Ken Follett - World Without End

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Amazon.com Review
Ken Follett has 90 million readers worldwide. The Pillars of the Earth is his bestselling book of all time. Now, eighteen years after the publication of The Pillars of the Earth, Ken Follett has written the most-anticipated sequel of the year, World Without End.
In 1989 Ken Follett astonished the literary world with The Pillars of the Earth, a sweeping epic novel set in twelfth-century England centered on the building of a cathedral and many of the hundreds of lives it affected. Critics were overwhelmed-"it will hold you, fascinate you, surround you" (Chicago Tribune)-and readers everywhere hoped for a sequel.
World Without End takes place in the same town of Kingsbridge, two centuries after the townspeople finished building the exquisite Gothic cathedral that was at the heart of The Pillars of the Earth. The cathedral and the priory are again at the center of a web of love and hate, greed and pride, ambition and revenge, but this sequel stands on its own. This time the men and women of an extraordinary cast of characters find themselves at a crossroad of new ideas-about medicine, commerce, architecture, and justice. In a world where proponents of the old ways fiercely battle those with progressive minds, the intrigue and tension quickly reach a boiling point against the devastating backdrop of the greatest natural disaster ever to strike the human race-the Black Death.
Three years in the writing, and nearly eighteen years since its predecessor, World Without End breathes new life into the epic historical novel and once again shows that Ken Follett is a masterful author writing at the top of his craft.

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“When you leave here, will you go back to Earlscastle?” he asked her.

“Yes. We depart tomorrow.”

“Will you stay there long?”

“Where else would I go?” She frowned. “Why do you ask?”

“I will come and visit you there, if I may.”

Her response was frosty. “To what end?”

“I want to discuss with you a subject that it would not be appropriate to raise here and now.”

“What on earth do you mean?”

“I’ll come and see you in the next few days.”

She looked agitated. In a raised voice she said: “What could you possibly have to say to me?”

“As I said, it wouldn’t be appropriate to speak of it today.”

“Because this is your wife’s funeral?”

He nodded.

She went pale. “Oh, my God,” she said. “You can’t mean to suggest…”

“I told you, I don’t want to discuss it now.”

“But I must know!” she cried. “Are you planning to propose marriage to me?”

He hesitated, shrugged, and then nodded.

“But on what grounds?” she said. “Surely you need the king’s permission!”

He looked at her and raised his eyebrows briefly.

She stood up suddenly. “No!” she said. Everyone around the table looked at her. She stared at Gregory. “Is this true?” she said. “Is the king going to marry me to him?” She jerked a thumb contemptuously at Ralph.

Ralph felt stabbed. He had not expected her to display such revulsion. Was he so repellent?

Gregory looked reproachfully at Ralph. “This was not the moment to raise the matter.”

Philippa cried: “So it’s true! God save me!”

Ralph caught Odila’s eye. She was staring at him in horror. What had he ever done to earn her dislike?

Philippa said: “I can’t bear it.”

“Why?” Ralph said. “What is so wrong? What right have you to look down on me and my family?” He looked around at the company: his brother, his ally Gregory, the bishop, the prioress, minor noblemen and leading citizens. They were all silent, shocked and intrigued by Philippa’s outburst.

Philippa ignored his question. Addressing Gregory, she said: “I will not do it! I will not, do you hear me?” She was white with rage, but tears ran down her cheeks. Ralph thought how beautiful she was, even while she was rejecting and humiliating him so painfully.

Gregory said coolly: “It is not your decision, Lady Philippa, and it certainly is not mine. The king will do as he pleases,”

“You may force me into a wedding dress, and you may march me up the aisle,” Philippa raged. She pointed at Bishop Henri. “But when the bishop asks me if I take Ralph Fitzgerald to be my husband I will not say yes! I will not! Never, never, never!”

She stormed out of the room, and Odila followed.

