get, without risking to send us both overboard, the boat being too light and shallow, too easily overturned. Always, always, there was some impediment. The time was short, there was a journey to make, Adhemar might be watching. And now this closeness and farness of her…

As the boat moved in its slow arc I saw the turrets and domes of the palace outlined against the sky and the cluster of lanterns at the landing stage. The fires must have been replenished, the light from them lay red across the water, reaching almost to the opposite shore. A boat with a lantern at its prow was crossing the water and it passed through this reflection of the fire and the lantern was not reddened but silvered by it.

"We must not stay long," she said, thus unwittingly adding to my discontent.

"When will we have time for ourselves," I said, "without some one watching, someone waiting?"

"Soon now, my love. We must be patient."

This came in the deeper, surer tone of the woman she had become, but the soft endearment and the ceaseless need for patience before the tyranny of time had all the essence of our early love, and memories of this came flooding back to me now and it was as if nothing had changed: the night that surrounded us, this boat in which we drifted on the dark water, seemed no different from an obscure corner in the castle of Richard of Bernalda, one of the many where we had met and kissed and made our promises. I spoke words of love to her now as I had then, and now, as then, the fullness of my heart made the words stumbling. I vowed my service of patience to her. I was her knight, I said, she had made me so by her touch on my head. I would show my service in patience. Was not patience in devotion the quality of a true knight?

"You will be my true knight before the world," she said. "You will be my husband, if you so desire. When next we meet it will be to exchange our vows and make our betrothal known. Now we must return, I must rejoin my uncle and brother. They will be wondering what has befallen me."

So calmly uttered had these words been that I had obediently taken up the paddle before the promise in them came fully home to me. When it did so I could find no words but those of adoration, and these came in a rush. As I swung the little boat round and headed for the fires that were still blazing at the lakeside, my exultation knew no bounds, I blessed the sky and the water, the very night itself, for my good fortune, and as I did so, at that same moment, we crossed in our boat some invisible line and entered the territory of the mirrors: the leaping fires and the lanterns clustered at the landing stage and those on the boats returning to the palace and the shifting reflections of all these on the water and even the drops from my paddle that were caught in the starlight, all began to wheel and tilt and multiply and stretch away, rank upon rank, into a distance that seemed infinite, the heat haze above the fires shimmered over the water and a multitude of boats trembled in this heat and the ripples of it played like a soundless music on the turrets and towers of the palace and suddenly, between one thrust of the paddle and the next, I saw an exact copy of Alicia sitting behind me, somewhere on the water, her bosom and face illuminated.

An exclamation of wonder rose to my lips at this celebration of my happiness – for so I took it to be. But it was never uttered, because Alicia had made no sound at all and her face had not changed, nor her posture on the seat, and so I knew that she could not have seen this spectacle, only I had seen it, it was I who had my face towards the turning mirrors.

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