Edgar Saltus - Eden - An Episode

The maid was busying herself in a closet and the fan was on the table; Eden picked it up, and as she did so she noticed that one of the sticks was broken. It took several minutes to find another which suited her gown, and when she again descended the stair some little time had intervened.

On reaching the parlor she drew the portière aside and peered into the room. At the furthermost end stood Arnswald, his back turned to her, and near him in a low arm-chair was her husband. He seemed to be reading something, and it was evident that her entrance had been unobserved either by him or by his guest.

For a second's space Eden stood very still. There was much of the child in her nature, and during that second she meditated on the feasibility of giving them both some little surprise. Then at once, as though impelled by invisible springs, she crossed the room very swiftly, very noiselessly, her fan and the fold of her dress in one hand, the other free for mischief, and just when she reached the chair in which her husband sat, she bent over him, from his unwarned fingers she snatched a note, and with a rippling laugh that was like the shiver of sound on the strings of a guitar, she waved it exultingly in the air.

Mr. Usselex looked up at once, but he had looked too late; the note had gone from him. He started, he made a movement to repossess himself of it, but Eden, with the ripple still in her voice, stepped back, laughed again, and nodded to Arnswald, who had turned and bowed. "What is it?" she cried; "what have you two been concocting? No, you don't," she continued. Her voice was unsteady with merriment, her eyes wickedly jubilant. Usselex had made another attempt to recapture the letter, and flaunting it, Tantalus-fashion, above her head, she defied and eluded him, gliding backwards, her head held like a swan's, a trifle to one side. "No, you don't," she repeated, and still the laughter rippled from her.

"Eden!" her husband expostulated, "Eden – "

"You shall not have it, sir; you shall not." And with a pirouette she fluttered yet further away, the bit of paper held daintily and aloft between forefinger and thumb. "Tell me this instant what you have been doing all day. There, you needn't look at Mr. Arnswald. He won't help you. Will you, Mr. Arnswald? Of course you won't."

Usselex, conscious of the futility of pursuit, made no further effort. In his face was an anxiety which his fair tormentor did not see. Once he turned to Arnswald, and Arnswald gave him an answering glance, and once his lips moved, but whatever he may have intended to say the words must have stuck in his throat. And Eden, woman-like, seeing that she was no longer pursued, advanced to a spot just beyond his reach, where she hovered tauntingly, yet wary of his slightest movement and prepared at the first suspicion of reprisal to spread her wings in flight.

"And who do you suppose was here at lunch to-day? You must guess or you shan't have your letter back. I'll give you just one minute. Oh! I saw Laura Manhattan at Fantasia's. Don't forget that we are to dine with her to-morrow. She came in to row about a dress. I was rowing, too. You have no idea what a day I have had. You will have to give Fantasia a talking to. Look at the frippery I have on. And she promised that I should have something for to-night. There ought to be some punishment for such people. Don't you think so, Mr. Arnswald? When people in Wall Street don't keep their promises, they are put in jail, aren't they? Well, jail is too good for that horrid old French-woman of a dressmaker, she ought to have the thumb-screws, the rack, and the hot side of the fagot. I will never believe her again, no, not even when I know she is telling the truth. She is the most ornamental liar I ever encountered. It is my opinion she would rather lie than not. Laura told me – but here, the minute's up – you must guess, you must guess rightly, and you can only guess once."

And Eden waved the letter again and laughed in her husband's beard.

The gown which she wore, and which she had characterized as frippery, was an artful combination of tulle and of silk; it was colorless, yet silvery, and in it Eden, bare of arm and of neck, looked a water nymph garmented in sheen and foam. From her hair came an odor of distant oases. In her eyes were evocations of summer, and beneath them, on her cheeks and on the lobes of her ears, health had placed its token in pink. The corners of her mouth were upraised like the ends of the Greek bow, and now that she was laughing her lips suggested a red fruit cut in twain. She was the personification of caprice, adorably constructed, and constructed to be adored. Arnswald evidently found her appearance alluring, for his eyes followed her every movement.

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