Alfred Thayer Mahan - Lessons of the war with Spain and other articles

The utility of such study of military history to the intending warrior is established, not only by a few such eminent authorities, but by a consensus among the leading soldiers and seamen of our own day, whether they personally have, or have not, had the opportunity of command in war. It may be asserted to be a matter of contemporary professional agreement, as much as any other current opinion that now obtains. In such study, native individual capacity and individual temperament will largely affect inference and opinion; not only causing them to differ more or less, but resulting frequently in direct opposition of conclusion. It cannot be otherwise; for, like all other callings of active life, war is a matter, not merely of knowledge and of general principles, but of sound judgment, without which both information and rules, being wrongly applied, become useless. Opinions, even of the most eminent, while accorded the respect due to their reputation, should therefore be brought to the test of personal reflection.

The study of the Art and History of War is pre-eminently necessary to men of the profession, but there are reasons which commend it also, suitably presented, to all citizens of our country. Questions connected with war—when resort to war is justifiable, preparation for war, the conduct of war—are questions of national moment, in which each voter—nay, each talker—has an influence for intelligent and adequate action, by the formation of sound public opinion; and public opinion, in operation, constitutes national policy. Hence it is greatly to be desired that there should be more diffused interest in the critical study of warfare in its broader lines. Knowledge of technical details is not necessary to the apprehension of the greater general principles, nor to an understanding of the application of those principles to particular cases, when made by individual students,—officers or others. The remark is sometimes heard, "When military or naval officers agree, Congress—or the people—may be expected to act." The same idea applied to other professions—waiting for universal agreement—would bring the world to a standstill. Better must be accepted without waiting for best. Better is more worth having to-day than best is the day after the need has come and gone. Hesitation and inaction, continued till the doctors agree, may result in the death of the patient; yet such hesitation is almost inevitable where there is no formed public opinion, and quite inevitable where there is no public interest antecedent to the emergency arising.

It may be due to the bias of personal or professional inclination that the present writer believes that military history,—including therein naval,—simply and clearly presented in its leading outlines, divested of superfluous and merely technical details, would be found to possess an interest far exceeding that which is commonly imagined. The logical coherence of any series of events, as of any process of Nature, possesses an innate attraction for the inquisitive element of which few intelligent minds are devoid. Unfortunately, technical men are prone to delight in their technicalities, and to depreciate, with the adjective "popular," attempts to bring their specialties within the comprehension of the general public, or to make them pleasing and attractive to it. However it may be with other specialties, the utility of which is more willingly admitted, the navy and army in our country cannot afford to take such an attitude. The brilliant, but vague, excitement and glory of war, in its more stirring phases, touches readily the popular imagination, as does intense action of every description. It has all the charm of the dramatic, heightened by the splendor of the heroic. But where there is no appeal beyond the imagination to the intellect, such impressions lack distinctness, and leave no really useful results. While there is a certain exaltation in sharing, through vivid narrative, the emotions of those who have borne a part in some deed of conspicuous daring, the fascination does not equal that wrought upon the intellect, as it traces for the first time the long-drawn sequence by which successive occurrences are seen to issue in their necessary results, or causes apparently remote to converge upon a common end, and understanding succeeds to the previous sense of bewilderment, which is produced by military events as too commonly treated.

There is, moreover, no science—or art—which lends itself to such exposition more readily than does the Art of War. Its principles are clear, and not numerous. Outlines of operations, presented in skeleton, as they usually may be, are in most instances surprisingly clear; and, these once grasped, the details fall into place with a readiness and a precision that convey an ever increasing intellectual enjoyment. The writer has more than once been witness of the pleasure thus occasioned to men wholly strangers to military matters; a pleasure partly of novelty, but which possesses the elements of endurance because the stimulus is one that renews itself continually, opening field after field for the exercise of the mind.

If such pleasure were the sole result, however, there might be well-founded diffidence in recommending the study. The advantage conferred upon the nation by a more wide-spread and intelligent understanding of military matters, as a factor in national life that must exist for some ages to come, and one which recent events, so far from lessening, have rendered more conspicuous and more necessary, affords a sounder ground for insisting that it is an obligation of each citizen to understand something of the principles of warfare, and of the national needs in respect of preparation, as well as thrill with patriotic emotion over an heroic episode or a brilliant victory.

It is with the object of contributing to such intelligent comprehension that the following critical narrative, which first appeared in one of our popular monthlies, is again submitted to the public in its present form. It professes no more than to be an attempt, by a student of military as well as naval warfare, to present a reasoned outline of a part of the operations of the war, interspersed with such reflections upon naval warfare, in its generals and its particulars, as have arisen naturally in the course of the story. The method adopted, consequently, is the second of those mentioned in the beginning of these remarks; a consecutive narrative, utilized as a medium for illustrating the principles of war. The application of those principles in this discussion represents the views of one man, believed by him to be in accordance with a considerable body of professional thought, although for this he has no commission to speak; but to some of them also there is, in other quarters, a certain distinct professional opposition.

The aim of the author here, as in all his writings, has been so to present his theme as to invest it with the rational interest attaching to a clear exposition of causes and effects, as shown in a series of events. Where he may have failed, the failure is in himself, not in his subject. The recent Spanish-American War, while possessing, as every war does, characteristics of its own, differentiating it from others, nevertheless, in its broad analogies, falls into line with its predecessors, evidencing that unity of teaching which pervades the art from its beginnings unto this day. It has, moreover, the special value of illustrating the reciprocal needs and offices of the army and the navy, than which no lesson is more valuable to a nation situated as ours is. Protected from any serious attempt at invasion by our isolated position, and by our vast intrinsic strength, we are nevertheless vulnerable in an extensive seaboard, greater, relatively to our population and wealth—great as they are—than that of any other state. Upon this, moreover, rests an immense coasting trade, the importance of which to our internal commercial system is now scarcely realized, but will be keenly felt if we ever are unable to insure its freedom of movement.