Mary Russell - Doc

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Doc: краткое содержание, описание и аннотация

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The year is 1878, peak of the Texas cattle trade. The place is Dodge City, Kansas, a saloon-filled cow town jammed with liquored-up adolescent cowboys and young Irish hookers. Violence is random and routine, but when the burned body of a mixed-blood boy named Johnnie Sanders is discovered, his death shocks a part-time policeman named Wyatt Earp. And it is a matter of strangely personal importance to Doc Holliday, the frail twenty-six-year-old dentist who has just opened an office at No. 24, Dodge House.
Beautifully educated, born to the life of a Southern gentleman, Dr. John Henry Holliday is given an awful choice at the age of twenty-two: die within months in Atlanta or leave everyone and everything he loves in the hope that the dry air and sunshine of the West will restore him to health. Young, scared, lonely, and sick, he arrives on the rawest edge of the Texas frontier just as an economic crash wrecks the dreams of a nation. Soon, with few alternatives open to him, Doc Holliday is gambling professionally; he is also living with Mária Katarina Harony, a high-strung Hungarian whore with dazzling turquoise eyes, who can quote Latin classics right back at him. Kate makes it her business to find Doc the high-stakes poker games that will support them both in high style. It is Kate who insists that the couple travel to Dodge City, because 'that's where the money is.'
And that is where the unlikely friendship of Doc Holliday and Wyatt Earp really begins — before Wyatt Earp is the prototype of the square-jawed, fearless lawman; before Doc Holliday is the quintessential frontier gambler; before the gunfight at the O.K. Corral links their names forever in American frontier mythology — when neither man wanted fame or deserved notoriety.
Authentic, moving, and witty, Mary Doria Russell's fifth novel redefines these two towering figures of the American West and brings to life an extraordinary cast of historical characters, including Holliday's unforgettable companion, Kate. First and last, however, Doc is John Henry Holliday's story, written with compassion, humor, and respect by one of our greatest contemporary storytellers.

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The idea was to get all the Texans to dance with the bar girls so they’d make themselves thirsty and buy more drinks. Wyatt wasn’t interested in a bunch of clumsy boys hopping around with trollops. That’s what saved his life—because if the jokes had started up again, he’d have been listening to Eddie. He might not have turned away from the theater door and wouldn’t have noticed a horseman passing by on Front Street.

The rider reined around and jogged by a second time, like he was looking for someone, and this time Wyatt paid attention. It was a kid. Too stupid to get in out of the rain, is what Wyatt was thinking when the rider turned once more, a block away.

On his third pass, the boy suddenly spurred his horse and came pounding down Front Street at a gallop and with intent. It wasn’t so much that he fired his gun. It was the look on his face that told Wyatt this was more than just random hell-raising.

Before the first muzzle flash, Wyatt had time to think, He means to kill me. His own pistol was drawn before the second flash, and he settled himself to take his shot. Later, Doc would ask why in hell Wyatt hadn’t taken cover. Well, the boy’s horse was just a cow pony, not a cavalry mount. Wyatt knew, without words, that she’d shy or plunge or rear at the noise of the gunshot and that would spoil her rider’s aim.

She made him a difficult target as well. Wyatt fired once in reply, and missed, and cursed, and splashed out into the muddy street to take a left-handed grab at the rider as the horse passed within a yard of him.

By then, the rain was done in the west and tapering off in town, but Front Street was a slough and Wyatt slipped as the horse danced sideways. All he got was a handful of tail, and he lost his grip on that.

The boy turned in his saddle to fire again, his face lit by the theater lights: stiff and scared now, but determined.

The slug hit the brim of Wyatt’s hat, flipping it off into the mud.

The kid’s voice broke when he shouted, “Damn!” He reined his horse around hard and dug in with his spurs, bolting for the bridge, just hoping to get out of town now, for every lawman in Dodge was in the street by then, and all of them were shooting at him.

Wyatt was following on foot, sloshing through the mire, and fell making the turn onto Bridge Street. Already down on his knees, he sat back on his haunches. The lower angle brought his target into dark relief against the sky, which was starting to lighten a little because the setting moon was beginning to show between clouds that were breaking up over Colorado. This time Wyatt aimed carefully and took a second shot, but the rider clattered on over the bridge and was gone from sight.

