Коллектив авторов - The German Classics of the Nineteenth and Twentieth Centuries, Volume 02

Здесь есть возможность читать онлайн «Коллектив авторов - The German Classics of the Nineteenth and Twentieth Centuries, Volume 02» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: foreign_prose, foreign_antique, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The German Classics of the Nineteenth and Twentieth Centuries, Volume 02: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The German Classics of the Nineteenth and Twentieth Centuries, Volume 02»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

The German Classics of the Nineteenth and Twentieth Centuries, Volume 02 — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The German Classics of the Nineteenth and Twentieth Centuries, Volume 02», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

"I shall be very glad to show you such a piece of hospitality," answered Edward; "only the three ladies are together in the same wing. Who knows whether we shall not find them still with one another, or make some other mistake, which may have a strange appearance?"

"Do not be afraid," said the Count; "the Baroness expects me. She is sure by this time to be in her own room, and alone."

"Well, then, the thing is easy enough," Edward answered.

He took a candle, and lighted the Count down a private staircase leading into a long gallery. At the end of this, he opened a small door. They mounted a winding flight of stairs, which brought them out upon a narrow landing-place; and then, putting the candle in the Count's hand, he pointed to a tapestried door on the right, which opened readily at the first trial, and admitted the Count, leaving Edward outside in the dark.

Another door on the left led into Charlotte's sleeping-room. He heard her voice, and listened. She was speaking to her maid. "Is Ottilie in bed?" she asked. "No," was the answer; "she is sitting writing in the room below." "You may light the night-lamp," said Charlotte; "I shall not want you any more. It is late. I can put out the candle, and do whatever I may want else myself."

It was a delight to Edward to hear that Ottilie was writing still. She is working for me, he thought triumphantly. Through the darkness, he fancied he could see her sitting all alone at her desk. He thought he would go to her, and see her; and how she would turn to receive him. He felt a longing, which he could not resist, to be near her once more. But, from where he was, there was no way to the apartments which she occupied. He now found himself immediately at his wife's door. A singular change of feeling came over him. He tried the handle, but the bolts were shot. He knocked gently. Charlotte did not hear him. She was walking rapidly up and down in the large dressing-room adjoining. She was repeating over and over what, since the Count's unexpected proposal, she had often enough had to say to herself. The Captain seemed to stand before her. At home, and everywhere, he had become her all in all. And now he was to go; and it was all to be desolate again. She repeated whatever wise things one can say to oneself; she even anticipated, as people so often do, the wretched comfort that time would come at last to her relief; and then she cursed the time which would have to pass before it could lighten her sufferings—she cursed the dead, cold time when they would be lightened. At last she burst into tears; they were the more welcome, since tears with her were rare. She flung herself on the sofa, and gave herself up unreservedly to her sufferings. Edward, meanwhile, could not take himself from the door. He knocked again; and a third time rather louder; so that Charlotte, in the stillness of the night, distinctly heard it, and started up in fright. Her first thought was—it can only be, it must be, the Captain; her second, that it was impossible. She thought she must have been deceived. But surely she had heard it; and she wished, and she feared to have heard it. She went into her sleeping-room, and walked lightly up to the bolted tapestry-door. She blamed herself for her fears. "Possibly it may be the Baroness wanting something," she said to herself; and she called out quietly and calmly, "Is anybody there?" A light voice answered, "It is I." "Who?" returned Charlotte, not being able to make out the voice. She thought she saw the Captain's figure standing at the door. In a rather louder tone, she heard the word "Edward!" She drew back the bolt, and her husband stood before her. He greeted her with some light jest. She was unable to reply in the same tone. He complicated the mysterious visit by his mysterious explanation of it.

"Well, then," he said at last, "I will confess, the real reason why I am come is, that I have made a vow to kiss your shoe this evening."

"It is long since you thought of such a thing as that," said Charlotte.

"So much the worse," he answered; "and so much the better."

She had thrown herself back in an armchair, to prevent him from seeing the slightness of her dress. He flung himself down before her, and she could not prevent him from giving her shoe a kiss. And when the shoe came off in his hand, he caught her foot and pressed it tenderly against his breast.

Charlotte was one of those women who, being of naturally calm temperaments, continue in marriage, without any purpose or any effort, the air and character of lovers. She was never expressive toward her husband; generally, indeed, she rather shrank from any warm demonstration on his part. It was not that she was cold, or at all hard and repulsive, but she remained always like a loving bride, who draws back with a kind of shyness even from what is permitted. And so Edward found her this evening, in a double sense. How sorely did she not long that her husband would go; the figure of his friend seemed to hover in the air and reproach her. But what should have had the effect of driving Edward away only attracted him the more. There were visible traces of emotion about her. She had been crying; and tears, which with weak persons detract from their graces, add immeasurably to the attractiveness of those whom we know commonly as strong and self-possessed.

Edward was so agreeable, so gentle, so pressing; he begged to be allowed to stay with her. He did not demand it, but half in fun, half in earnest, he tried to persuade her; he never thought of his rights. At last, as if in mischief, he blew out the candle.

In the dim lamplight, the inward affection, the imagination, maintained their rights over the real; it was Ottilie that was resting in Edward's arms; and the Captain, now faintly, now clearly, hovered before Charlotte's soul. And so, strangely intermingled, the absent and the present flowed in a sweet enchantment one into the other.

And yet the present would not let itself be robbed of its own unlovely right. They spent a part of the night talking and laughing at all sorts of things, the more freely as the heart had no part in it. But when Edward awoke in the morning, on his wife's breast, the day seemed to stare in with a sad, awful look, and the sun to be shining in upon a crime. He stole lightly from her side; and she found herself, with strange enough feelings, when she awoke, alone.

CHAPTER XII

When the party assembled again at breakfast, an attentive observer might have read in the behavior of its various members the different things which were passing in their inner thoughts and feelings. The Count and the Baroness met with the air of happiness which a pair of lovers feel, who, after having been forced to endure a long separation, have mutually assured each other of their unaltered affection. On the other hand, Charlotte and Edward equally came into the presence of the Captain and Ottilie with a sense of shame and remorse. For such is the nature of love that it believes in no rights except its own, and all other rights vanish away before it. Ottilie was in child-like spirits. For her—she was almost what might be called open. The Captain appeared serious. His conversation with the Count, which had roused in him feelings that for some time past had been at rest and dormant, had made him only too keenly conscious that here he was not fulfilling his work, and at bottom was but squandering himself in a half-activity of idleness.

Hardly had their guests departed, when fresh visitors were announced—to Charlotte most welcomely, all she wished for being to be taken out of herself, and to have her attention dissipated. They annoyed Edward, who was longing to devote himself to Ottilie; and Ottilie did not like them either; the copy which had to be finished the next morning early being still incomplete. They staid a long time, and immediately that they were gone she hurried off to her room.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The German Classics of the Nineteenth and Twentieth Centuries, Volume 02»

Представляем Вашему вниманию похожие книги на «The German Classics of the Nineteenth and Twentieth Centuries, Volume 02» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The German Classics of the Nineteenth and Twentieth Centuries, Volume 02»

Обсуждение, отзывы о книге «The German Classics of the Nineteenth and Twentieth Centuries, Volume 02» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x