Charles Brown - Edgar Huntly; or, Memoirs of a Sleep-Walker

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Charles Brockden Brown

Edgar Huntly; or, Memoirs of a Sleep-Walker

To the Public

The flattering reception that has been given, by the public, to Arthur Mervyn, has prompted the writer to solicit a continuance of the same favour, and to offer to the world a new performance.

America has opened new views to the naturalist and politician, but has seldom furnished themes to the moral painter. That new springs of action and new motives to curiosity should operate,–that the field of investigation, opened to us by our own country, should differ essentially from those which exist in Europe,–may be readily conceived. The sources of amusement to the fancy and instruction to the heart, that are peculiar to ourselves, are equally numerous and inexhaustible. It is the purpose of this work to profit by some of these sources; to exhibit a series of adventures, growing out of the condition of our country, and connected with one of the most common and most wonderful diseases or affections of the human frame.

One merit the writer may at least claim:–that of calling forth the passions and engaging the sympathy of the reader by means hitherto unemployed by preceding authors. Puerile superstition and exploded manners, Gothic castles and chimeras, are the materials usually employed for this end. The incidents of Indian hostility, and the perils of the Western wilderness, are far more suitable; and for a native of America to overlook these would admit of no apology. These, therefore, are, in part, the ingredients of this tale, and these he has been ambitious of depicting in vivid and faithful colours. The success of his efforts must be estimated by the liberal and candid reader.

C. B. B.

Edgar Huntly

Chapter I

I sit down, my friend, to comply with thy request. At length does the impetuosity of my fears, the transports of my wonder, permit me to recollect my promise and perform it. At length am I somewhat delivered from suspense and from tremors. At length the drama is brought to an imperfect close, and the series of events that absorbed my faculties, that hurried away my attention, has terminated in repose.

Till now, to hold a steadfast pen was impossible; to disengage my senses from the scene that was passing or approaching; to forbear to grasp at futurity; to suffer so much thought to wander from the purpose which engrossed my fears and my hopes, could not be.

Yet am I sure that even now my perturbations are sufficiently stilled for an employment like this? That the incidents I am going to relate can be recalled and arranged without indistinctness and confusion? That emotions will not be reawakened by my narrative, incompatible with order and coherence? Yet when I shall be better qualified for this task I know not. Time may take away these headlong energies, and give me back my ancient sobriety; but this change will only be effected by weakening my remembrance of these events. In proportion as I gain power over words, shall I lose dominion over sentiments. In proportion as my tale is deliberate and slow, the incidents and motives which it is designed to exhibit will be imperfectly revived and obscurely portrayed.

Oh, why art thou away at a time like this. Wert thou present, the office to which my pen is so inadequate would easily be executed by my tongue. Accents can scarcely be too rapid; or that which words should fail to convey, my looks and gestures would suffice to communicate. But I know thy coming is impossible. To leave this spot is equally beyond my power. To keep thee in ignorance of what has happened would justly offend thee. There is no method of informing thee except by letter, and this method must I, therefore, adopt.

How short is the period that has elapsed since thou and I parted, and yet how full of tumult and dismay has been my soul during that period! What light has burst upon my ignorance of myself and of mankind! How sudden and enormous the transition from uncertainty to knowledge!

But let me recall my thoughts; let me struggle for so much composure as will permit my pen to trace intelligible characters. Let me place in order the incidents that are to compose my tale. I need not call on thee to listen. The fate of Waldegrave was as fertile of torment to thee as to me. His bloody and mysterious catastrophe equally awakened thy grief, thy revenge, and thy curiosity. Thou wilt catch from my story every horror and every sympathy which it paints. Thou wilt shudder with my foreboding and dissolve with my tears. As the sister of my friend, and as one who honours me with her affection, thou wilt share in all my tasks and all my dangers.

You need not be reminded with what reluctance I left you. To reach this place by evening was impossible, unless I had set out early in the morning; but your society was too precious not to be enjoyed to the last moment. It was indispensable to be here on Tuesday, but my duty required no more than that I should arrive by sunrise on that day. To travel during the night was productive of no formidable inconvenience. The air was likely to be frosty and sharp, but these would not incommode one who walked with speed. A nocturnal journey in districts so romantic and wild as these, through which lay my road, was more congenial to my temper than a noonday ramble.

By nightfall I was within ten miles of my uncle's house. As the darkness increased, and I advanced on my way, my sensations sunk into melancholy. The scene and the time reminded me of the friend whom I had lost. I recalled his features, and accents, and gestures, and mused with unutterable feelings on the circumstances of his death.

My recollections once more plunged me into anguish and perplexity. Once more I asked, Who was his assassin? By what motives could he be impelled to a deed like this? Waldegrave was pure from all offence. His piety was rapturous. His benevolence was a stranger to remissness or torpor. All who came within the sphere of his influence experienced and acknowledged his benign activity. His friends were few, because his habits were timid and reserved; but the existence of an enemy was impossible.

I recalled the incidents of our last interview, my importunities that he should postpone his ill-omened journey till the morning, his inexplicable obstinacy, his resolution to set out on foot during a dark and tempestuous night, and the horrible disaster that befell him.

The first intimation I received of this misfortune, the insanity of vengeance and grief into which I was hurried, my fruitless searches for the author of this guilt, my midnight wanderings and reveries beneath the shade of that fatal elm, were revived and reacted. I heard the discharge of the pistol, I witnessed the alarm of Inglefield, I heard his calls to his servants, and saw them issue forth with lights and hasten to the spot whence the sound had seemed to proceed. I beheld my friend, stretched upon the earth, ghastly with a mortal wound, alone, with no traces of the slayer visible, no tokens by which his place of refuge might be sought, the motives of his enmity or his instruments of mischief might be detected.

I hung over the dying youth, whose insensibility forbade him to recognise his friend, or unfold the cause of his destruction. I accompanied his remains to the grave; I tended the sacred spot where he lay; I once more exercised my penetration and my zeal in pursuit of his assassin. Once more my meditations and exertions were doomed to be disappointed.

I need not remind thee of what is past. Time and reason seemed to have dissolved the spell which made me deaf to the dictates of duty and discretion. Remembrances had ceased to agonize, to urge me to headlong acts and foster sanguinary purposes. The gloom was half dispersed, and a radiance had succeeded sweeter than my former joys.

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