Vicente Blasco Ibáñez - The Enemies of Women (Los enemigos de la mujer)

Alicia had forgotten the demi-tasse she held in her hand, as she sat there, looking at him fixedly. The tiny blue electric spark dancing in her eyes was something well known to Michael.

It was the offering glance of female silence, inviting violence, and mastery. He had encountered that glance often along his path of triumph as a conquering millionaire… He felt he must say something at once to break the silent charm of the beautiful witch, who, sure of her final victory, was smiling and blowing puffs of cigarette smoke toward him. So Michael alluded to her amorous fame, to the great number of lovers she was supposed to have had. That might widen the distance between them.

"Ah! You too?" said Alicia laughing, with masculine frankness. "I don't suppose your morals are the same as Mamma's! You are not going to read me a sermon on my behavior. Although, after all, Mamma doesn't blame me for what I do. What makes her angry is the fact that I am not afraid of what people say, and that sometimes I am attracted to unknown men of low birth. Poor Señora! If I were to have an affair with a king or a crown prince, perhaps she'd even let us see each other in her house, and have her Monsignor mount guard into the bargain."

She remained silent for a moment. That disturbing glance was still fixed on Michael.

"It is true; I have had a lot of men. And how about you? Do you think I don't know about your wanderings all over the planet in quest of types of women unknown to the novels and capable of giving new sensations?.. We have both done the same: only it wasn't necessary for me to travel around so much to learn just what you have learned… And you are not so absurd as to imagine, as certain men do, that our cases are not to be compared because we are of different sexes."

The Prince listened silently as she expounded her ideas. She was deeply in love with life, and in return she demanded all that life could give her… The minds of other women were occupied with questions of a material nature: desire for wealth, longings for luxury, domestic cares… As for her, she possessed everything; to-morrow held no worries for her; not even in regard to her beauty, sustained as it was by wonderful health, and seeming to increase in spite of age and her prodigal waste of energies.

In her life, made up of caprices, always completely satisfied, even to the point of satiety, only one thing interested her, from its infinite variety and from its many phases, which might seem to vulgar people a monotonous repetition of one another, but which in reality were distinct for a mind attuned, as hers was, to exquisite sensations. That thing was love.

"Oh please understand me, Michael; don't sit there laughing to yourself. You know me too well ever to imagine that I believe in love as the majority of women do. I know that a certain amount of illusion is necessary to color the material aspect of love; we all lie about it a little, and we enjoy the lie even though we know it as such; but way down deep, I laugh at love as the world understands it, just as I laugh at so many things which people venerate… I don't want lovers, I want admirers. I am not looking for love; I care more for adoration."

She was proud of her beauty. She spoke of Venus as though the goddess were a real person. She admired the Olympic serenity with which the Deity of Passion gave herself to gods and men, never surrendering her superiority even at the moment when she was submitting to the domination of the stronger sex. Alicia considered herself a super-beauty, belonging to a sphere outside the ordinary limits of vice and virtue. She thought herself a living work of art; and art is neither moral nor immoral; its mission is fulfilled when it is beautiful.

"Poets, painters, and musicians seek to abandon themselves to the greatest number of admirers. They do their utmost to enlarge their circle of public worshipers and with feminine coquetry they try to attract new suitors. I am like them. I do not need to create beauty, for as they say, I have it in myself. I am my own work, but I love glory; I need admiration; and for that reason I give myself generously, content with the happiness which I apportion, but keeping my public at my feet, without allowing myself to be dominated by those whom I seek."

Michael was sure that many artists must have left their imprint on that woman's life. It was evident in the words and imagery with which she endeavored to express her enthusiasm for her own body. Her pride in her beauty was boundless. What were the ambitions of men, compared to the satisfaction of being lovely and desired? Only the glory of warriors, of blood-stained conquerors, whose names are known even in the remotest wilds of the earth, equals the glory that a woman feels in the sense of universal power over men.

"To me," continued Alicia, "the truest and most beautiful thing ever written is 'the old men on the wall.'"

The Prince looked at her questioningly; so she went on to explain. She referred to the old Trojan men in the Iliad , who were protesting against the long siege of their city, against the blood sacrifice of thousands of heroes, against poverty and hardship, all due to the fault of a woman… But Helen, majestic in her beauty, passed before the old men, trailing her golden tunic; and they all lapsed into silent contemplation, rapt in wonder, as though divine Aphrodite had descended upon earth; and they murmured like a prayer: "It is indeed fitting that we should suffer thus for her. So lovely she is!"

"I like to see men suffer on my account. How glorious if I might be the cause of a great slaughter, like that ancient immortal woman!.. I have an exultant feeling of pride when I notice that envy and spite are whispering behind my back, starting all that gossip that makes my mother so furious. Only extraordinary people stir up torrents of abuse… And afterwards, in the drawing rooms, the very same austere gentlemen who have seconded all that their wives and daughters have to say against me, look at me with sly admiring glances, as I pass; and some of them blush in confusion and others turn pale. It is easy to guess that I have only to beckon and their silent admiration would… I too have my 'old men on the wall.'"

Michael suddenly realized that while she was talking she had been coming gradually closer, from cushion to cushion as she lay resting on her elbows. She was almost at his feet, with head held high, endeavoring to envelop him in a wave of magnetism from her fixed and dominating eyes. She seemed like a black and white snake, twisting forward little by little among the cushions as though they were rocks of various colors.

"The only man of whom I have ever thought the least bit, the only one I ever considered at all different from other men," she continued in a half whisper, "is you… Don't be alarmed: it isn't love. I am not going to invert rôles, and propose to you. Perhaps it is because, as children, we used to hate each other; because you never wanted me. That is such an unheard of thing in my life, that it alone is enough to interest me."

She put her hands on his knees, as though she were about to rise.

"When I saw you in the cemetery, after so many years, I remembered all that I had heard about you. Many women whom I know have been sweethearts of yours, and I said to myself: Why not I, too? Then I thought of all the men who have come into my life, and I added: Why not he?" …

And now Alicia's elbows were resting on his knees, and as the Prince was seated on but two pillows, their lips and eyes were almost on a level. As she talked he could feel her breath on his face. It was like the breeze in an Asiatic forest, whispering beneath the moon. The spices and flowers with which the wine was saturated seemed to float in that volatile caress.

Michael tried to avoid her advance, but one of Alicia's hands was already on his shoulder. He merely shook his head.