Garth Hallberg - City on Fire

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City on Fire: краткое содержание, описание и аннотация

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The all-too-human individuals who live within this extraordinary first novel are: Regan and William Hamilton-Sweeney, estranged heirs to one of the city's biggest fortunes; Keith and Mercer, the men who, for better or worse, love them; Charlie and Sam, two Long Island teenagers seduced by downtown's nascent punk scene; an obsessive magazine reporter; his spunky, West Coast-transplant neighbor; and the detective trying to figure out what they all have to do with a shooting in Central Park. From post-Vietnam youth culture to the fiscal crisis, from a lushly appointed townhouse on Sutton Place to a derelict squat on East 3rd Street, this city on fire is at once recognizable and completely unexpected. And when the infamous blackout of July 13th, 1977 plunges it into darkness, each of these entangled lives will be changed, irrevocably.

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“Yeah, well. I’ve been keeping busy.”

“I thought you were grounded, Charlie.”

“That, too.”

She reached for the fur hat. Charlie’s cheeks burned as she inspected the self-inflicted hair trauma that had led indirectly to his exile. You look like a mental patient, his mother had said. It had grown back, mostly. Meantime, Sam had done a thing to her own hair, chopping it boyishly short and dyeing it from amber to black. She was almost as tall as Charlie, and with a dark blazer hiding her curves, she looked like Patti Smith on the cover of Horses —their second-favorite album. Though who knew what she listened to now that she’d gone off to college in the City. Asked about dorm life, she said it was a drag. He offered the hat. “You wanna wear it? It’s warm.”

“It’s only been fifteen minutes.”

“The road’s pretty slick. And I had to stop for coffee. Sorry no car.” He never mentioned how terrible her chain-smoking was for his asthma, and she, reciprocally, now pretended not to notice him suck down a chemical lungful from the dorky inhaler. “My mom thinks I’m staying at Mickey Sullivan’s, which tells you what planet she’s on.” But Sam had already turned to where the track curved into darkness. A light glided toward them like a cool white slider homing in on the plate. The 8:33 to Penn Station. In a few hours the ball would drop over Times Square and men and women all over New York would turn to whoever was nearest for an innocent kiss, or a not-so-innocent. He pretended the tightness in his chest as they boarded was just caffeine. “Like I care what Mickey thinks anyway. That jerk won’t even like nod at me in the lunchroom anymore.” The three of them — Mickey, Charlie, and Samantha — should have been in the same class at the high school. But Sam’s terrifying dad, the fireworks genius, had sent her to the nuns for elementary, and then to private school in New York proper. It must have worked; Sam was only six months older, but had been smart enough to skip sixth grade, and was now at NYU. Whereas he and Mickey were C students, and no longer friends. Maybe he should have found someone more willing to serve as tonight’s alibi, actually, because if Mom called the Sullivans in the a.m. to thank them (not that she would remember, but if ), he’d be in big trouble, a ripe steaming mound of it. And what if she found out where he’d gotten the money to cover two round-trips into the City? He’d be locked in his room till like 1980. “You got the tickets?”

“I thought you were buying,” she said.

“I mean for Ex Post Facto.”

She pulled a crumpled flier from her pocket. “It’s Ex Nihilo now. Different frontman, different name.” For a moment, her mood seemed to darken. “But anyway, this isn’t the opera. It’s not like a ticketed event.”

He followed her down the aisle, under fluttery lights, waiting as long as possible before reminding her that he couldn’t sit backward, on account of his stomach. Again, her face grew pinched; he worried for a second he’d already jinxed their (he couldn’t help thinking) date. But she’d pushed the door open and was leading him toward the next car.

