Коллектив авторов - The German Classics of the Nineteenth and Twentieth Centuries, Volume 07

Здесь есть возможность читать онлайн «Коллектив авторов - The German Classics of the Nineteenth and Twentieth Centuries, Volume 07» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: foreign_prose, foreign_antique, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The German Classics of the Nineteenth and Twentieth Centuries, Volume 07: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The German Classics of the Nineteenth and Twentieth Centuries, Volume 07»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

The German Classics of the Nineteenth and Twentieth Centuries, Volume 07 — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The German Classics of the Nineteenth and Twentieth Centuries, Volume 07», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Precisely such an object is the world of common sense. Its concreteness is ignorance. There are more things in heaven and earth than are dreamt of by common sense. Its work-a-day world is not even a faint reflex of the vast and complex universe. It sees but the immediate, the obvious, the superficial. So instead of being concrete, it is, in truth, the very opposite. Nor is empirical science with its predilection for "facts" better off. Every science able to cope with a mere fragmentary aspect of the world and from a partial point of view, is forced to ignore much of the concrete content of even its own realm. Likewise, art and religion, though in their views more synthetic and therefore more concrete, are one-sided; they seek to satisfy special needs. Philosophy alone—Hegelian philosophy—is concrete. Its aim is to interpret the world in its entirety and complexity, its ideal is to harmonize the demands of common sense, the interests of science, the appeal of art, and the longing of religion into one coherent whole. This view of philosophy, because it deals with the universe in its fulness and variety, alone can make claim to real concreteness. Nor are the other views false. They form for Hegel the necessary rungs on the ladder which leads up to his own philosophic vision. Thus the Hegelian vision is itself an organic process, including all other interpretations of life and of the world as its necessary phases. In the immanent unfolding of the Hegelian view is epitomized the onward march and the organic unity of the World-Spirit itself.

The technical formulation of this view is contained in his Logic . This book may indeed be said to be Hegel's master-stroke. Nothing less is attempted in it than the proof that the very process of reasoning manifests the same principle of evolution through a union of opposites. Hegel was well aware, as much as recent exponents of anti-intellectualism, that through "static" concepts we transmute and falsify the "fluent" reality. As Professor James says "The essence of life is its continuously changing character; but our concepts are all discontinuous and fixed … When we conceptualize we cut out and fix, and exclude everything but what we have fixed. A concept means a that-and-no-other ." But are our concepts static, fixed, and discontinuous? What if the very concepts we employ in reasoning should exemplify the universal flow of life? Hegel finds that indeed to be the case. Concepts we daily use, such as quality and quantity, essence and phenomenon, appearance and reality, matter and force, cause and effect, are not fixed and isolated entities, but form a continuous system of interdependent elements. Stated dogmatically the meaning is this: As concavity and convexity are inseparably connected, though one is the very opposite of the other—as one cannot, so to speak, live without the other, both being always found in union—so can no concept be discovered that is not thus wedded to its contradiction. Every concept develops, upon analysis, a stubbornly negative mate. No concept is statable or definable without its opposite; one involves the other. One cannot speak of motion without implying rest; one cannot mention the finite without at the same time referring to the infinite; one cannot define cause without explicitly defining effect. Not only is this true, but concepts, when applied, reveal perpetual oscillation. Take the terms "north" and "south." The mention of the north pole, for example, implies at once the south pole also; it can be distinguished only by contrast with the other, which it thus includes . But it is a north pole only by excluding the south pole from itself—by being itself and not merely what the other is not. The situation is paradoxical enough: Each aspect—the negative or the positive—of anything appears to exclude the other, while each requires its own other for its very definition and expression. It needs the other, and yet is independent of it. How Hegel proves this of all concepts, cannot here be shown. The result is that no concept can be taken by itself as a "that-and-no-other." It is perpetually accompanied by its "other" as man is by his shadow. The attempt to isolate any logical category and regard it as fixed and stable thus proves futile. Each category—to show this is the task of Hegel's Logic —is itself an organism, the result of a process which takes place within its inner constitution. And all logical categories, inevitably used in describing and explaining our world, form one system of interdependent and organically related parts. Hegel begins with an analysis of a concept that most abstractly describes reality, follows it through its countless conflicts and contradictions, and finally reaches the highest category which, including all the foregoing categories in organic unity, is alone adequate to characterize the universe as an organism. What these categories are and what Hegel's procedure is in showing their necessary sequential development, can here not even be hinted at.

