Rose Tremain - Restoration

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Restoration: краткое содержание, описание и аннотация

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Robert Merivel, who has studied to be a physician, is appointed, ironically, to be veterinarian for the spaniels of King Charles II, who has recently been restored to the throne following the death of Oliver Cromwell. Merivel enjoys the gaiety and frivolity of court life, and, a bit of a fool, he entertains the king. The king's decision to placate one of his lovers by marrying off his favorite mistress to Robert Merivel, spells the beginning of the end for Merivel's tenuous fortunes. Warned not to fall in love with his wife, Celia Clemence, since the king intends to continue seeing her, Merivel cannot help himself, and he is cast out, losing not only the king's affection, but also his house and, of course his wife.
Joining a group of men who work at an asylum for the insane, Merivel learns that there are deeper concerns in life than the hedonism of his life at court, and he develops genuine affection for several of the kindly Quaker men with whom he works. When he transgresses the society's rules, however, he is cast out from there, too, ending up in London at the time of the Great Plague and eventually the Great London Fire.
Painting vivid pictures of Merivel's life-at court, at the asylum in Whittlesea, and in the neighborhoods of London -author Rose Tremain brings the age, its customs, its science, and its social structure to life. The years of 1664 – 1666 are especially difficult, and as Merivel lives through the horrors of the Plague and the panic of the Great Fire, which Tremain recreates with the drama they deserve, the reader can see Merivel becoming less a fool and more a human. Like the restoration of the king to the throne, Merivel's "restoration" to dignity takes place after a period of dark reflection and self-examination, and both Merivel and the country learn from their travails.
Tremain develops Merivel's personal transformation with sensitivity, finesse, and much ironic humor, and when, at last, he is noticed again by the court, his understanding of himself and his role in the world is far more profound than it was before. Depicting the personal and the philosophical turmoils of these early Restoration years with a historian's eye for detail and a detached observer's sense of wit, Tremain illustrates the contradictions of this period realistically and often with dark humor. A fine historical novel, Restoration transcends its period, offering observations, themes, and lessons for the present day.
Mary Whipple

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Ambrose began to record all abnormal things he found upon her, such as a red soreness of the naval and a bruising on the area of the sternum and Pearce wrote each thing down. I went to her head and took the jaw in my hands to open it and examine the teeth, which were very black and decayed and reeking of putrefaction, and so I reported out loud on my findings to Pearce. But I was so affected by the sight of the body that I could not refrain, at length, from saying: "Does it not strike you as a most terrible but true thing, that men in this world and age can come by fortune in many ways and have many currencies with which to barter, but that women have only one, and that is the currency of their bodies, and when this is spent they must all, high or low, depend upon the charity of some overseer or other?"

"In a Quaker house," said Ambrose, "all are equal before God."

"I know," I said, "but not in society. In society, all women who come to forty come to an impoverishment of a certain kind."

"For this and a thousand other reasons," said Pearce, "have we turned our back on society. Neither Hannah nor Eleanor will ever be 'poor' in the sense that you mean."

"No," echoed Ambrose, "they will not."

"So be glad that you are here, Robert, and not where you once were."

In this way, adding a sniff that was like a neat full-stop to his sentence, Pearce declared the subject I had raised to be closed. Many of my utterances he believes to be a waste of my breath-"and we are allotted just so many breaths, Robert, and no more" – and indeed this one was a digression from the main purpose of the morning, which was to ascertain how the old woman had died.

None of us had been aware that she had been suffering from any illness, only a debility coming on her with old age and the ravages of her madness. Upon the opening up of her chest, however, we found the organ of the heart to have an encrusted and scabby appearance and the blood of her arteries and veins to be dark and sticky like treacle; and it did not take Pearce long to conclude that death had come with the cessation of the heart's pulse, the blood being too heavy to move. Ambrose and I nodded our agreement and I, for one, was relieved that we did not have to proceed to an examination of the liver or bowel. The autopsy concluded, Ambrose left Pearce and me to sew up the incision we had made and to clean and wrap the body for burial. I took a suturing needle from my box of instruments and Pearce was measuring for me a length of gut when he suddenly declared: "I am afraid of death, Robert."

