George Meredith - The Amazing Marriage. Volume 5

Desiring loneliness or else Lord Feltre's company, Fleetwood had to grant a deferred audience at home to various tradesmen, absurdly fussy about having the house of his leased estate of Calesford furnished complete and habitable on the very day stipulated by his peremptory orders that the place should be both habitable and hospitable. They were right, they were excused; grand entertainments of London had been projected, and he fell into the weariful business with them, thinking of Henrietta's insatiable appetite for the pleasures. He had taken the lease of this burdensome Calesford, at an eight-miles' drive from the Northwest of town, to gratify the devouring woman's taste which was, to have all the luxuries of the town in a framework of country scenery.

Gower Woodseer and he were dining together in the evening. The circumstance was just endurable, but Gower would play the secretary, and doggedly subjected him to hear a statement of the woeful plight of Countess Livia's affairs. Gower, commissioned to examine them, remarked: 'If we have all the figures!'

'If we could stop the bleeding!' Fleetwood replied. 'Come to the Opera to-night; I promised. I promised Abrane for to-morrow. There's no end to it. This gambling mania's a flux. Not one of them except your old enemy, Corby, keeps clear of it; and they're at him for subsidies, as they are at me, and would be at you or any passenger on the suspected of a purse. Corby shines among them.'

That was heavy judgement enough, Gower thought. No allusion to Esslemont ensued. The earl ate sparely, and silently for the most part.

He was warmed a little at the Opera by hearing Henrietta's honest raptures over her Columelli in the Pirata. But Lord Brailstone sat behind her, and their exchange of ecstasies upon the tattered pathos of

E il mio tradito amor,

was not moderately offensive.

His countenance in Henrietta's presence had to be studied and interpreted by Livia. Why did it darken? The demurest of fuliginous intriguers argued that Brail stone was but doing the spiriting required of him, and would have to pay the penalty unrewarded, let him Italianize as much as he pleased. Not many months longer, and there would be the bit of an outburst, the whiff of scandal, perhaps a shot, and the rupture of an improvident alliance, followed by Henrietta's free hand to the moody young earl, who would then have possession of the only woman he could ever love: and at no cost. Jealousy of a man like Brailstone, however infatuated the man, was too foolish. He must perceive how matters were tending? The die-away acid eyeballs-at-the-ceiling of a pair of fanatics per la musica might irritate a husband, but the lover should read and know. Giddy as the beautiful creature deprived of her natural aliment seems in her excuseable hunger for it, she has learnt her lesson, she is not a reeling libertine.

Brailstone peered through his eyelashes at the same shadow of a frown where no frown sat on his friend's brows. Displeasure was manifest, and why? Fleetwood had given him the dispossessing shrug of the man out of the run, and the hint of the tip for winning, with the aid of operatic arias; and though he was in Fleetwood's books ever since the prize-fight, neither Fleetwood nor the husband nor any skittishness of a timorous wife could stop the pursuer bent to capture the fairest and most inflaming woman of her day.

'I prefer your stage Columelli,' Fleetwood said.

'I come from exile!' said Henrietta; and her plea in excuse of ecstatics wrote her down as confessedly treasonable to the place quitted.

Ambrose Mallard entered the box, beholding only his goddess Livia. Their eyebrows and inaudible lips conversed eloquently. He retired like a trumped card on the appearance of M. de St. Ombre. The courtly Frenchman won the ladies to join him in whipping the cream of the world for five minutes, and passed out before his flavour was exhausted. Brailstone took his lesson and departed, to spy at them from other boxes and heave an inflated shirt-front. Young Cressett, the bottle of effervescence, dashed in, and for him Livia's face was motherly. He rattled a tale of the highway robbery of Sir Meeson Corby on one of his Yorkshire moors. The picture of the little baronet arose upon the narration, and it amused. Chumley Potts came to 'confirm every item,' as he said. 'Plucked Corby clean. Pistol at his head. Quite old style. Time, ten P.M. Suspects Great Britain, King, Lords and Commons, and buttons twenty times tighter. Brosey Mallard down on him for a few fighting men. Perfect answer to Brosey.'

'Mr. Mallard did not mention the robbery,' Henrietta remarked.

'Feared to shock: Corby such a favoured swain,' Potts accounted for the omission.

'Brosey spilling last night?' Fleetwood asked.

'At the palazzo, we were,' said Potts. 'Luck pretty fair first off.

Brosey did his trick, and away and away and away went he! More old Brosey wins, the wiser he gets. I stayed.' He swung to Gower: 'Don't drink dry Sillery after two A.M. You read me?'

'Egyptian, but decipherable,' said Gower.

The rising of the curtain drew his habitual groan from Potts, and he fled to collogue with the goodly number of honest fellows in the house of music who detested 'squallery.' Most of these afflicted pilgrims to the London conservatory were engaged upon the business of the Goddess richly inspiring the Heliconian choir, but rendering the fountain-waters heady. Here they had to be, if they would enjoy the spectacle of London's biggest and choicest bouquet: and in them, too, there was an unattached air during Potts' cooling discourse of turf and tables, except when he tossed them a morsel of tragedy, or the latest joke, not yet past the full gallop on its course. Their sparkle was transient; woman had them fast. Compelled to think of them as not serious members of our group, he assisted at the crush-room exit, and the happy riddance of the beautiful cousins dedicated to the merry London midnights' further pastures.

Fleetwood's word was extracted, that he would visit the 'palazzo' within a couple of hours.

Potts exclaimed: 'Good. You promise. Hang me, if I don't think it 's the only certain thing a man can depend upon in this world.'

He left the earl and Gower Woodseer to their lunatic talk. He still had his ideas about the association of the pair. 'Hard-headed player of his own game, that Woodseer, spite of his Mumbo-Jumbo-oracle kind of talk.'

Mallard's turn of luck downward to the deadly drop had come under Potts' first inspection of the table. Admiring his friend's audacity, deploring his rashness, reproving his persistency, Potts allowed his verdict to go by results; for it was clear that Mallard and Fortune were in opposition. Something like real awe of the tremendous encounter kept him from a plunge or a bet. Mallard had got the vertigo, he reported the gambler's launch on dementedness to the earl. Gower's less experienced optics perceived it. The plainly doomed duellist with the insensible Black Goddess offered her all the advantages of the Immortals challenged by flesh. His effort to smile was a line cut awry in wood; his big eyes were those of a cat for sociability; he looked cursed, and still he wore the smile. In this condition, the gambler runs to emptiness of everything he has, his money, his heart, his brains, like a coal-truck on the incline of the rails to a collier.

Mallard applied to the earl for a loan of fifty guineas. He had them and lost them, and he came, not begging, blustering for a second supply; quite in the wrong tone, Potts knew. Fleetwood said: 'Back it with pistols, Brosey'; and, as Potts related subsequently, 'Old Brosey had the look of a staked horse.'