That the logical development of the categories of thought is the same as the historical evolution of life—and vice versa —establishes for Hegel the identity of thought and reality. In the history of philosophy, the discrepancy between thought and reality has often been emphasized. There are those who insist that reality is too vast and too deep for man with his limited vision to penetrate; others, again, who set only certain bounds to man's understanding, reality consisting, they hold, of knowable and unknowable parts; and others still who see in the very shifts and changes of philosophic and scientific opinion the delusion of reason and the illusiveness of reality. The history of thought certainly does present an array of conflicting views concerning the limits of human reason. But all the contradictions and conflicts of thought prove to Hegel the sovereignty of reason. The conflicts of reason are its own necessary processes and expressions. Its dialectic instability is instability that is peculiar to all reality. Both thought and reality manifest one nature and one process. Hence reason with its "dynamic" categories can comprehend the "fluent" reality, because it is flesh of its flesh and bone of its bone. Hegel's bold and oft quoted words "What is rational is real; and what is real is rational," pithily express his whole doctrine. The nature of rationality and the nature of reality are, for Hegel, one and the same spiritual process, the organic process of triumphing over and conquering conflicts and contradictions. Where reality conforms to this process it is rational (that which does not conform to it is not reality at all, but has, like an amputated leg, mere contingent existence); the logical formula of this process is but an abstract account of what reality is in its essence.

The equation of the real and the rational, or the discovery of one significant process underlying both life and reason, led Hegel to proclaim a new kind of logic, so well characterized by Professor Royce as the "logic of passion." To repeat what has been said above, this means that categories are related to one another as historical epochs, as religious processes, as social and moral institutions, nay, as human passions, wills, and deeds are related to one another. Mutual conflict and contradiction appear as their sole constant factor amid all their variable conditions. The introduction of contradiction into logical concepts as their sine qua non meant indeed a revolutionary departure from traditional logic. Prior to Hegel, logical reasoning was reasoning in accordance with the law of contradiction, i. e., with the assumption that nothing can have at the same time and at the same place contradictory and inconsistent qualities or elements. For Hegel, on the contrary, contradiction is the very moving principle of the world, the pulse of its life. Alle Dinge sind an sich selbst widersprechend , as he drastically says. The deeper reason why Hegel invests contradiction with a positive value lies in the fact that, since the nature of everything involves the union of discrepant elements, nothing can bear isolation and independence. Terms, processes, epochs, institutions, depend upon one another for their meaning, expression, and existence; it is impossible to take anything in isolation. But this is just what one does in dealing with the world in art or in science, in religion or in business; one is always dealing with error and contradiction, because one is dealing with fragments or bits of life and experience. Hence—and this is Hegel's crowning thought—anything short of the whole universe is inevitably contradictory. In brief, contradiction has the same sting for Hegel as it has for any one else. Without losing its nature of "contradictoriness," contradiction has logically this positive meaning. Since it is an essential element of every partial, isolated, and independent view of experience and thought, one is necessarily led to transcend it and to see the universe in organic wholeness.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The German Classics of the Nineteenth and Twentieth Centuries, Volume 07»

Представляем Вашему вниманию похожие книги на «The German Classics of the Nineteenth and Twentieth Centuries, Volume 07» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The German Classics of the Nineteenth and Twentieth Centuries, Volume 07»

Обсуждение, отзывы о книге «The German Classics of the Nineteenth and Twentieth Centuries, Volume 07» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x