Philippa Gregory - The Boleyn Inheritance

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Three Women Who Share One Fate: The Boleyn Inheritance.
Anne of Cleves: She runs from her tiny country, her hateful mother, and her abusive brother to a throne whose last three occupants are dead. King Henry VIII, her new husband, instantly dislikes her. Without friends, family, or even an understanding of the language being spoken around her, she must literally save her neck in a court ruled by a deadly game of politics and the terror of an unpredictable and vengeful king. Her Boleyn Inheritance: accusations and false witnesses.
Katherine Howard: She catches the king's eye within moments of arriving at court, setting in motion the dreadful machine of politics, intrigue, and treason that she does not understand. She only knows that she is beautiful, that men desire her, that she is young and in love – but not with the diseased old man who made her queen, beds her night after night, and killed her cousin Anne. Her Boleyn Inheritance: the threat of the axe.
Jane Rochford: She is the Boleyn girl whose testimony sent her husband and sister-in-law to their deaths. She is the trusted friend of two threatened queens, the perfectly loyal spy for her uncle, the Duke of Norfolk, and a canny survivor in the murderous court of a most dangerous king. Throughout Europe, her name is a byword for malice, jealousy, and twisted lust. Her Boleyn Inheritance: a fortune and a title, in exchange for her soul.
The Boleyn Inheritance is a novel drawn tight as a lute string about a court ruled by the gallows and three women whose positions brought them wealth, admiration, and power as well as deceit, betrayal, and terror. Once again, Philippa Gregory has brought a vanished world to life – the whisper of a silk skirt on a stone stair, the yellow glow of candlelight illuminating a hastily written note, the murmurs of the crowd gathering on Tower Green below the newly built scaffold.

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“They denied their guilt. That was not part of the plan. They should have confessed, but they denied everything except saying some words against the king. George had said that the king was impotent.” Even on this bright autumn day, five years after the trial, I still lower my voice and glance around me to make sure that no one can hear. “Their courage failed them, they denied their guilt and did not ask for mercy. I stayed with the plan, as your uncle said I should. I saved the title, I saved the lands, I saved the Boleyn inheritance, I saved their fortune.”

Katherine is waiting for more. She does not understand that this is the end of the story. This is my great act and my triumph: I saved the title and the lands. She even looks puzzled.

“I did what I had to do to save the Boleyn inheritance,” I repeat. “My father-in-law, George and Anne’s father, had built a fortune over his lifetime. George had added to it. Anne’s wealth had gone into it. I saved it. I saved Rochford Hall for us; I kept the title. I am Lady Rochford still.”

“You saved the inheritance, but they didn’t inherit it,” Katherine says, uncomprehending. “Your husband died, and he must have thought you were giving evidence against him. He must have thought that while he was pleading not guilty, you were accusing him. You were a witness for his prosecution.” Slowly she thinks, slowly she speaks, slowly she says the worst thing of all. “He must have thought that you let him go to his death so that you could keep the title and the lands, even though you had killed him.”

I could scream at her for saying this, for putting words to this nightmare. I rub my face with the back of my glove as if I would scrub my scowl away. “No. Not so! Not so! He won’t have thought that,” I say desperately. “He knew that I loved him, that I was trying to save him. As he went to his death, he would have known that I was on my knees before the king, asking him to spare my husband. When she went to her death, she will have known that at the very last moment I was before the king, asking him to spare her.”

She nods. “Well, I hope you never bear witness to save me,” she says. It is a miserable attempt at humor; I do not even accord it a smile.

“It was the end of my life,” I say simply. “It was not just the end of their lives, it was death to me, too.”

We ride in silence for a while, and then two or three of Katherine’s friends kick their horses forward to ride beside her and chatter to her about Ampthill and the greeting we are certain to have, and whether Katherine has finished with her yellow gown and will give it to Katherine Tylney. In a moment there is a quarrel breaking out because Katherine had promised it to Joan, but Margaret is insisting that it should go to her.

