Rose Tremain - Restoration

Здесь есть возможность читать онлайн «Rose Tremain - Restoration» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Историческая проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Restoration: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Restoration»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Robert Merivel, who has studied to be a physician, is appointed, ironically, to be veterinarian for the spaniels of King Charles II, who has recently been restored to the throne following the death of Oliver Cromwell. Merivel enjoys the gaiety and frivolity of court life, and, a bit of a fool, he entertains the king. The king's decision to placate one of his lovers by marrying off his favorite mistress to Robert Merivel, spells the beginning of the end for Merivel's tenuous fortunes. Warned not to fall in love with his wife, Celia Clemence, since the king intends to continue seeing her, Merivel cannot help himself, and he is cast out, losing not only the king's affection, but also his house and, of course his wife.
Joining a group of men who work at an asylum for the insane, Merivel learns that there are deeper concerns in life than the hedonism of his life at court, and he develops genuine affection for several of the kindly Quaker men with whom he works. When he transgresses the society's rules, however, he is cast out from there, too, ending up in London at the time of the Great Plague and eventually the Great London Fire.
Painting vivid pictures of Merivel's life-at court, at the asylum in Whittlesea, and in the neighborhoods of London -author Rose Tremain brings the age, its customs, its science, and its social structure to life. The years of 1664 – 1666 are especially difficult, and as Merivel lives through the horrors of the Plague and the panic of the Great Fire, which Tremain recreates with the drama they deserve, the reader can see Merivel becoming less a fool and more a human. Like the restoration of the king to the throne, Merivel's "restoration" to dignity takes place after a period of dark reflection and self-examination, and both Merivel and the country learn from their travails.
Tremain develops Merivel's personal transformation with sensitivity, finesse, and much ironic humor, and when, at last, he is noticed again by the court, his understanding of himself and his role in the world is far more profound than it was before. Depicting the personal and the philosophical turmoils of these early Restoration years with a historian's eye for detail and a detached observer's sense of wit, Tremain illustrates the contradictions of this period realistically and often with dark humor. A fine historical novel, Restoration transcends its period, offering observations, themes, and lessons for the present day.
Mary Whipple

Restoration — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Restoration», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

"I do declare," says the King at last, "that your idea of an annulment may be very useful, for then I shall be able to compensate Celia for the loss of my person at Kew by giving her a new husband: a young, handsome one this time! What do you think? Will this console her? What about Lord Greville d'Arblay's son, who is a very beautiful boy?"

I reply that I cannot – knowing Celia the little that I do -make any guess about who or what may compensate her, but the King, suddenly serious, shakes his head and says quietly: "That is not so. For we both know that nothing in the world will make up for what she has lost."

"Yes, we know it," I reply, "but it is Uncomfortable Knowledge."

"Precisely. So where shall we consign it?"

"I do not know, Sir."

"Yes, you do."

"Where, then?"

"To oblivion, of course."

And so we change the subject, and the great matter of my wife, the King's mistress, seems to pass out of my life entirely, so that my memory of Celia's face and of her singing voice fades and floats away into silence. And I feel a profound peace coming upon me, a peace such I cannot remember since I was a child and sat in the quiet of Amos Treefeller's room while my mother stroked my hair and told me it was the colour of sand.

In this state of quiet and content, I decide that I will tell the King about my child. And I discover that the story of Margaret moves him very much and he, in turn, tells me what a great love he feels for the first of his bastard children, the Duke of Monmouth, and advises me not to neglect my child "but let her into your life, Merivel, and give generously of your self to her."

I nod and promise that I will and then, because I am thinking about Margaret, I turn my head and look out of the open window eastwards along the river. And this is what I see. I see a great patch of orange light in the sky. I turn back to the King. "Sir," I say, "look there! If I am not mistaken a great part of the city is burning."

No sooner had I said this than we heard voices in the chamber beyond us and then there was a knocking at the door. The King rose at once, his mood of kindness leaving him on the instant, so that his countenance appeared suddenly dark.

Men began to crowd into the chamber. One I recognised as the clerk from the Navy Office, with whom I had once learned about the patience of a marble cutter. And it was he who now related to the King how an easterly wind had sprung up within the hour and was now blowing the fire "along a great pathway half a mile in width."

Forgetting me entirely, the King went with this man and the others into his Drawing Room and I heard him command them to fetch out the Lord Mayor and give him orders that all the wooden houses in the path of the fire be demolished, "this being the only way we can employ to halt it and put it out." The men went away in great haste and I heard the King shout to Chiffinch to go tell his brother, the Duke of York, what was happening and to send for a groom to saddle a fast horse.

