Rose Tremain - Restoration

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Restoration: краткое содержание, описание и аннотация

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Robert Merivel, who has studied to be a physician, is appointed, ironically, to be veterinarian for the spaniels of King Charles II, who has recently been restored to the throne following the death of Oliver Cromwell. Merivel enjoys the gaiety and frivolity of court life, and, a bit of a fool, he entertains the king. The king's decision to placate one of his lovers by marrying off his favorite mistress to Robert Merivel, spells the beginning of the end for Merivel's tenuous fortunes. Warned not to fall in love with his wife, Celia Clemence, since the king intends to continue seeing her, Merivel cannot help himself, and he is cast out, losing not only the king's affection, but also his house and, of course his wife.
Joining a group of men who work at an asylum for the insane, Merivel learns that there are deeper concerns in life than the hedonism of his life at court, and he develops genuine affection for several of the kindly Quaker men with whom he works. When he transgresses the society's rules, however, he is cast out from there, too, ending up in London at the time of the Great Plague and eventually the Great London Fire.
Painting vivid pictures of Merivel's life-at court, at the asylum in Whittlesea, and in the neighborhoods of London -author Rose Tremain brings the age, its customs, its science, and its social structure to life. The years of 1664 – 1666 are especially difficult, and as Merivel lives through the horrors of the Plague and the panic of the Great Fire, which Tremain recreates with the drama they deserve, the reader can see Merivel becoming less a fool and more a human. Like the restoration of the king to the throne, Merivel's "restoration" to dignity takes place after a period of dark reflection and self-examination, and both Merivel and the country learn from their travails.
Tremain develops Merivel's personal transformation with sensitivity, finesse, and much ironic humor, and when, at last, he is noticed again by the court, his understanding of himself and his role in the world is far more profound than it was before. Depicting the personal and the philosophical turmoils of these early Restoration years with a historian's eye for detail and a detached observer's sense of wit, Tremain illustrates the contradictions of this period realistically and often with dark humor. A fine historical novel, Restoration transcends its period, offering observations, themes, and lessons for the present day.
Mary Whipple

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When I woke, very dismayed by this dream, I turned my attention to the struggle my mind was undergoing with regard to the word "oblivion". I do not need to remind you of all that I was endeavouring to forget when I was at Bidnold. Now, much of what I had consigned to darkness I am obliged to bring once more into the light. At the same time, back into oblivion must go my turquoise bed, my candlelit suppers, the Red Deer of my park, Celia's apricot ribbons, and of course the smell of the King's perfume which, according to Pearce, I only loved because it was the smell of power. Alas, all these things seem to have been carved into the very tissue of my mind, like graven images. Though many hours may pass during which I do not think of them, I do not believe I will ever succeed in forgetting them completely.

My bird, also, my Indian Nightingale, is very frequently in my thoughts. I know now that I was duped. The creature was a mere blackbird. But the strange thing is that I do not mind. For while it was alive, it gave me pleasure and the realisation that I was deluded only makes me smile. It is a fact about Merivel – and about many in this age – that they do not always wish to know the truth about a thing. And when the truth is at last revealed to them they cannot entirely dismantle all fiction from it. Thus, the blackbird will for ever in my mind have about it the aura of an Indian Nightingale, which species itself does not exist in all the world, but is an imaginary thing. The King was right when he said that I was "dreaming".

To assist me in my task of forgetting, I have begun to pass some time each day with Katharine, it being my conviction that if I could help but one person at Whittlesea to a cure and see them walk out from here, I would start to feel useful and in this new-found usefulness confront my future, whatever it is to be, and not look so enviously at my past.

Though she is sometimes very confused, believing herself to be in Hell, Katharine will often share with me some secrets of her old life, describing to me how her husband was a stone mason and how, before he left her, he once took her with him to the dark, dusty space between the vaulted ceiling of a church and its roof and there committed with her acts of great profanity. She is able, also, to describe her symptoms to me, how, when she lies down to sleep, a pain comes in her abdomen and a great suffocating pressure on her head and how, if she falls into a state of almost-sleep, some spasm of her heart will put her body into a convulsion.

I have understood why Katharine tears her clothes: she is making what she calls "windows" for her limbs to see through, it being her belief that all of her mind and body must be watchful at all times, lest any come near her to do her harm or betray her. If her arms and trunk and legs are covered up, she has the notion that her body has become "blind."

