Edward Benson - Dodo - A Detail of the Day. Volumes 1 and 2
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- Название:Dodo: A Detail of the Day. Volumes 1 and 2
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"I can't waste another moment," said Edith. "I'm in the middle of the most entrancing motif, which is working out beautifully. Do you mind my smoking in the drawing-room? I am awfully sorry, but it makes all the difference to my work. Burn a little incense there afterwards. Do send me a bone, Dodo. Come and hear me play the scherzo later on. It's the best thing I've ever done. Oh, by the way, I telegraphed to Herr Truffen to come to-morrow – he's my conductor, you know. You can put him up in the village or the coal-hole, if you like. He's quite happy if he gets enough beer. He's my German conductor, you know. I made him entirely. I took him to the Princess the other day when I was at Aix, and we all had beer together in the verandah of the Beau Site. You'll be amused with him."
"Oh, rather," said Dodo; "that will be all right. He can sleep in the house. Will he come early to-morrow? Let's see – to-morrow's Sunday. Edith, I've got an idea. We'll have a dear little service in the house – we can't go to church if it snows – and you shall play your Mass, and Herr What's-his-name shall conduct, and Bertie, and Grantie, and you and I will sing. Won't it be lovely? You and I will settle all that this afternoon. Telegraph to Truffler, or whatever his name is, to come by the eight-twenty. Then he'll be here by twelve, and we'll have the service at a quarter past."
"Dodo, that will be grand," said Edith. "I can't wait now. Good-bye. Hurry up my breakfast – I'm awfully sharp-set."
Edith went back to the drawing-room, whistling in a particularly shrill manner.
" Oh , did you ever!" said Dodo, who was laughing feebly in her chair. "Edith really is splendid. She is so dreadfully sure of herself, and she tells you so. And she does talk so loud – it goes right through your head like a chirping canary. Chesterford can't bear her."
Jack laughed.
"She was giving him advice about the management of his kennels at dinner last night," he said. "I heard her say to him impressively, as she left the room, 'Try brimstone.' It took Chesterford at least five minutes to recover. He was dreadfully depressed."
"He must take Mrs. Vivian in to-night," said Dodo. "You'll hear them talking about slums, and over-crowding, and marriage among minors, and the best cure for dipsomaniacs. The other night they were talking about someone called 'Charlie,' affectionately but gravely, and I supposed they meant your brother, Jack, but it was the second laundress's young man. Oh, they shook their heads over him."
"I don't think common people are at all interesting," said Miss Grantham. "They only think about things to eat, and heaven, and three aces, and funerals."
She had by this time finished her breakfast, and stood warming her back in a gentlemanly manner by the fire.
The door opened and Lord Chesterford came in.
"Morning, Jack," he said, "what a lazy chap you are. It's half-past ten, and you're still breakfasting. Dodo, what a beastly smell of smoke."
"Oh, it's Edith," remarked Dodo. "You mustn't mind her, dear. You know she's doing a symphony, and she has to smoke to keep the inspiration going. Dear old boy, you are so sweet about these things; you've never made a fuss since I knew you first. You look very nice this morning. I wish I could dress in a homespun Norfolk jacket and knickerbockers. Grantie and I are going to bring you lunch. What should you like? You'd better have some champagne. Don't step in that egg, dear; it will make your nice brown boots all beastly. It's awfully cold. You'd better have two bottles. Tell Raikes to send you two. Chesterford, I wish you'd tell Raikes to cut off the end of his nose. I'm always afraid he'll hit me with it when he hands things. He might have it grafted into his chin, you know; he hasn't got any chin. Jack, have you finished? Yes, you'd better start. We'll meet you at the bothy. I'll go and ask Edith if she can spare Bertie."
"What does she want Bertie for?" said Chesterford.
"Oh, I expect she'll let him come," remarked Dodo; "she's really busy this morning. She's been composing since a quarter past eight."
Dodo went across the hall and opened the drawing-room door. Edith was completely absorbed in her work. The grilled bone lay untouched on a small table by the piano. Bertie was sitting before the fire.
"Bertie," said Dodo, "are you coming shooting?"
This woke Edith up.
"Oh, it's splendid," she said. "Dodo, listen to this."
She ran her hands over the piano, and then broke out into a quick, rippling scherzo. The music flew on, as if all the winds of heaven were blowing it; then it slowed down, halted a moment, and repeated itself till Dodo burst out: "Oh, Edith, it's lovely! I want to dance." She wheeled a table out of the way, kicked a chair across the room, and began turning and twisting with breathless rapidity. Her graceful figure looked admirable in the quick movements of her impromptu dance. Bertie thought he had never seen anything so deliciously fresh. Dodo danced with peculiar abandon. Every inch of her moved in perfect time and harmony to the music.
She had caught up a thin, Indian shawl from one of the sofas, and passed it behind her back, round her head, this way and that, bending, till at one moment it swept the ground in front of her, at another flew in beautiful curves high above her head, till at last the music stopped, and she threw herself down exhausted in an arm-chair.
"Oh, that was glorious," she panted. "Edith, you are a genius. I never felt like that before. I didn't dance at all, it was the music that danced, and pulled me along with it."
"That was the best compliment my music has ever received," said Edith. "That scherzo was meant to make you want to dance. Now, Dodo, could I have done that after eating two poached eggs?"
"You may have grilled bones seven times a day," said Dodo, "if you'll compose another scherzo."
"I wanted a name for the symphony," said Edith, "and I shall call it the 'Dodo.' That's a great honour, Dodo. Now, if you only feel miserable during the 'Andante,' I shall be satisfied. But you came about something else, I forget what."
"Oh, about Bertie. Is he coming shooting?".
"I wish it was right for women to shoot," said Edith. "I do shoot when I'm at home, and there's no one there. Anyhow I couldn't to-day. I must finish this. Dodo, if you are going to take lunch with them, I'll come with you, if you don't go too early. You know this music makes me perfectly wild, but it can't be done on poached eggs. Now set me down at the Handel Festival, and I'll be content with high, tea – cold meat and muffins, you know. Handel always reminds me of high tea, particularly the muffins. He must have written the 'Messiah' between tea and dinner on Sunday evening, after an afternoon service in summer. I've often thought of taking the Salvation Army hymn-book and working the tunes up into fugual choruses, and publishing them as a lost work of Handel's, Noah, or Zebedee's children, or the Five Foolish Virgins. I don't believe anyone would know the difference."
Dodo was turning over the leaves of Edith's score book.
"I give it up," she said at last; "you are such a jumble of opposites. You sit down and write a Sanctus, which makes one feel as if one wants to be a Roman Catholic archbishop, and all the time you are smoking cigarettes and eating grilled bone."
"Oh, everyone's a jumble of opposites," said Edith, "when you come to look at them. It's only because my opposites are superficial, that you notice them. A Sanctus is only a form of expression for thoughts which everyone has, even though their tastes appear to lie in the music-hall line; and music is an intelligible way of expressing these thoughts. Most people are born dumb with regard to their emotions, and you therefore conclude that they haven't got any, or that they are expressed by their ordinary actions."
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