Marie Van Vorst - Fairfax and His Pride - A Novel

"Come, Bella, come, I'm afwaid."

"Hear Jetty, Gardiner, be quiet."

And the bird's voice nearly drowned the murmur and the clamour of the dining-room. Mr. Carew, resplendent in evening clothes, displayed upon his shirt front the badge of the Spanish Society (a golden medal hung by a silken band). It was formed and founded by the banker and he was proud of his creation.

"Who would ever suppose that father didn't like company? Whoever would think that you could be afraid of father!"

Suave, eloquent, Carew beamed upon his guests, and his little daughter admired him extravagantly. His hair and beard were beautiful. Touching the medal on his breast, Carew said —

"Carez is the old name, Cedersholm."

Cedersholm! Bella stared and listened.

"Yes, Carez, Andalusian, I believe, to be turned later in England into Carew; and the bas-relief is an excellent bit of sculpturing."

Mr. Carew undid the medal and handed it to the guest on his right.

"Here, Cedersholm, what do you think of the bas-relief?"

Cedersholm, already famous in New York, faced Bella Carew and she saw him plainly. This was the sculptor who could give Cousin Antony his start, "his fair chance." He did not look a great man, as Bella thought geniuses should look; not one of the guests looked as great and beautiful as Cousin Antony. Why didn't they have him to the dinner, she wondered loyally. Hasn't he got money enough? Perhaps because he was lame.

Jetty was lame. He had broken his leg in the bars once upon a time. How he sang! From his throat poured one ecstatic roulade after another, one cascade after another of liquid delicious sweetness. Fields, woods, copses, and dells; sunlight, moonlight, seas and streams, all, all were in Jetty's passion of song.

Gardiner had left his sister's side and stood under the bird-cage gazing up with an enraptured face. He made a pretty, quaint figure in the deserted room, in his gingham apron and his untidy blonde hair.

Bella heard some one say, "What wonderful singing, Mrs. Carew." And she looked at her mother for the first time. The lady was all in white with a bit of old black point crossed at her breast and a red camellia fastened there. Her soft fine hair was unpretentiously drawn away neatly, and her doe-like eyes rested amiably on her guests. She seemed to enjoy her unwonted entertainment.

Still Bella clung to her hiding-place, fascinated by the subdued noise of the service, the clinking of the glasses, listening intelligently to a clever raconteur when he told his anecdote, and clapping her hand on her mouth to keep from joining aloud in the praise that followed, and the bead of excitement mounted to her head like the wine that filled the glasses, the engraved deer and pheasant glasses, three of which had been massacred upstairs. The dinner had nearly reached its end when the children slipped down, and the scraping of chairs and a lull made Bella realize where she was, and when she escaped she found that Gardiner had made his little journey upstairs without her guardianship. Bella's mind was working rapidly, for her heart was on fire with a scheme. In her bright dress she leaned close to the dark wainscoting of the stairway and heard Jetty sing. How he sang! That was music!

"Why do people sing when there are birds!" Bella thought. Low and sweet, high and fine, the running of little country brooks, unattainable as a weather vane in the sun.

Bella was at a pitch of sensitive emotion and she felt her heart swell and her eyes fill. She would have wept ignominiously, but instead shot upstairs, a red bird herself, and rushed to the cabinet where her childish treasures were stored away.

The sculptor Cedersholm had come from Sweden himself a poor boy. He had worked his way into recognition and fame, but his experience in life had embittered rather than softened him. He early discovered that there is nothing but example that we can learn from the poor or take from the poor, and he avoided everything that did not add to his fame and everything that did not bring in immediate aids. It was only during the late years that he had made his name known in New York. He had been working in Rome, and during the past three years his expositions had made him enormously talked of. He would not have dined at the Carews' without a reason. Henry Carew was something of a figure in the Century Club. His pretence to dilettantism was not small. But Cedersholm had not foreseen what a wretched dinner he would be called on to eat. Cooked by a woman hired in for the day, half cold and wholly poor, Mr. Carew's banquet was far from being the magnificent feast it seemed in Bella's eyes. Somewhat cheered by his cigar and liqueur, Cedersholm found a seat in a small reception room out of earshot of his host and hostess, and, in company with Canon Prynne of Albany, managed to pass an agreeable half hour.

The Canon agreed with the Swede – he had never heard a bird sing so divinely.

"I told Mrs. Carew she should throw a scarf over the cage. The blackbird will sing his heart out."

The sculptor took up his conversation with his friend where he had left it in the dining-room. He had been speaking of a recent commission given him by the city for an important piece of work to be done for Central Park.

"You know, Canon, we have succeeded in bringing to the port of New York the Abydos Sphinx – a marvellous, gigantic creature. It is to be placed in Central Park, in the Mall."

This, Canon Prynne had heard. "The base pedestal and fixtures are to be yours, Cedersholm?"

The sculptor nodded. "Yes, and manual labour such as this is tremendous. If I were in France, now, or in Italy, I could find chaps to help me. As it is, I work alone." After a pause, he said, "However, I like the sole responsibility."

"Now, I am not sure," returned his companion, "whether it is well to like too sole a responsibility. As far as I am concerned, no sooner do I think myself important than I discover half a dozen persons in my environment to whom I am doing a wrong, if I do not invite them to share my glory."

There was no one in the small room to which the gentlemen had withdrawn, and their chat was suddenly interrupted by a small, clear voice asking, "Is this Mr. Cedersholm?" Neither guest had seen steal into the room and slip from the shadow to where they sat, a little girl, slender, overgrown, in a ridiculously short dress, ridiculous shoes and stockings, her arms full of treasures, her dark hair falling around her glowing cheeks, in terror of being caught and banished and punished; but ardent and determined, she had nevertheless braved her father's displeasure. Bella fixed her eyes on the sculptor and said rapidly —

"Excuse me for coming to father's party, but I am in a great hurry. I want to speak to you about my Cousin Antony. He is a great genius," she informed earnestly, "a sculptor, just like you, only he can't get any work. If he had a chance he'd make perfectly beautiful things."

The other gentleman put out his hand and drew the child to him. Unused to fatherly caress, Bella held back, but was soon drawn within the Canon's arm. She held out her treasures: "He did these," and she presented to Cedersholm the white cast of her own foot.

"Cousin Antony explained that it is only a cast, and that anybody could do it, but it is awfully natural, isn't it? only so deadly white."

She held out a sheet of paper Fairfax had left at the last lesson. It bore a sketch of Bella's head and several decorative studies. Cedersholm regarded the cast and the paper.

"Who is Cousin Antony, my child?" asked the Canon.

"Mother's sister's son, from New Orleans – Antony Fairfax."

Cedersholm exclaimed, "Fairfax; but yes, I have a letter from a Mr. Fairfax. It came while I was in France."