The LIRR belonged to kids that night. Even the grown-ups were kids. There were few enough of them that each little band of revelers could leave several rows of Bicentennial red-and-blue seats on each side as a buffer. They talked much louder than adults would have, and you could tell it was meant to be overheard, as a means of preemption, a way of saying, I am not afraid of you. Charlie wondered how many Nassau County moms tonight had no idea where their kids were — how many mothers had simply granted them their freedom. As soon as the conductor had passed through, beers began to circulate. Someone had a transistor radio, but the speaker was cruddy, and at that volume all you could hear was a voice moaning hornily. Probably Led Zeppelin, whose Tolkienish noodlings had been the soundtrack of the carwash where Charlie had worked freshman year, but which he’d renounced last summer after Sam dismissed Robert Plant as a crypto-misogynist show pony. She could be like that, sharp and full of fire, and her silence now wrongfooted him. When a kid a few rows away pump-faked tossing a beercan their way, Charlie reached for it, like a jerk. The kid’s friends laughed. “Preps,” Charlie muttered in what he felt was a withering tone, only not loud enough to be heard, and sank back into the noisy pleather of his forward-facing seat. Sam had turned away again to gaze at the settlements of Queens glimmering beyond the window, or at her fogged breath turning them to ghosts. “Hey, is everything okay?” he said.

“Why?”

“It’s a holiday, you know. You seem like you’re not, like, real festive. Plus shouldn’t you be documenting this stuff for your magazine thingy?” For the last year, she’d been publishing a mimeographed fanzine about the downtown punk scene. It was a big part of who she was, or had been. “Where’s your camera?”

She sighed. “I don’t know, Charlie. I guess I left it somewhere. But I did bring you this.” From the army-surplus bag on her lap came a gummy brown labelless bottle. “It was all I could find in the liquor cabinet. Everything else is water at this point.”

He sniffed at the cap. Peach schnapps. He brought it to his lips, hoping there were no germs. “You sure you’re okay?”

“Did you know you’re the only person who ever asks me that?” Her head came to rest on his shoulder. He still couldn’t tell what she was thinking, but the medicinal heat of the booze had reached his innards, and kissing her— making her, R. Plant would have put it — again seemed within the realm of possibility. For the rest of the ride, he had to picture the wobble of President Ford’s jowls in order not to pop a full-blown bone.

But at Penn Station, Sam’s restlessness returned. She hustled through the hot-dog-smelling crowds, faces moving too fast for the eye to distinguish. Charlie, by now well-lubricated, had the impression of a great light beaming from somewhere behind him, setting fire to every dyed-black hair on the back of her head, her several earrings, the funny flattened elfin bits at the top of her ears — as if a film crew was following, lighting her up. Of light not reflecting off things but coming from inside them. Inside her.

They hopped a lucky uncrowded Flatbush Avenue — bound number 2 express train, and as they racketed through a local station the train seemed to echo the conductor’s garbled syllables: Flat-bush, Flat-bush. Sam turned in her seat. Girders on the elongating platform strobed the light into pieces. Charlie noticed for the first time a small tattoo on the back of her neck. It was like a king’s crown rendered by a clumsy child, but he didn’t want to ask her about it and thus remind her of all the things about her he apparently no longer knew. He let go of the bar he’d been holding and shoved his hands in his pockets and stood trying to absorb the jolts— Flat-bush, Flat-bush. It was a game she’d taught him called “subway surfing.” First one to lose his footing lost. “Look,” he said. When she didn’t, he tried again. “Play you.”

“Not now.” Her voice had none of the maternal indulgence he was used to, and once again he felt the night faltering, like the light of the bypassed station.

“Best three out of five.”

“You are such a child sometimes, Charles.”

“You know how I feel about that.”

“Well, stop acting like a Charles, then.”

It shamed him, how loud she said it. Anyone who didn’t know better might have thought she didn’t even like him. So he threw himself down onto the opposite bench, as if he’d decided on his own that this was where he belonged. At Fourteenth Street, one of the doors jammed, leaving only the narrowest space to exit through. And of course, being a gentleman, he let her go first, not that there was any kind of thank-you. Then it was onto the local for one stop and up at Christopher Street. Before he’d gotten busted, they used to hang out here eating ice cream and ’ludes and drinking her dad’s whiskey. Half-bombed in the afternoon, he’d goof on the homos passing into the sex shops, as away to the south, buildings rose like kingdoms. The sky that had stretched over them like a great throbbing orangeblue drumhead was now flaking off in little pieces and falling. And he was burning up in his double-layered pants. He told her he had to pee.

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