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Эдвард Бульвер-Литтон: "My Novel" — Volume 11

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Edward Bulwer-Lytton

«My Novel» — Volume 11

BOOK ELEVENTH

INITIAL CHAPTER

ON THE IMPORTANCE OF HATE AS AN AGENT IN CIVILIZED LIFE

It is not an uncommon crotchet amongst benevolent men to maintain that wickedness is necessarily a sort of insanity, and that nobody would make a violent start out of the straight path unless stung to such disorder by a bee in his bonnet. Certainly when some very clever, well-educated person like our friend, Randal Leslie, acts upon the fallacious principle that "roguery is the best policy," it is curious to see how many points he has in common with the insane: what over-cunning, what irritable restlessness, what suspicious belief that the rest of the world are in a conspiracy against him, which it requires all his wit to baffle and turn to his own proper aggrandizement and profit. Perhaps some of my readers may have thought that I have represented Randal as unnaturally far- fetched in his schemes, too wire-drawn and subtle in his speculations; yet that is commonly the case with very refining intellects, when they choose to play the knave; it helps to disguise from themselves the ugliness of their ambition, just as a philosopher delights in the ingenuity of some metaphysical process, which ends in what plain men call "atheism," who would be infinitely shocked and offended if he were called an atheist.

Having premised thus much on behalf of the "Natural" in Randal Leslie's character, I must here fly off to say a word or two on the agency in human life exercised by a passion rarely seen without a mask in our debonair and civilized age,—I mean Hate.

In the good old days of our forefathers, when plain speaking and hard blows were in fashion, when a man had his heart at the tip of his tongue, and four feet of sharp iron dangling at his side, Hate played an honest, open part in the theatre of the world. In fact, when we read History, Hate seems to have "starred it" on the stage. But now, where is Hate? Who ever sees its face? Is it that smiling, good-tempered creature, that presses you by the hand so cordially, or that dignified figure of state that calls you its "Right Honourable friend"? Is it that bowing, grateful dependent; is it that soft-eyed Amaryllis? Ask not, guess not: you will only know it to be hate when the poison is in your cup, or the poniard in your breast. In the Gothic age, grim Humour painted "the Dance of Death;" in our polished century, some sardonic wit should give us "the Masquerade of Hate."

Certainly, the counter-passion betrays itself with ease to our gaze. Love is rarely a hypocrite. But Hate—how detect, and how guard against it? It lurks where you least suspect it; it is created by causes that you can the least foresee; and Civilization multiplies its varieties, whilst it favours its disguise: for Civilization increases the number of contending interests, and Refinement renders more susceptible to the least irritation the cuticle of Self-Love. But Hate comes covertly forth from some self-interest we have crossed, or some self-love we have wounded; and, dullards that we are, how seldom we are aware of our offence! You may be hated by a man you have never seen in your life: you may be hated as often by one you have loaded with benefits; you may so walk as not to tread on a worm; but you must sit fast on your easy-chair till you are carried out to your bier, if you would be sure not to tread on some snake of a foe. But, then, what harm does the hate do us? Very often the harm is as unseen by the world as the hate is unrecognized by us. It may come on us, unawares, in some solitary byway of our life; strike us in our unsuspecting privacy; thwart as in some blessed hope we have never told to another; for the moment the world sees that it is Hate that strikes us, its worst power of mischief is gone.

We have a great many names for the same passion,—Envy, Jealousy, Spite, Prejudice, Rivalry; but they are so many synonyms for the one old heathen demon. When the death-giving shaft of Apollo sent the plague to some unhappy Achaean, it did not much matter to the victim whether the god were called Helios or Smintheus.

No man you ever met in the world seemed more raised above the malice of Hate than Audley Egerton: even in the hot war of politics he had scarcely a personal foe; and in private life he kept himself so aloof and apart from others that he was little known, save by the benefits the waste of his wealth conferred. That the hate of any one could reach the austere statesman on his high pinnacle of esteem,—you would have smiled at the idea! But Hate is now, as it ever has been, an actual Power amidst "the Varieties of Life;" and, in spite of bars to the door, and policemen in the street, no one can be said to sleep in safety while there wakes the eye of a single foe.

CHAPTER II

The glory of Bond Street is no more. The title of Bond Street Lounger has faded from our lips. In vain the crowd of equipages and the blaze of shops: the renown of Bond Street was in its pavement, its pedestrians. Art thou old enough, O reader! to remember the Bond Street Lounger and his incomparable generation? For my part, I can just recall the decline of the grand era. It was on its wane when, in the ambition of boyhood, I first began to muse upon high neck cloths and Wellington boots. But the ancient /habitues/—the /magni nominis umbrae/, contemporaries of Brummell in his zenith, boon companions of George IV. in his regency— still haunted the spot. From four to six in the hot month of June, they sauntered stately to and fro, looking somewhat mournful even then, foreboding the extinction of their race. The Bond Street Lounger was rarely seen alone: he was a social animal, and walked arm in arm with his fellow-man. He did not seem born for the cares of these ruder times; not made was he for an age in which Finsbury returns members to parliament. He loved his small talk; and never since then has talk been so pleasingly small. Your true Bond Street Lounger had a very dissipated look. His youth had been spent with heroes who loved their bottle. He himself had perhaps supped with Sheridan. He was by nature a spendthrift: you saw it in the roll of his walk. Men who make money rarely saunter; men who save money rarely swagger. But saunter and swagger both united to stamp PRODIGAL on the Bond Street Lounger. And so familiar as he was with his own set, and so amusingly supercilious with the vulgar residue of mortals whose faces were strange to Bond Street! But he is gone. The world, though sadder for his loss, still strives to do its best without him; and our young men, nowadays, attend to model cottages, and incline to Tractarianism. Still the place, to an unreflecting eye, has its brilliancy and bustle; but it is a thoroughfare, not a lounge. And adown the thoroughfare, somewhat before the hour when the throng is thickest, passed two gentlemen of an appearance exceedingly out of keeping with the place.—Yet both had the air of men pretending to aristocracy,—an old- world air of respectability and stake in the country, and Church-and- Stateism. The burlier of the two was even rather a beau in his way. He had first learned to dress, indeed, when Bond Street was at its acme, and Brummell in his pride. He still retained in his garb the fashion of his youth; only what then had spoken of the town, now betrayed the life of the country. His neckcloth ample and high, and of snowy whiteness, set off to comely advantage a face smooth-shaven, and of clear florid hues; his coat of royal blue, with buttons in which you might have seen yourself "veluti in speculum", was rather jauntily buttoned across a waist that spoke of lusty middle age, free from the ambition, the avarice, and the anxieties that fret Londoners into thread-papers; his small-clothes, of grayish drab, loose at the thigh and tight at the knee, were made by Brummell's own breeches-maker, and the gaiters to match (thrust half-way down the calf), had a manly dandyism that would have done honour to the beau-ideal of a county member. The profession of this gentleman's companion was unmistakable,—the shovel-hat, the clerical cut of the coat, the neckcloth without collar, that seemed made for its accessory the band, and something very decorous, yet very mild, in the whole mien of this personage, all spoke of one who was every inch the gentleman and the parson.

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