*

When the banquet was over, the townspeople returned to their homes, and the important guests went to their rooms to sleep off the feast. Caris supervised the clearing up. She felt sorry for Philippa, profoundly sorry, knowing – as Philippa did not – that Ralph had killed his first wife. But she was concerned about the fate of an entire town, not just one person. Her mind was on her scheme for Kingsbridge. Things had gone better than she imagined. The townspeople had cheered her, and the bishop had agreed to everything she proposed. Perhaps civilization would return to Kingsbridge, despite the plague.

Outside the back door, where there was a pile of meat bones and crusts of bread, she saw Godwyn’s cat, Archbishop, delicately picking at the carcase of a duck. She shooed it away. It scampered a few yards then slowed to a stiff walk, its white-tipped tail arrogantly upstanding.

Deep in thought, she went up the stairs of the palace, thinking of how she would begin implementing the changes agreed to by Henri. Without pausing, she opened the door of the bedroom she shared with Merthin and stepped inside.

For a moment she was disoriented. Two men stood in the middle of the room, and she thought: I must be in the wrong house, and then: I must be in the wrong room, before she remembered that her room, being the best bedroom, had naturally been given to the bishop.

The two men were Henri and his assistant, Canon Claude. It took Caris a moment to realize that they were both naked, with their arms around one another, kissing.

She stared at them in shock. “Oh!” she said.

They had not heard the door. Until she spoke, they did not realize they were observed. When they heard her gasp of surprise they both turned towards her. A look of horrified guilt came over Henri’s face, and his mouth fell open.

“I’m sorry!” Caris said.

The men sprang apart, as if hoping they might be able to deny what was going on; then they remembered they were naked. Henri was plump, with a round belly and fat arms and legs, and grey hair on his chest. Claude was younger and slimmer, with very little body hair except for a blaze of chestnut at his groin. Caris had never before looked at two erect penises at the same time.

“I beg your pardon!” she said, mortified with embarrassment. “My mistake. I forgot.” She realized that she was babbling and they were dumbstruck. It did not matter: nothing that anyone could say would make the situation any better.

Coming to her senses, she backed out of the room and slammed the door.

*

Merthin walked away from the banquet with Madge Webber. He was fond of this small, chunky woman, with her chin jutting out in front and her bottom jutting out behind. He admired the way she had carried on after her husband and children had died of the plague. She had continued the enterprise, weaving cloth and dyeing it red according to Caris’s recipe. She said to him: “Good for Caris. She’s right, as usual. We can’t go on like this.”

“You’ve continued normally, despite everything,” he said.

“My only problem is finding the people to do the work.”

“Everyone is the same. I can’t get builders.”

“Raw wool is cheap, but rich people will still pay high prices for good scarlet cloth,” Madge said. “I could sell more if I could produce more.”

Merthin said thoughtfully: “You know, I saw a faster type of loom in Florence – a treadle loom.”

“Oh?” She looked at him with alert curiosity. “I never heard of that.”

He wondered how to explain. “In any loom, you stretch a number of threads over the frame to form what you call the warp, then you weave another thread crossways through the warp, under one thread and over the next, under and over, from one side to the other and back again, to form the weft.”

“That’s how simple looms work, yes. Ours are better.”

“I know. To make the process quicker, you attach every second warp thread to a movable bar, called a heddle, so that when you shift the heddle, half the threads are lifted away from the rest. Then, instead of going over and under, over and under, you can simply pass the weft thread straight through the gap in one easy movement. Then you drop the heddle below the warp for the return pass.”

“Yes. By the way, the weft thread is wound on a bobbin.”

“Each time you pass the bobbin through the warp from left to right, you have to put it down, then use both hands to move the heddle, then pick up the bobbin again and bring it back from right to left.”

“Exactly.”

“In a treadle loom, you move the heddle with your feet. So you never have to put the bobbin down.”

“Really? My soul!”

“That would make a difference, wouldn’t it?”

“A huge difference. You could weave twice as much – more!”

“That’s what I thought. Shall I build one for you to try?”

“Yes, please!”

“I don’t remember exactly how it was constructed. I think the treadle operated a system of pulleys and levers…” He frowned, thinking. “Anyway, I’m sure I can figure it out.”

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