Bi Feiyu - Three Sisters

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Three Sisters: краткое содержание, описание и аннотация

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In a small village in China, the Wang family has produced seven sisters in its quest to have a boy; three of the sisters emerge as the lead characters in this remarkable novel. From the small-town treachery of the village to the slogans of the Cultural Revolution to the harried pace of city life, Bi Feiyu follows the women as they strive to change the course of their destinies and battle against an “infinite ocean of people” in a China that does not truly belong to them. Yumi will use her dignity, Yuxiu her powers of seduction, and Yuyang her ambition—all in an effort to take control of their world, their bodies, and their lives.
Like Dai Sijie’s
, Arthur Golden’s
, and J.G. Ballard’s
,
transports us to and immerses us in a culture we think we know but will understand much more fully by the time we reach the end. Bi’s
was praised by the
, the
, and other publications. In one review Lisa See said: “I hope this is the first of many of Bi’s works to come to us.”
fulfills that wish, with its irreplaceable portrait of contemporary Chinese life and indelible story of three tragic and sometimes triumphant heroines.

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Yumi did not reply immediately; but after a moment, she said, “I want you to find me a man.” Wang Lianfang just sat there; sensing what had happened with Peng Guoliang, he chose not to say anything. Instead, he took seven or eight drags on his cigarette, the tip of which flared up as it burned down, creating a long ash that hung from the end. Yumi tilted her head up and said, “I don’t care what he’s like. I have only one condition: He must be a man who wields power. Otherwise I’ll stay single.”

The meeting phase of Yumi’s courtship proceeded in total secrecy and had a number of new twists—scheduled to take place in the county movie theater, it would be unique from start to finish. The commune speedboat came for her at sunset, a magnificent scene witnessed by many villagers from their vantage point on the stone pier. The speedboat sent waves rushing madly to the banks, fearlessly provocative as they tossed the pitiful farmers’ skiffs. Yumi stepped grandly into the speedboat, but no one who saw her knew why she was leaving. All anyone in Wang Family Village knew was that Yumi was “on her way to the county town.”

Yumi arrived in town for the meeting. The man she was to meet did not work there, but at the commune. Guo Jiaxing, deputy director of the revolutionary committee, was a ranking official in charge of the People’s Militia. Aboard the speedboat Yumi had silently congratulated herself for making that vow to her father in absolute terms, a break from traditions that would have denied her such an opportunity. She was going to be a second wife, so she did not expect Guo Jiaxing to be a young man, and for that she was well-prepared. As the saying goes: “A knife is not sharp on both edges; sugarcane is not sweet at both ends.”

On a personal level this made no difference to Yumi, for whom power was the key to living well. So long as the man she married possessed that power, a new beginning was assured for her family, and once that happened, no one in Wang Family Village would ever again send their stench her way. On this point she was more determined than even her father, who, she assumed, had been concerned about the difference in age, for he’d hemmed and hawed, obviously reluctant to tell her. She stopped him before he could speak, since she already knew what he wanted to say, and she didn’t give a damn.

Night had fallen when Yumi entered the county town for the first time, and thanks to the blazing lamps along both sides of the street, the town appeared quite prosperous. Like a headless housefly, she was emotionally disoriented as she walked down the street. Despite the fact that her confidence was in tatters, she was driven to fight for what she wanted, to win what she’d come for, and to spare no effort to reach her goal. No longer the Yumi of the past, she had narrowed her aspirations, but was more determined, more stubborn than ever. She paused in front of a shop where fruit was suspended in the air. She had to stop for a long moment before she figured out that she was seeing a reflection in a mirror. Then she saw her own reflection and was struck by the contrast between her homely attire and the finer clothes of the shop clerk. I should have worn Liu Fenxiang’s costume. Thinking she wanted a piece of fruit, the boat skipper insisted on buying it for her. She reached out and pulled him back.

“Our young commune member has a strong arm,” he said with a laugh.

Yet another moment of truth had arrived when Yumi found herself in front of the New China Cinema, where a red banner stretched across a high wall proclaimed: FERVENT CONGRATULATIONS ON THE SUCCESSFUL OPENING OF THE COUNTY PEOPLE’S MILITIA WORKING CONFERENCE!

Yumi now understood that Guo was attending a conference in town. The skipper handed her a cinema ticket.

“I’ll wait for you out here,” he said.

You definitely know how to toady up to your superiors, Yumi thought. Who asked you to wait? I’m not married yet. But then she had a change of heart. Go ahead, wait, if that’s what you want. I’ll put in a good word for you if I get the chance.

The movie had already begun when Yumi parted the curtain. The theater was pitch-black in front of an enormous color screen on which a policeman was smoking a cigarette, his nostrils, it seemed to her, as big as open wells. She had trouble believing what she saw. How was it possible to make someone as big or as small as you wanted? Gripping her ticket tightly, she looked around and started to feel nervous, unsure of what to do next. Fortunately, an usher with a flashlight walked up and showed her to her seat.

Yumi’s heart raced. Happily, this was not the first time she was to meet a prospective mate, a thought that had the desired effect. Calmly she sat down between a man in his fifties to her left and one in his sixties to her right. Both seemed absorbed in the movie. Not knowing which of the two she’d come to meet, she sat stiffly without sneaking a look in either direction. The man, whichever one it was, obviously carried himself in a way that you would expect from a commune official, keeping his composure in the presence of a woman. If her father had been able to do that, they wouldn’t be in the state they were in now. Yumi told herself that Guo Jiaxing must have his reasons for not speaking to her in public, so she’d be wise to keep her eyes trained straight ahead.

For Yumi, the movie was an excruciating experience, since she got so little out of it. But it was dark inside, so eventually she felt bold enough to observe her neighbors out of the corner of her eye. From what she could see, the fifty-year-old looked a little better, and if she’d had a voice in the matter, he’d be her choice. But there was no movement from that side. If only he’d brush his foot against hers, she’d know that she was right. As she watched the action on the screen, she began to worry that the meeting might not take place at all. She was tense and growing anxious. Can’t you touch my foot? What’s wrong with that?

Still, even if it was the sixty-year-old, Yumi was prepared to accept the match. As they say, “After this village there will be no more inns.” There were few bachelors among the official ranks, though she would still have preferred a man in his fifties. Like a raffle player looking for a bit of luck, she sat through the movie, so fatigued at the end that she was nearly gasping for breath. She had no idea what the film had been about, although the ending was pretty predictable: The man who looked to be the bad guy turned out to be just that and was taken into custody by a member of the Public Security Bureau.

The lights came on; the movie was over. The man in his fifties got up and walked off to the left, the one in his sixties walked off to the right, both leaving Yumi sitting where she was. What a surprise that was. Neither one had said a word. Yumi wondered why. But then the truth hit her: Whoever it was, he must not have liked what he saw while she sat there foolishly trying to pick him out in the dark. She was mortified. No wonder the skipper said he’d wait outside. He knew what was going to happen all along.

Yumi walked out of the theater, her confidence shredded. The skipper was waiting by one of the posts, and she could not bear to look him in the eye.

“We’re ready,” he said. Yumi was so spent all she wanted was to lie down somewhere.

“I guess you can take me home now,” she said, despite her embarrassment.

“I do what Director Guo tells me to do,” he said with no observable expression.

When she was settled into Room 315 of the People’s Guesthouse, her mind was in a fog, and she quickly fell asleep, although it didn’t feel much like sleep to her. Maybe she was dreaming. At around ten o’clock there was a knock at the door.

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