Washing herself, I have observed, solaces her, particularly the washing of her feet, over which task I have seen her fall into a kind of trance. At one Night Keeping, I discussed this last phenomenon with Ambrose. The next day, he told me that he had spent the rest of the night awake, reading his medical books and had come upon something that he had half remembered – that the rubbing of the soles of the feet with black soap may succeed in drawing down from the brain the noisiness within it and so still it and let it rest.

This cure, then, I have begun to try upon Katharine. I sit by her and put her naked feet upon my lap, a cloth under them, and some warm water near me in a bowl. And I immerse the black soap in the water and hold her ankles with one hand and with the other chafe the soles of her feet with the soap. Always, she sits quietly while I perform this somewhat strange task and watches me intently, as if I were some work of ancient art recently excavated from a tomb.

My arm and wrist tire easily. I have not the stamina for this task of foot rubbing that I would like. But if I can continue with it beyond twenty minutes, I am rewarded by seeing Katharine's stare fade and her eyes blink and her head begin to fall onto her chest. Three times, she has truly fallen asleep for several minutes without any spasm or convulsion coming upon her, but the moment I cease my rubbing with the soap, she wakes. And now I feel most vexed that Ambrose and I have discovered a thing which is and yet is not a cure.

Still no opinions have been offered upon my outpouring at the Meeting. Pearce has informed me that the Friends are pondering my ideas, "somewhat forward and arrogant though your speech was, Robert", but this is all. But I am privately pursuing my search for the footsteps of Katharine's madness, in the expectation that these, when revealed to me, will help me to make her well. And it has been made plain to me through this search that Katharine is a woman of a most loving yet childish nature. So, together with Eleanor, who is gifted at sewing, I have made Katharine a doll out of rags (its face painted in oils by me with a small brush) imagining that if she were to grow to love it, it might comfort her at night, just as a doll or toy will comfort a child. It is a very crude thing, having no hands nor feet nor hair and dressed in a simple smock which, immediately the doll was given to her, Katharine removed and tore in pieces. She stared at the doll for a long time. After a while, she pulled some straw from her mattress and made a kind of nest of it on the stone floor and then laid the doll in the straw and called to the women near her to see what she had done. They pressed round her. One laughed a high squawking laugh, another tried to talk, but could only drool and dribble. Katharine looked from them to the straw and to them again. " Bethlehem," she said.

Now, at night, she says prayers to the doll, which she does not touch, but which has become the centre of her vigil. She believes it to be a little replica of the infant Jesus. The fact that its face – if it is like a human face at all – more nearly resembles the face of Rosie Pierpoint than that of a newborn Christ is of no consequence to her. It is the Jesus of her imagination that she sees.

With the coming in of the month of May, news came to us from Earls Bride that the plague, whispered about for so long, had taken hold in London, "so that there is a weekly tally of deaths now that is above seven hundred."

We were told "on the good authority of some upon the staging coach" that the King had removed himself and his Court to Hampton Court but might not be safe there for long. An outbreak of such virulence, said the people of Earls Bride, would creep outwards on the waterways and on the wind and the people themselves, fleeing the city, would bring it into all the shires upon their breath.

The Keepers of Whittlesea sat down by their fire and folded their hands and asked Jesus "not to sew the poisoned seed of the Black Death among us, that the suffering we daily witness here be not added to."

It was then proposed by Edmund (whose eyes and beard shine with such health that it is most difficult to imagine him laid low even by an ague) that the gates of Whittlesea Hospital be closed, allowing no one in except those from whom we buy straw and wood and flour and meat.

Since we are a forgotten place, few people ever make their way here and I remarked therefore that Edmund's proposed precaution was scarcely necessary. It was Ambrose who reminded me that from time to time the relatives of those incarcerated here make the journey from London or Lynn or Newmarket to visit them, bringing provisions, money and clothing. "And it is these," he said, "whom we must – for as long as the epidemic may last – turn away."

Eleanor, Hannah and Edmund nodded in agreement. Daniel rose and made an arch of his hands in front of his mouth and started blowing into it, like someone trying to teach himself to whistle. Pearce sniffed and took from his pocket his little phial of mithridate. He then delivered himself of his opinion that these visits of relatives "are all that defines time for certain of our Decayed Friends. If we prohibit them," he said, "we shall lose many of them to vacancy and so to despair."

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