Percival Leigh - Portraits of Children of The Mobility

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It is, perhaps, to the supply of moisture which, in consequence of their exposure, they receive, that their preservation is owing; for we might otherwise reasonably question how they are induced to live.

The Children of the Mobility are not, in early infancy, interesting creatures; they are invested with none of those angelic attributes so peculiar to the aristocratic babe. It will be well, therefore, to pass over this period of their lives, and to consider them as they exhibit themselves, at a somewhat more advanced age, in the streets.

Those talented artists who have so laudably devoted their lofty energies to the delineation of the youthful forms of the Children of the Nobility, have correctly represented them as replete, in all their actions, with elegance. Sleeping on banks of flowers, sitting on rocks and musing o'er flood and field, contemplating with youthful but reflective eye, the beauties of a leaf or rose-bud, standing self-enraptured and Narcissus-like in some exquisite attitude before a mirror, or playing, in unconscious boldness, with a large dog, they seem to us like the denizens of a brighter sphere. Such, indeed, they may with truth be said to be; for, in the spacious park, the fragrant parterre , and the splendidly furnished drawing-room, their delicious existence glides away. This, together with their innate refinement, accounts, perhaps, for that beautifully indescribable something that mingles with all they do. So, conversely, the inherited bias, and surrounding circumstances incidental to the Children of the Mobility, may be supposed to explain the very opposite "something" so peculiar to them. We find them perched on stiles and gates, and loitering about lanes and ditches, peering into periwinkles, hopping up and down the steps of door-ways, or setting a couple of mongrels together by the ears. They are not gentle – they are not sylph-like – we search in vain for a nameless grace in their steps, and a depth of hidden meaning in their young eyes. They have never been taught to dance, and their complexions have been sadly neglected.

Aided by Mr. Leech's pictures, we shall now take the liberty of introducing our young plebeians into the drawing-room.

PLATE I. Miss Margaret Flinn, Master Gregory Flinn, Miss Katherine O'Shaughnessy, and Master Donovan

These young persons are the Children of a Mobility said to be the finest in the universe. The scene of their existence is a place denominated the Rookery, a region situated in those obscure territories among which Oxford Street terminates. This district is very appositely named, and we are surprised that there is no corresponding neighbourhood, of an aristocratic character, denominated an Aerie. It is a place remarkable, like an actual abode of rooks, for the noisy, pugnacious, and predatory character of its inhabitants, who however, unlike those birds, are not very active in feeding their young. Their building propensities, however, are just as remarkable. Humble as they are, it cannot be denied that they have much to do in the raising of the noblest houses; and if any part of the Mobility may lay claim to heraldic honours, these, as well as the proudest landlords, are entitled to bear the "Bricklayers' Arms." Their children display a peculiarly imperfect state of costume, owing to a practice, too common among their parents, of devoting the family revenues to the purchase of a certain spirituous liquor, and of converting, for this purpose, their wardrobes into ready money; conduct highly reprehensible, since, if oppressed by ennui

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There are some real travellers among the Mobility, though most of their journeymen lead a sedentary life.

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