“You can both hold your peace,” I rule, dragging myself back to the present moment. “For the queen has worn that gown not more than three times, and it will stay in her wardrobe until she has had more use out of it.”

“I don’t care,” Katherine says. “I can always order another.”

Anne, Richmond Palace,

November 1541

At church I enter, cross myself, curtsy to the altar, and take my place in my high-walled pew. Thank God that no one can see me in here; the high door closes behind me, the walls guarantee my privacy, and even the front of the pew is paneled with a lattice so I can see but not be observed. Only the priest, if he is standing high up in the choir stalls, can look down on me. If I glance away from the Host, or fail to cross myself at the right time, or use the wrong hand, or do it the wrong way round, I will not be reported for heresy. There are thousands in this country who now guard their every movement because they do not have my privacy. There are hundreds who will die because they got it wrong.

I stand, and bow, and kneel, and sit, as I am bidden by the order of the service; but I can take little pleasure today from the liturgy. This is the king’s order of service, and in every rolling phrase I hear the power of Henry, not the power of God. In the past I have known God in many places; in small Lutheran chapels at home, in the great soaring majesty of Saint Paul’s in London, and in the quiet of the royal chapel at Hampton Court when I once knelt beside the Princess Mary and felt the peace of heaven descend around us; but it seems that the king has soured his church for me and for so many others. I find God now in silence: when I walk in the park or beside the river, when I hear a blackbird calling at midday, when I see a flight of geese arrowing overhead, when the falconer releases a bird and I see her mount up high and soar. God no longer speaks to me when Henry allows it, in the words that Henry prefers. I am in hiding from the king, and I am deaf to his God.

We are on our knees praying for the health and safety of the royal family when to my surprise there is a new prayer inserted without warning into the familiar words. Without a flicker of shame, the priest bids my court, my ladies, and myself to give thanks for the king’s wife Katherine.

“We render thanks to thee, oh Lord, that after so many strange accidents that have befallen the king’s marriages, that thou hast been pleased to give him a wife so entirely conformed to his inclinations as her, he now has.”

I cannot help myself, my head bobs up from reverent submission and I meet the surprised gaze of the Richmond priest in the choir stalls. He is reading the celebration of the king’s wife from an official document, he has been ordered to read this as he might be ordered to read a new law. Henry, in his madness, has commanded every church in England to thank God that after the many “strange accidents” of his previous marriages, he now has a wife who conforms to his inclinations. I am so outraged by the language of this, by the sentiment of it, and by the fact that I have to be on my knees listening to this insult, that I half rise to my feet in protest.

At once an insistent hand grabs the back of my gown and pulls me down; I stumble for a moment and fall back to my knees again. Lotte, my translator, gives me a small smile, puts her hands together in a portrait of devotion, and closes her eyes. Her gesture steadies me. This is indeed an insult, most gross and thoughtless; but to respond to it is to charge into danger. If the king requires me to go on my knees and describe myself to the kingdom as a strange accident, then it is not for me to point out that our marriage was no accident but a well-planned and thoughtfully considered contract that he broke for the simple and sufficient reason that he preferred someone else. It is not my place to point out that since our marriage was real and valid, he is now either an adulterer or a bigamist, living in sin with a second wife. It is not my place to point out that if little Kitty Howard, a lighthearted, light-mannered child, is the only woman he has ever found who conforms to his inclinations, then either she must be the greatest actor who ever lived, or he must be the most deluded fool who ever married a girl young enough to be his own daughter.

Henry is a madman now, doting on a girl like a senile fool, and he has just ordered the whole of his country to thank God for his folly. In churches up and down the land people will be biting their lips to contain their smiles; honest men will be cursing the luck that puts them in Henry’s church with this nonsense included in their prayers. “Amen,” I say loudly, and when we rise to our feet for the blessing, I show the priest a serene and devout face. My only thought, as we leave the church, is that poor Princess Mary at Hunsden will be choking with indignation at the insult to her mother, at the blasphemy of having to pray for Kitty Howard, and the idiocy of her father. Please God she has the sense to say nothing. It seems whatever the king likes to do, we must all say nothing.

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