Edward Benson - The Relentless City

From the centre of the terrace on the east, which had been brought over entire from a needy Italian palace, a broad flight of steps of rose-coloured marble led down to the sea. A small breakwater was sufficient to provide station and anchorage for the two steam-yachts and smaller pleasure-boats, but otherwise the shore had not been meddled with. There was a charming beach of sand, and a little further on a fringe of seaweed-covered rock-pools. Behind this was a small natural lagoon in a depression in the sandy foreshore, some half-acre in extent, fed by a stream that came down through the woods, but brackish through the infiltration of the salt water. This that highly original woman had chosen to be the scene of the fête which was to astonish society next week; but the secret had been well kept, and no one except Reggie Armstrong knew the precise details of the new surprise. For a fortnight or so, however, it was common knowledge that a great many large pans wrapped in tarpaulin had been arriving, and the shore had been populous with men who plied some sort of bare-legged avocation, which implied wading in the lagoon. But the foreman of the company who was executing Mrs. Palmer's orders had received notice that if any word of what was being done leaked out or reached the papers, at that moment all work would be suspended, and the firm would never have another order from her. She herself, sometimes alone, sometimes with Reggie, inspected the work; otherwise no one was allowed near the place. The yachts of her dearest friends, it is true, constantly passed and repassed up the sound, and many were the opera-glasses levelled at the shore; but what the bare-legged men were doing baffled conjecture and the best glasses.

The house inside was, with the exception of one small suite, of the most sumptuous description. A huge hall, paved with marble, and covered as to its walls with superb wood-work of Grinling Gibbons, occupied the centre of the ground-floor, and en suite round it were the rooms for entertaining. Ping-pong being at this moment fashionable, it was to be expected that almost every room had its table, and it was curious to see the hideous little black board on its cheap trestle legs occupying the centre of the great French drawing-room. Old rose-coloured satin was stretched on the walls, an immense Aubusson carpet covered the floor. All the furniture was gems of the early Empire style; the big ormolu clock was by Vernier; great Dresden parrots in gilt mounts held the shaded electric lights, and a statuette by Clodion stood on the Queen's escritoire from the Tuileries. One side of the square block of house was entirely occupied by the picture-gallery, which contained some extremely fine specimens of the great English portrait-school, a few dubious old masters, some good Lancrets, and several very valuable pictures by that very bright young American artist, Sam Wallace. These, as all the world knows, represent scenes from the ballet and such subjects, and he is supposed to have a prodigious eye for colour. Here, too, of course, was an unrivalled place for ping-pong, and Mrs. Palmer had caused to be made a very large court, so that four people could play together. Great grave English footmen, when the game was in progress, were stationed at each end to pick up the balls, and hand them on silver salvers to the server; and they had rather a busy time of it, for the majority of Mrs. Palmer's guests found a difficulty in inducing the ball to go anywhere near the table. But they found it very amusing, and it produced shrieks of senseless laughter.

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