Эдвард Бульвер-Литтон - Devereux — Volume 04

"Well, and what so delightful as a trial in which one triumphs? and a change in which one does not lose even one's countenance?"

"Take care, my Lord," said Bolingbroke, laughing; "those are dangerous sentiments for a man like you, to whom the hopes of two great parties are directed, to express so openly, even on a trifle and in a jest."

"'Tis for that reason I utter them. I like being the object of hope and fear to men, since my miserable fortune made me marry at fourteen, and cease to be aught but a wedded thing to the women. But sup with me at the Bedford,—you, my Lord, and the Count."

"And you will ask Walpole, Addison, and Steele, 5 5 All political opponents of Lord Bolingbroke. to join us, eh?" said Bolingbroke. "No, we have other engagements for to-night; but we shall meet again soon."

And the eccentric youth nodded his adieu, disappeared, and a minute afterwards was seated by the side of the Duchess of Marlborough.

"There goes a boy," said Bolingbroke, "who, at the age of fifteen, has in him the power to be the greatest man of his day, and in all probability will only be the most singular. An obstinate man is sure of doing well; a wavering or a whimsical one (which is the same thing) is as uncertain, even in his elevation, as a shuttlecock. But look to the box at the right: do you see the beautiful Lady Mary?"

"Yes," said Mr. Trefusis, who was with us, "she has only just come to town. 'Tis said she and Ned Montagu live like doves."

"How!" said Lord Bolingbroke; "that quick, restless eye seems to have very little of the dove in it."

"But how beautiful she is!" said Trefusis, admiringly. "What a pity that those exquisite hands should be so dirty! It reminds me" (Trefusis loved a coarse anecdote) "of her answer to old Madame de Noailles, who made exactly the same remark to her. 'Do you call my hands dirty?' cried Lady Mary, holding them up with the most innocent /naivete/. 'Ah, Madame, /si vous pouviez voir mes pieds!'"

"/Fi donc/," said I, turning away; "but who is that very small, deformed man behind her,—he with the bright black eye?"

"Know you not?" said Bolingbroke; "tell it not in Gath!—'tis a rising sun, whom I have already learned to worship,—the young author of the 'Essay on Criticism,' and 'The Rape of the Lock.' Egad, the little poet seems to eclipse us with the women as much as with the men. Do you mark how eagerly Lady Mary listens to him, even though the tall gentleman in black, who in vain endeavours to win her attentions, is thought the handsomest gallant in London? Ah, Genius is paid by smiles from all females but Fortune; little, methinks, does that young poet, in his first intoxication of flattery and fame, guess what a lot of contest and strife is in store for him. The very breath which a literary man respires is hot with hatred, and the youthful proselyte enters that career which seems to him so glittering, even as Dame Pliant's brother in the 'Alchemist' entered town,—not to be fed with luxury, and diet on pleasure, but 'to learn to quarrel and live by his wits.'"

The play was now nearly over. With great gravity Lord Bolingbroke summoned one of the principal actors to his box, and bespoke a play for the next week; leaning then on my arm, he left the theatre. We hastened to his home, put on our disguises, and, without any adventure worth recounting, effected our escape and landed safely at Calais.

THE ex-minister was received both at Calais and at Paris with the most gratifying honours: he was then entirely the man to captivate the French. The beauty of his person, the grace of his manner, his consummate taste in all things, the exceeding variety and sparkling vivacity of his conversation, enchanted them. In later life he has grown more reserved and profound, even in habitual intercourse; and attention is now fixed to the solidity of the diamond, as at that time one was too dazzled to think of anything but its brilliancy.

While Bolingbroke was receiving visits of state, I busied myself in inquiring after a certain Madame de Balzac. The reader will remember that the envelope of that letter which Oswald had brought to me at Devereux Court was signed by the letters C. de B. Now, when Oswald disappeared, after that dreadful night to which even now I can scarcely bring myself to allude, these initials occurred to my remembrance, and Oswald having said they belonged to a lady formerly intimate with my father, I inquired of my mother if she could guess to what French lady such initials would apply. She, with an evident pang of jealousy, mentioned a Madame de Balzac; and to this lady I now resolved to address myself, with the faint hope of learning from her some intelligence respecting Oswald. It was not difficult to find out the abode of one who in her day had played no inconsiderable role in that 'Comedy of Errors,'—the Great World. She was still living at Paris: what Frenchwoman would, if she could help it, live anywhere else? "There are a hundred gates," said the witty Madame de Choisi to me, "which lead into Paris, but only two roads out of it,—the convent, or (odious word!) the grave."

I hastened to Madame Balzac's hotel. I was ushered through three magnificent apartments into one which to my eyes seemed to contain a throne: upon a nearer inspection I discovered it was a bed. Upon a large chair, by a very bad fire—it was in the month of March—sat a tall, handsome woman, excessively painted, and dressed in a manner which to my taste, accustomed to English finery, seemed singularly plain. I had sent in the morning to request permission to wait on her, so that she was prepared for my visit. She rose, offered me her cheek, kissed mine, shed several tears, and in short testified a great deal of kindness towards me. Old ladies who have flirted with our fathers always seem to claim a sort of property in the sons!

Before she resumed her seat she held me out at arm's length.

"You have a family likeness to your brave father," said she, with a little disappointment; "but—"

"Madame de Balzac would add," interrupted I, filling up the sentence which I saw her /bienveillance/ had made her break off, "Madame de Balzac would add that I am not so good-looking. It is true: the likeness is transmitted to me within rather than without; and if I have not my father's privilege to be admired, I have at least his capacities to admire," and I bowed.

Madame de Balzac took three large pinches of snuff. "That is very well said," said she, gravely: "very well indeed! not at all like your father, though, who never paid a compliment in his life. Your clothes, by the by, are in exquisite taste: I had no idea that English people had arrived at such perfection in the fine arts. Your face is a little too long! You admire Racine, of course? How do you like Paris?"

All this was not said gayly or quickly: Madame de Balzac was by no means a gay or a quick person. She belonged to a peculiar school of Frenchwomen, who affected a little languor, a great deal of stiffness, an indifference to forms when forms were to be used by themselves, and an unrelaxing demand of forms when forms were to be observed to them by others. Added to this, they talked plainly upon all matters, without ever entering upon sentiment. This was the school she belonged to; but she possessed the traits of the individual as well as of the species. She was keen, ambitious, worldly, not unaffectionate nor unkind; very proud, a little of the devotee,—because it was the fashion to be so,—an enthusiastic admirer of military glory, and a most prying, searching, intriguing schemer of politics without the slightest talent for the science.

"Like Paris!" said I, answering only the last question, and that not with the most scrupulous regard to truth. "Can Madame de Balzac think of Paris, and not conceive the transport which must inspire a person entering it for the first time? But I had something more endearing than a stranger's interest to attach me to it: I longed to express to my father's friend my gratitude for the interest which I venture to believe she on one occasion manifested towards me."