David Gillham - City of Women

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City of Women: краткое содержание, описание и аннотация

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Who do you trust, who do you love, and who can be saved?
It is 1943—the height of the Second World War—and Berlin has essentially become a city of women.
Sigrid Schröder is, for all intents and purposes, the model German soldier’s wife: She goes to work every day, does as much with her rations as she can, and dutifully cares for her meddling mother-in-law, all the while ignoring the horrific immoralities of the regime. But behind this façade is an entirely different Sigrid, a woman who dreams of her former lover, now lost in the chaos of the war. Her lover is a Jew.
But Sigrid is not the only one with secrets.
A high ranking SS officer and his family move down the hall and Sigrid finds herself pulled into their orbit.  A young woman doing her duty-year is out of excuses before Sigrid can even ask her any questions. And then there’s the blind man selling pencils on the corner, whose eyes Sigrid can feel following her from behind the darkness of his goggles.
Soon Sigrid is embroiled in a world she knew nothing about, and as her eyes open to the reality around her, the carefully constructed fortress of solitude she has built over the years begins to collapse. She must choose to act on what is right and what is wrong, and what falls somewhere in the shadows between the two.
In this page-turning novel, David Gillham explores what happens to ordinary people thrust into extraordinary times, and how the choices they make can be the difference between life and death. Amazon.com Amazon Best Books of the Month, August 2012
City of Women
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—Sara Nelson

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Sigrid is sitting in the bedroom in the chair, where Kaspar always draped his trousers at night, putting some greasy cream on her hands and shoulders.

There are letters that she has kept. Recklessly. Foolishly out of some girlish sentiment. They are tied with a silk burgundy-colored ribbon and stashed in a cigarette tin. He would never post them, of course. But he would leave them in her coat pocket, in her bag, to find on the train ride home. Or the next day when she opened her purse before work. Raw, animal scribbling, often dedicated to the torture to which she was subjecting him. His need for her, flowing through the ink across the pages. Her culpability in the matter of his brutal sexual despair when they are parted. He calls her a siren. A Lilith. A succubus. But also an Aphrodite. The Angel of his Flesh. Foolish little names that always left her disproportionately senseless. Now and again she removes the letters from the tin and holds them. When she’s alone in the flat or the old woman is passed out, she holds them just to feel their weight, but never reads a word again. She doesn’t need to. They are all printed in fire on the walls of her memory. And all she need do to see his face, to hear is voice, is close her eyes.

I have something for you , he told her.

“Something?” She tried not to sound hopeful. He had never given her a gift of any kind.

“Yes. Sometimes I write to you when you’re not with me. Sometimes at night,” he said, and reached over to the side table, where he plucked a small envelope from beneath a monstrous volume of Goethe’s Theory of Colors .

“You mean,” she asked, “a love letter?”

A shrug. Call it what you like. She crinkled open the envelope, trying to restrain her excitement. No one had ever written her a love letter. When she opened the page and read it, she could hear his voice as if from a distance, even though he was right next to her. The words both murdered her and made her whole. She touched his face as she read, just to feel him. And felt the kiss of his lips on her fingers. When she finished, when she reached the last word, she was no longer trying to hold back the tears from cooling her cheek. She gazed openly up into his face. Then raised her mouth to him and whispered her love into his ear. It was the first time she had used the word with him in a direct sentence.

He reacted by kissing her briefly. Brushing hair from her forehead. “It’s just a letter, Sigrid. Just what I’ve been thinking.”

She felt suddenly confused. Suddenly at risk. Something had gone off course in his voice. He dumped himself onto his back and blew smoke at the ceiling.

“Why did you marry your husband?” he inquired.

A blink. “Why?”

“You’re surprised at the question?”

“I am,” she admitted, “a little.”

“You said that I should ask about him.”

“I said that you could ask about him.”

“So you married for love? Is that correct? You loved him?”

She rearranged her face to accommodate her answer to this question. Perhaps she couldn’t quite imagine that he was so quickly turning the word against her. “Well. In some ways, yes, of course.”

