Эдвард Бульвер-Литтон - Alice, or the Mysteries — Book 06

"PARIS is a delightful place,—that is allowed by all. It is delightful to the young, to the gay, to the idle; to the literary lion, who likes to be petted; to the wiser epicure, who indulges a more justifiable appetite. It is delightful to ladies, who wish to live at their ease, and buy beautiful caps; delightful to philanthropists, who wish for listeners to schemes of colonizing the moon; delightful to the haunters of balls and ballets, and little theatres and superb cafes , where men with beards of all sizes and shapes scowl at the English, and involve their intellects in the fascinating game of dominos. For these, and for many others, Paris is delightful. I say nothing against it. But, for my own part, I would rather live in a garret in London than in a palace in the Chaussee d'Antin.—'Chacun a son mauvais gout.'

"I don't like the streets, in which I cannot walk but in the kennel; I don't like the shops, that contain nothing except what's at the window; I don't like the houses, like prisons which look upon a courtyard; I don't like the beaux jardins , which grow no plants save a Cupid in plaster; I don't like the wood fires, which demand as many petits soins as the women, and which warm no part of one but one's eyelids, I don't like the language, with its strong phrases about nothing, and vibrating like a pendulum between 'rapture' and 'desolation;' I don't like the accent, which one cannot get, without speaking through one's nose; I don't like the eternal fuss and jabber about books without nature, and revolutions without fruit; I have no sympathy with tales that turn on a dead jackass, nor with constitutions that give the ballot to the representatives, and withhold the suffrage from the people; neither have I much faith in that enthusiasm for the beaux arts , which shows its produce in execrable music, detestable pictures, abominable sculpture, and a droll something that I believe the French call POETRY. Dancing and cookery,—these are the arts the French excel in, I grant it; and excellent things they are; but oh, England! oh, Germany! you need not be jealous of your rival!"

These are not the author's remarks,—he disowns them; they were Mr. Cleveland's. He was a prejudiced man; Maltravers was more liberal, but then Maltravers did not pretend to be a wit.

Maltravers had been several weeks in the city of cities, and now he had his apartments in the gloomy but interesting Faubourg St. Germain, all to himself. For Cleveland, having attended eight days at a sale, and having moreover ransacked all the curiosity shops, and shipped off bronzes and cabinets, and Genoese silks and objets de vertu , enough to have half furnished Fonthill, had fulfilled his mission, and returned to his villa. Before the old gentleman went, he flattered himself that change of air and scene had already been serviceable to his friend; and that time would work a complete cure upon that commonest of all maladies,—an unrequited passion, or an ill-placed caprice.

Maltravers, indeed, in the habit of conquering, as well as of concealing emotion, vigorously and earnestly strove to dethrone the image that had usurped his heart. Still vain of his self-command, and still worshipping his favourite virtue of Fortitude and his delusive philosophy of the calm Golden Mean, he would not weakly indulge the passion, while he so sternly fled from its object.

But yet the image of Evelyn pursued,—it haunted him; it came on him unawares, in solitude, in crowds. That smile so cheering, yet so soft, that ever had power to chase away the shadow from his soul; that youthful and luxurious bloom of pure and eloquent thoughts, which was as the blossom of genius before its fruit, bitter as well as sweet, is born; that rare union of quick feeling and serene temper, which forms the very ideal of what we dream of in the mistress, and exact from the wife,—all, even more, far more, than the exquisite form and the delicate graces of the less durable beauty, returned to him, after every struggle with himself; and time only seemed to grave, in deeper if more latent folds of his heart, the ineradicable impression.

Maltravers renewed his acquaintance with some persons not unfamiliar to the reader.

Valerie de Ventadour—how many recollections of the fairer days of life were connected with that name! Precisely as she had never reached to his love, but only excited his fancy (the fancy of twenty-two), had her image always retained a pleasant and grateful hue; it was blended with no deep sorrow, no stern regret, no dark remorse, no haunting shame.

They met again. Madame de Ventadour was still beautiful, and still admired,—perhaps more admired than ever; for to the great, fashion and celebrity bring a second and yet more popular youth. But Maltravers, if rejoiced to see how gently Time had dealt with the fair Frenchwoman, was yet more pleased to read in her fine features a more serene and contented expression than they had formerly worn. Valerie de Ventadour had preceded her younger admirer through the "MYSTERIES of LIFE;" she had learned the real objects of being; she distinguished between the Actual and the Visionary, the Shadow and the Substance; she had acquired content for the present, and looked with quiet hope towards the future. Her character was still spotless; or rather, every year of temptation and trial had given it a fairer lustre. Love, that might have ruined, being once subdued, preserved her from all after danger. The first meeting between Maltravers and Valerie was, it is true, one of some embarrassment and reserve: not so the second. They did but once, and that slightly, recur to the past, and from that moment, as by a tacit understanding, true friendship between them dated. Neither felt mortified to see that an illusion had passed away,—they were no longer the same in each other's eyes. Both might be improved, and were so; but the Valerie and the Ernest of Naples were as things dead and gone! Perhaps Valerie's heart was even more reconciled to the cure of its soft and luxurious malady by the renewal of their acquaintance. The mature and experienced reasoner, in whom enthusiasm had undergone its usual change, with the calm brow and commanding aspect of sober manhood, was a being so different from the romantic boy, new to the actual world of civilized toils and pleasures, fresh from the adventures of Eastern wanderings, and full of golden dreams of poetry before it settles into authorship or action! She missed the brilliant errors, the daring aspirations,—even the animated gestures and eager eloquence,—that had interested and enamoured her in the loiterer by the shores of Baiae, or amidst the tomb-like chambers of Pompeii. For the Maltravers now before her—wiser, better, nobler, even handsomer than of yore (for he was one whom manhood became better than youth)—the Frenchwoman could at any period have felt friendship without danger. It seemed to her, not as it really was, the natural development , but the very contrast , of the ardent, variable, imaginative boy, by whose side she had gazed at night on the moonlit waters and rosy skies of the soft Parthenope! How does time, after long absence, bring to us such contrasts between the one we remember and the one we see! And what a melancholy mockery does it seem of our own vain hearts, dreaming of impressions never to be changed, and affections that never can grow cool!