Bat Masterson might be a lying little weasel, but no question, he was game in a fight. He was the first out of the Commie-Q, the first after Wyatt to fire at the shooter, and the first to reach Wyatt’s side now. Huffing from the run, Bat watched the rider disappear and asked, “Who in hell was that joker?”

“Never saw him before,” Wyatt said.

Morg was there a moment later, with John Stauber and Chuck Trask and Charlie Bassett right behind him. Bat gave Wyatt a hand up, and then the rest of the officers were on the scene. Almost as quickly, their women appeared, holding shawls tight around their shoulders, white-faced in the watery moonlight, waiting at the edge of the street to be told whose man had been killed this time.

Morg called, “Go on home! Nobody’s hit.”

The women talked among themselves before going back inside, while Bat told Morg and everybody what had just happened.

“Wyatt was standing on the boardwalk out in front of the Commie-Q, and this kid comes along and opens up on him. I saw the boy through the window—looked right at Wyatt. Right at him! Not angry or anything, just: he had a job to do and he was by-God gonna do it.”

For a time, they all stood around in the slowing drizzle, speculating on who the kid was and what he had against Wyatt, but hell! There were a hundred cowboys Wyatt had bashed or arrested, or both. Could have been any one of them. And that just counted the ones he’d dealt with in Dodge this season. Could have been somebody with a grudge left over from last year. Or from Ellsworth or Wichita, for that matter.

Wyatt didn’t say much, but he never did. Finally Bat declared, “Drinks are on me! Let’s get out of the rain.”

They were on their way back to the Front Street boardwalk when one of the Riney kids came running over from the tollbooth.

“Mr. Earp,” he called, “you hit him, sir! He’s over on the south end of the bridge.”

Wet and shivering, Wyatt stood in the corner of the cell while Doc McCarty examined the whimpering boy’s wound. McCarty said, “I’m afraid it’s mortal, son,” and Wyatt closed his eyes at the news. “What’s your name?” the doctor asked the kid. “Do you have kin we should notify?”

George Hoyt, he turned out to be. Crying, he told McCarty his mother’s address and, snuffling, he asked for a drink. Fat Larry brought in a bottle. Wyatt sat on the bunk, and lifted the boy up by the shoulders, and helped him take a good long swig, and laid him down to rest after that. For a little while, he watched Hoyt sleep.

Then he went back to work.

He knew what folks were saying when he walked his rounds that night, like nothing bad had happened. Butter wouldn’t melt in Wyatt Earp’s mouth. Cool as they come, ole Wyatt.

But he was shook, and bad.

Dime novelists tried to make it seem that frontier lawmen did that kind of thing all the time, but it just wasn’t so—not even in towns like Dodge. Killings were nearly always one idiot shooting another; the police were hardly ever involved directly.

For Wyatt, the reaction set in while he was sitting in the mud watching Hoyt ride off over the bridge, when he still believed he’d missed his target. Before Bat arrived at his side and started talking, Wyatt was all alone, and what came to his mind was that he’d missed his sister’s birthday. It was a strange thing to think, under the circumstances, but he kept coming back to it, over and over. If young George Hoyt had been a little steadier with his first shot, Adelia would always have remembered that her brother Wyatt forgot to send her a happy birthday, the year that he was killed.

Funny how much the thought bothered him.

As the night went on, Wyatt marveled that he’d been wearing a sidearm because it was so unusual for him. Ordinarily, he was just about the only sober man in town, and he counted on that for his edge. He could generally tame a troublesome drunk with a well-aimed bash across the side of the head. Carrying a weighted sap was easier than lugging a big old Colt around all night in the midsummer heat.

When he got home after his shift, he asked Mattie if she’d heard a rumor that something was going to happen. She denied it but claimed she had second sight, and said she’d had a funny feeling, so she’d handed Wyatt his gun belt before he left for work and asked him to be careful. Which was the only reason he went heeled that night: to make Mattie happy.

But if you have a gun, you’re inclined to use it. And now a kid was dying.

Wyatt didn’t go home right away when his shift was over. First he checked on Hoyt, who was still alive. Then he walked out toward the east end of town to watch the sun come up in a sky that had cleared overnight, and shone gold and pink this morning.

When he heard the familiar cough behind him, he did not turn. Doc Holliday’s steps slowed and stopped. For a while they stood together silently.

Now I am farther from heaven than when I was a boy ,” Doc said after a time. “Awful, isn’t it.”

To have someone look you right in the eye and to know that he intends to kill you. To hurt somebody so bad, he was going to die from what you did to him.

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