Эдвард Бульвер-Литтон - The Last of the Barons — Complete

“Thou art hard on thy namesake, fair my lord,” said a young noble, in whose dark-auburn hair, aquiline, haughty features, spare but powerful frame, and inexpressible air of authority and command, were found all the attributes of the purest and eldest Norman race,—the Patricians of the World.

“Dear Raoul de Fulke,” returned Montagu, coldly, “when thou hast reached my age of thirty and four, thou wilt learn that no man’s fortune casts so broad a shadow as to shelter from the storm the victims of a fallen cause.”

“Not so would say thy bold brother,” answered Raoul de Fulke, with a slight curl of his proud lip. “And I hold, with him, that no king is so sacred that we should render to his resentments our own kith and kin. God’s wot, whosoever wears the badge and springs from the stem of Raoul de Fulke shall never find me question over much whether his father fought for York or Lancaster.”

“Hush, rash babbler!” said Montagu, laughing gently; “what would King Edward say if this speech reached his ears? Our friend,” added the courtier, turning to the rest, “in vain would bar the tide of change; and in this our New England, begirt with new men and new fashions, affect the feudal baronage of the worn-out Norman. But thou art a gallant knight, De Fulke, though a poor courtier.”

“The saints keep me so!” returned De Fulke. “From overgluttony, from over wine-bibbing, from cringing to a king’s leman, from quaking at a king’s frown, from unbonneting to a greasy mob, from marrying an old crone for vile gold, may the saints ever keep Raoul de Fulke and his sons! Amen!” This speech, in which every sentence struck its stinging satire into one or other of the listeners, was succeeded by an awkward silence, which Montagu was the first to break.

“Pardieu!” he said, “when did Lord Hastings leave us, and what fair face can have lured the truant?”

“He left us suddenly on the archery-ground,” answered the young Lovell. “But as well might we track the breeze to the rose as Lord William’s sigh to maid or matron.”

While thus conversed the cavaliers, and their plumes waved, and their mantles glittered along the broken ground, Marmaduke Nevile’s eye pursued the horsemen with all that bitter feeling of wounded pride and impotent resentment with which Youth regards the first insult it receives from Power.

Rousing himself from his indignant revery, Marmaduke Nevile followed one of the smaller streams into which the crowd divided itself on dispersing from the archery-ground, and soon found himself in a part of the holiday scene appropriated to diversions less manly, but no less characteristic of the period than those of the staff and arrow. Beneath an awning, under which an itinerant landlord dispensed cakes and ale, the humorous Bourdour (the most vulgar degree of minstrel, or rather tale-teller) collected his clownish audience; while seated by themselves—apart, but within hearing—two harpers, in the king’s livery, consoled each other for the popularity of their ribald rival, by wise reflections on the base nature of common folk. Farther on, Marmaduke started to behold what seemed to him the heads of giants at least six yards high; but on a nearer approach these formidable apparitions resolved themselves to a company of dancers upon stilts. There, one joculator exhibited the antics of his well-tutored ape; there, another eclipsed the attractions of the baboon by a marvellous horse that beat a tabor with his forefeet; there, the more sombre Tregetour, before a table raised upon a lofty stage, promised to cut off and refix the head of a sad-faced little boy, who in the mean time was preparing his mortal frame for the operation by apparently larding himself with sharp knives and bodkins. Each of these wonder-dealers found his separate group of admirers, and great was the delight and loud the laughter in the pastime-ground of old Cockaigne.

While Marmaduke, bewildered by this various bustle, stared around him, his eye was caught by a young maiden, in evident distress, struggling in vain to extricate herself from a troop of timbrel-girls, or tymbesteres (as they were popularly called), who surrounded her with mocking gestures, striking their instruments to drown her remonstrances, and dancing about her in a ring at every effort towards escape. The girl was modestly attired as one of the humbler ranks, and her wimple in much concealed her countenance; but there was, despite her strange and undignified situation and evident alarm, a sort of quiet, earnest self-possession,—an effort to hide her terror, and to appeal to the better and more womanly feelings of her persecutors. In the intervals of silence from the clamour, her voice, though low, clear, well-tuned, and impressive, forcibly arrested the attention of young Nevile; for at that day, even more than this (sufficiently apparent as it now is), there was a marked distinction in the intonation, the accent, the modulation of voice, between the better bred and better educated and the inferior classes. But this difference, so ill according with her dress and position, only served to heighten more the bold insolence of the musical Bacchantes, who, indeed, in the eyes of the sober, formed the most immoral nuisance attendant on the sports of the time, and whose hardy license and peculiar sisterhood might tempt the antiquary to search for their origin amongst the relics of ancient Paganism. And now, to increase the girl’s distress, some half-score of dissolute apprentices and journeymen suddenly broke into the ring of the Maenads, and were accosting her with yet more alarming insults, when Marmaduke, pushing them aside, strode to her assistance. “How now, ye lewd varlets! ye make me blush for my countrymen in the face of day! Are these the sports of merry England,—these your manly contests,—to strive which can best affront a poor maid? Out on ye, cullions and bezonians! Cling to me, gentle donzel, and fear not. Whither shall I lead thee?” The apprentices were not, however, so easily daunted. Two of them approached to the rescue, flourishing their bludgeons about their heads with formidable gestures. “Ho, ho!” cried one, “what right hast thou to step between the hunters and the doe? The young quean is too much honoured by a kiss from a bold ‘prentice of London.”

Marmaduke stepped back, and drew the small dagger which then formed the only habitual weapon of a gentleman. [Swords were not worn, in peace, at that period.] This movement, discomposing his mantle, brought the silver arrow he had won (which was placed in his girdle) in full view of the assailants. At the same time they caught sight of the badge on his hat. These intimidated their ardour more than the drawn poniard.

“A Nevile!” said one, retreating. “And the jolly marksman who beat Nick Alwyn,” said the other, lowering his bludgeon, and doffing his cap. “Gentle sir, forgive us, we knew not your quality. But as for the girl—your gallantry misleads you.”

“The Wizard’s daughter! ha, ha! the Imp of Darkness!” screeched the timbrel-girls, tossing up their instruments, and catching them again on the points of their fingers. “She has enchanted him with her glamour. Foul is fair! Foul fair thee, young springal, if thou go to the nets. Shadow and goblin to goblin and shadow! Flesh and blood to blood and flesh!”—and dancing round him, with wanton looks and bare arms, and gossamer robes that brushed him as they circled, they chanted,—

With some difficulty, and with a disgust which was not altogether without a superstitious fear of the strange words and the outlandish appearance of these loathsome Delilahs, Marmaduke broke from the ring with his new charge; and in a few moments the Nevile and the maiden found themselves, unmolested and unpursued, in a deserted quarter of the ground; but still the scream of the timbrel-girls, as they hurried, wheeling and dancing, into the distance, was borne ominously to the young man’s ear. “Ha, ha! the witch and her lover! Foul is fair! foul is fair! Shadow to goblin, goblin to shadow,—and the devil will have his own!”