I looked up at him, surprised. Towards the great subject of mortality Pearce had always shown an enviable indifference. When, on one of our angling trips near Cambridge, he had fallen from a little wooden bridge and almost drowned in the blanket-weed, he had shown neither fear of death nor gratitude towards me for saving his life by thrusting towards him a landing net with which I towed him into the bank. I had always believed that he thought of death as a kind of reward for his earthly goodness and abstemiousness and that in his hard-working life he sometimes found himself looking forward to it.

As I began to sew up the dead woman's chest, I now said as much to him. "You of all people I did not think would be afraid of it, John," I said. And he nodded. "Until recently, I was not," he said, "but for a month now – and I am telling this to you, Robert, and to no one else, for I do not want to trouble the others – I have felt certain symptoms come upon me, certain symptoms…"

"What symptoms?"

"Well… this catarrh of mine…"

"It's no more than a catarrh."

"And a very cold sweating on the crown of my head…"

"Just part of the rheum or catarrh, John."

"And a violent coughing and choking at night, with much pain in my lung."

"Pain in your lung?"

"Yes."

"How great is the pain?"

"Sometimes so great that I want to cry out."

The flesh of the dead woman, pinched between my finger and thumb for the suturing, was icy cold and I now felt slide into my heart a cold worm of fear.

I stared at Pearce. "Are you telling me that it is pain in your lung that has given you thoughts about dying?" I asked him.

"Yes. For it does not seem to go away. Nor this cold sweating of my head, despite the hot weather."

I said nothing. I finished sewing up the wound and together Pearce and I washed the woman and inserted wads of flax into the damp orifices of the body and put the winding sheet round it. Then I said: "Let me come to your room after the Meeting this evening, and I will examine you."

"Thank you, Robert," said Pearce. "And you will tell no one?"

"No. I will tell no one."

"Thank you. For they are such good people, are they not? I would not have them lose any sleep on my account."

I had been troubled all morning by thoughts of Katharine, my lust for her being of that most loathsome kind, where the very feelings of loathing seem to excite rather than to repel.

Now, hearing that my friend was ill, everything went from my mind, and I wished only for the day to pass so that I could make my examination of Pearce and allay his fears and mine by discovering in him some ague that would soon leave him – and nothing more.

The Meeting, however, was longer than usual that evening. After some moments of silence, Edmund stood up and said that he wished the Lord's forgiveness for what he was about to say, that he knew that the agitation he was in was unworthy and childlike, but something of great magnitude had begun to trouble him and that was the loneliness of Quakers.

He paused for a moment. No one asked him any question, but waited in silence for what he would say next. Then he took out of his pocket a crumpled piece of parchment and read some words as follows: "The Lord showed me, so that I did see clearly, that he did not dwell in temples which men had commanded and set up, but in people's hearts; for both Stephen and the Apostle Paul bore testimony that he did not dwell in temples made with hands, not even in that which he had once commanded to be built, since he put an end to it; but that his people were his temple, and he dwelt in them."

After this and in some distress, so that his rodent's eyes began to brim with tears, he said: "It has come to me, not from the Lord, but in some very fearful dreams I have had, that for every other kind and condition of worship there is some steeplehouse or temple or shrine or actual place where the faithful can go in, as if going to God's house like a visitor and where, outside of himself, he can feel the presence of God, his host. But for the Quaker there is no such place and if- as I have felt in these dreams of mine – he has some sudden perception that God is not there within him any more, where shall he go to find Him? He cannot go to God's house, for what he is is God's house! So what shall he do? Please tell me my good Friends, how shall he overcome his isolation and his loneliness?"

Edmund then sat down and blew his nose and as he fumbled for his handkerchief, his piece of parchment fell to the floor and for some reason this letting go of a thing that was precious to him, more than his anxiety or the words he had spoken, made me feel a great kinship with him and I would have stood up and tried to answer his question if I had had any notion of what the answer might be.

Some more silence lay on us then, but it was broken after a few minutes by Ambrose who reminded Edmund that Fox had warned us not to rely upon dreams and had said "except you can distinguish between dream and dream, you will mash or confound all together." And so a discussion of dreams began which lasted some while: how there are three sorts of dreams, one kind being caused by the business of the day and another being the whisperings of Satan and a third kind being true conversations between God and man.

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