And then he went rushing out of the great doors to the Stone Gallery without any word to me or any backward look and I was left alone in his apartments and the only sounds were the chiming and pinging of two hundred clocks, each in their own time beginning to strike the hour.

I remained where I was for several minutes, with my thoughts in a most tangled condition. Then I saw all at once what I had to do: I had to reach Margaret. I went down into the courtyard and asked for my horse. While waiting for her to be brought to me, a gust of wind blew off my hat and sent it spinning away into a flower bed. I retrieved it and held it in my hand. Then I mounted Danseuse and rode out of the gates and turned eastwards in the direction of the moneylender's house, which, as far as I had been able to determine from my sighting of the flames, lay in the very heart of the fire.

The wind was indeed fierce and blew into my face and ruffled Danseuse's mane. As we got near to the City, I saw countless pieces of charred matter, lighter than air, being carried on the wind and falling softly like snow all around me. And then I could smell the burning and with every breath seemed to breathe the smell more deeply into me, so that it made me choke and gag and I spat on the cobblestones.

The streets, now, were very packed with people, some moving with me into the stench and the smoke, carrying ladders or hauling handcarts, some in their nightgowns, just standing about in the street and staring, others giving way to fear and calling on God and the King to put out the flames.

I turned northwards up St Anne's Alley. I gauged that westward of London Bridge everything along the river was burning, so that to get to the money-lender's house I would have to skirt right round the fire. But the smoke now began to creep down into the streets like a fog and having turned north, then east, then north again and then east again I found myself in a street I did not recognise and with all sense of direction gone from me.

"Where am I? What street is this?" I asked about me, but no one seemed to hear me or pay me any attention, so all I could do was to press on, turning north, then east, then north again, trying to judge from the smell of the fire whether I was moving round it or still towards it and searching every narrow street for some name or landmark that would tell me where I was.

I was about to make another northward turn when I heard straight ahead of me a great commotion of people and then I saw through the smoke that a single tongue of flame had swept down upon the roof of one of the houses causing a sudden mighty panic with people rushing from doorways into the street and looking up at the flame that was beginning to spread out along the eaves, then running back inside to try to save their children and their possessions before the fire came to them. For they had not expected it so soon. The great front of fire was still many streets away. But some burning thing -a sheet of music, a plumed hat, or I know not what – had come out of the sky and fallen on this one house, and all around me I imagined the fire travelling thus, carried on the wind, on pieces of silk, on love letters, on lace collars, swirling and leaping and floating down at random and immediately catching hold.

The calamity come upon this street was such that I did not feel able to turn my back upon the people's plight. Had I been close to the money-lender's house, I might have done so, but I was still far, far from it and I now understood that my effort to reach Margaret was a futile thing. I had begun it too late. By now, my daughter would either have been saved or have perished in her wooden crib. I could not alter what had already happened. So I decided to dismount. I tied Danseuse to a post and took off my coat and went to give what help I could towards the saving of worldly goods and piling them onto carts and barrows, going into the rooms of strangers and taking up whatever I could carry: chairs and candlesticks and pictures and cushions and piles of bedding and chamber pots and ink-stands and toys.

I was aware, for the first time, of the approaching heat of the fire and stood still for a moment in the street, wiping my brow and watching the roof of the house that was beginning to catch alight. My eye moved downwards, to try to see how and where and how fast the flames traveled, and it was then that I saw, above the door, a sign painted on iron and rattling backwards and forth in the wind: Arthur Goffe Esquire. Milliner and Haberdasher. But this was not all that I noticed. I saw, too, that the door of this house was closed and that it was the only one in the street from which people were not coming and going, hauling clothes and furniture.

And so I threw down whatever I had been holding (and I do not know what it was or whether I broke it when I hurled it away) and ran towards the haberdasher's and beat upon the door and shouted, but heard no answering shout. One other man, then, left the saving of his own goods and saw with me what was happening, that in the very house where the fire had come in people were still sleeping. From his piled-up cart he fetched an axe and gave some blows to the door so mighty that it fell off its hinges. We stepped over it and went in, but found ourselves at once surrounded by pitch smoky blackness, so that, before we had reached the stairs, a foul choking and sickness, caused to us by the smoke, forced us to turn round and come out again into the street.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Restoration»

Представляем Вашему вниманию похожие книги на «Restoration» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Restoration»

Обсуждение, отзывы о книге «Restoration» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x