Louis Vance - Joan Thursday - A Novel

He snatched up a mass of papers from the table, folded them hastily and thrust them into a coat pocket.

"That manuscript I was after. Good night. I do hope you'll be comfortable."

Before the amazed girl could collect herself, he had his hat and handbag and was already in the hallway.

She ran after him.

"But, Mr. Matthias – "

He glanced hastily over his shoulder while fumbling with the night-latch.

"I can't let you – "

"Oh, but you must – really, you know."

He had the door open.

"But why do you – how can you trust me with all your things?"

"Tut!" he said reprovingly from the vestibule – "nothing there but play 'scripts, and they're not worth anything. You can't get anybody to produce 'em. I know, because I've tried."

He closed the inner door and banged the outer behind him.

Joan, on the point of pursuing to the street, paused in the vestibule, and for a moment stood doubting. Then, with a bewildered look, she returned slowly to the back room, shut herself in, and shot the bolt…

On the platform of the stoop, Mr. Matthias delayed long enough to turn up his coat-collar for the better protection of his linen, and surveyed with a wry grin the slashing rush of rain through which he now must needs paddle unprotected.

"Queer thing for a fellow to do," he mused dispassionately…

"Daresay I am a bit of an ass… I might at least have borrowed my own umbrella… But that would hardly have been consistent with the egregious insanity of the performance…

"I wonder why I do these awful things?.. If I only knew, perhaps I could reform…"

Running down the steps, he set out at a rapid pace for the Hotel Astor; which in due time received and harboured him for the night.

Awakening at a late hour in a small bedroom bright with sunlight, Mr. Matthias treated himself to a moment of incredulity. Such surroundings were strange to his drowsy perceptions, and his transitory emotions on finding himself so curiously embedded might be most aptly and tersely summed up in the exclamation of the old lady in the nursery rhyme: "Lack-a-mercy, can this be I?"

Being, however, susceptible to a conviction of singular strength that he was himself and none other; and by dint of sheer will-power overcoming a tremendous disinclination to do anything but lie still and feel perfectly healthy, sound, and at peace with the world: he induced himself to roll over and fish for his watch in the pocket of the coat hanging on a nearby chair.

The hour proved to be half-past ten.

He fancied that he must have been uncommonly tired to have slept so late.

Then he remembered.

"One doesn't need to get drunk to be daft," was the conclusion he enunciated to his loneliness.

"I hope to goodness she doesn't go poking through my papers!"

The perturbation to which this thought gave rise got him out of bed more promptly than would otherwise have been the case. None the less he forgot it entirely in another moment, and had bathed and dressed and was knotting his tie before a mirror when the memory of the girl again flitted darkly athwart the glass of his consciousness.

"Wonder what it was that made me turn myself out of house and home for the sake of that girl, anyway? Something about her…"

But try as he might he could recall no definite details of her personality. She remained a shadow – a hunted, tearful, desperate wraith of girlhood: more than that, nothing.

He wagged his head seriously.

"Something about her!.. Must 've been good-looking … or something…"

With which he drifted off into an inconsequent and irrelevant reverie which entertained him exclusively throughout breakfast and his brief homeward walk: in his magnificent, pantoscopic, protean imagination he was busily engaged in writing the first act of a splendid new play – something exquisitely odd, original, witty, and dramatic.

A vague smile touched the corners of his mouth; his eyes were hazily lustrous; his nose was in the air. He had forgotten his guest entirely. He ran up the steps of Number 289, let himself in, trotted down the hall and burst unceremoniously into his room – not in the least disconcerted to find it empty, not, indeed, mindful that it might have been otherwise.

His hat went one way, his handbag into a corner with a resounding bang. He sat himself down at his typewriter, quickly and deftly inserted a sheet of paper into the carriage and … sat back at leisure, his gaze wandering dreamily out of the long, open windows, into the world of sunshine that shimmered over the back-yards.

A subconscious impulse moved him to stretch forth a long arm and drop his hand on the centre-table; after a few seconds his groping fingers closed round the bowl of an aged and well-beloved pipe.

He filled it, lighted it, smoked serenely.

Half an hour elapsed before he was disturbed. Then someone knocked imperatively on the door. He recognized the knock; it was Madame Duprat's. Swinging round in his chair he said pleasantly: "Come in."

Madame Duprat entered, filling the doorway. She shut the door and stood in front of it, subjecting it to an almost total eclipse. She was tall and portly, a grenadier of a woman, with a countenance the austerity of whose severely classic mould was somewhat moderated by a delicate, dark little moustache on her upper lip. Her mien was regal and portentous, sitting well upon the person of the widow of a great if unrecognized French tragedian; but her eyes were kindly; and Matthias had long since decided that it needed a body as big as Madame Duprat's to contain her heart.

"Bon jour, monsieur."

"Bon jour, madame."

This form of salutation was invariable between them; but the French of Matthias rarely withstood much additional strain. He lapsed now into English, cocking an eye alight with whimsical intelligence at the face of the landlady. Madame possessed the gift (as it were an inheritance from the estate of her late husband) of creating an atmosphere at will, when and where she would. That which her demeanour now created within the four walls of the chamber of Monsieur Matthias was rather electrical.

"Something's happened to disturb madame?" he hazarded. "What's the row? Have we discharged our chef? Is it that the third-floor front is behindhand with his rent? Or has Achilles – that dachshund of Heaven! – turned suffragette – and proved it with pups?"

"The row, monsieur," madame checked him coldly, "has to do only with the conduct of monsieur himself?"

"Eh?" Matthias queried blankly.

"You ask me what?" The hands of madame were vivid with exasperation. "Is it that monsieur is not aware he entertained a young woman in this room last night?"

"Oh – that!" The cloud passed from monsieur's eyes. He smiled cheerfully. "But it was quite proper, indeed, madame. Believe me, I – "

"Proper! And what is propriety to me, if you please – at my age?" madame demanded indignantly. "Am I not aware that monsieur left my house almost immediately after entering it and spent the night elsewhere? Did I not from my window see him running up the street with his handbag through the rain? But am I to figure as the custodian of my lodgers' morals?" The thought perished, annihilated by an ample gesture. "My quarrel with monsieur is that he left the young woman here alone !"

Matthias found the vernacular the only adequate vehicle of expression: "I've got to hand it to you, Madame Duprat; your point of view is essentially Gallic."

"But what is the explanation of this conduct, monsieur? Am I to look forward to future escapades of the same nature? Do you intend to make of my house a refuge for all the stray unfortunates of New York? Am I, and my guests, to be left to the mercies of God-knows-who, simply because monsieur has a heart of pity?"