But he cut her off. “Of course? Why, of course? You think it’s required?” Another puff from his cigarette. “You think it’s something ordained by God?”

“I don’t think I like this conversation.”

“You know what I believe? I believe God is a confidence man. And that love is his favorite swindle.”

A moment later, he was back on the bed, pushing into her. Pumping himself into her as if she were the holy repository for all his perfect sacrilege.

———

When Sigrid was fifteen, during a time when the Nazi Party was still merely a political curiosity in Berlin, there was a chubby old lady named Steinberg, who lived above the dingy flat, which Sigrid shared with her mother in the Salzbrunner Strasse. The old lady was losing her sight, so Sigrid would help her with cleaning and laundry and shopping after school dismissal, and for this Sigrid earned a few marks. It wasn’t so bad. Since her mother had taken a secretarial position at a Kreuzberg Blaupunkt factory to pay the rent, their flat always felt like an empty grave when Sigrid came home, so she didn’t mind having another place to be. Sitting in Frau Steinberg’s small living room, she often read the books that lined the shelves, sometimes aloud for the old lady’s benefit. She knew, of course, that Frau Steinberg was Jewish, but had never given this fact any great thought. On the mantel was a picture of Herr Steinberg in uniform with a medal pinned to his tunic from the Kaiser’s war. At Christmastime, Frau Steinberg distributed sweets to the children in the building. And if there was a tiny copy of Jewish scripture inserted into a small brass knickknack tacked to the front door frame, it didn’t seem to bother the neighbors much.

Then one afternoon, Frau Steinberg’s son arrived. His name was Fabian. He was not very tall, but physically very strongly built, with dark, lustrously palmated hair. There was a brawniness under the suit he wore, and when he smiled, Sigrid felt her stomach flip. When her mother met him, she saw a look on her mother’s face that made her highly suspect. It was the look usually reserved for the jewelry counter at KaDeWe. And Fabian’s look in return was not much different. It caused Sigrid a twinge of jealousy, the way they smiled at each other. And she certainly didn’t like the way her mother questioned her at supper . So you say he’s a salesman?

Of some sort.

And he’s come back to Berlin?

Only temporarily , Sigrid had answered, though she had made that up.

Did you see the shirt he was wearing? That was real silk.

Sigrid frowned. She had paid no attention to his shirt.

He must do well, don’t you think? But at this point, Sigrid could tell that her mother was now talking to herself, not to her daughter.

Dinners and outings followed, with Sigrid present. Then dinners and outings followed without her present. It made Sigrid angry, and to get back at her mother, she started copying her father’s mannerisms: fortifying herself behind printed words at the supper table, answering questions with a dull, ironic huff of breath followed by a flat grunt of disapproval, all in attempt to conjure her father’s ghost and sting her mother with the memory of her absent husband. But her mother simply ignored her and talked about the French automobile that Fabian had bought.

A Renault the color of ripe cherries.

A huff of breath. Not even a German car. Followed by a flat grunt of disapproval.

Then there was a morning when Sigrid woke up at first light only to find Fabian leaving their flat. She stood there, clutching her dressing gown closed over her flannel nightclothes, staring at him in shock. He only smiled his smile in return, and chirped, “Be smart at school today, blondie.” He had started calling her that. “Study hard.”

A few moments later, her mother came bustling into the room, in a pale blue satin nightgown, with a flimsy lace top that left her bosom largely exposed. Sigrid had never seen her in such a thing before. Her mother stopped dead at Sigrid’s stare, but only for the length of a breath to recalculate. Then she hurried toward the kitchen. “You’re up early,” was all she said. Sigrid said nothing.

In fact, Sigrid said nothing for the rest of the day. It was only after dinner when her mother was boiling coffee that she blurted out the words. “Are you going to marry him?”

Her mother offered her the thinnest of glances as she lit up a cigarette.

“Marry whom, Liebchen?”

Sigrid frowned. “Herr Steinberg, of course,” she blurted. “ Fabian.

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