Kate Wiggin - Ladies-In-Waiting

“Then perhaps you saw the plate? I know by your face that you did! You saw the sixpences, which I shall never forget, and the pennies, which I will never forgive! I thirst for the blood of those who put in pennies!”

“They would all have been sitting in boiling oil since Friday if I had had my way,” responded Appleton.

Tommy laughed delightedly. “I know now who put in the sovereign! I knew every face in that audience—that wasn’t difficult in so small a one—and I tried and tried to fix the sovereign on any one of them, and couldn’t. At last I determined that it was the old gentleman who went out in the middle of ‘Allan Water,’ feeling that he would rather pay anything than stay any longer. Confess! it was you!”

Appleton felt very sheepish as he met Tommy’s dancing eyes and heightened color.

“I couldn’t bear to let you see those pennies,” he stammered, “but I couldn’t get them out before the page came to take the plate.”

“Perhaps you were ‘pound foolish,’ and the others were ‘penny wise,’ but it was awfully nice of you. If I can pay my bill here without spending that sovereign, I believe I’ll keep it for a lucky piece. I shall be very rich by Saturday night, anyway.”

“A legacy due?”

“Goodness, no! I haven’t a relation in the world except one, who disapproves of me; not so much as I disapprove of him, however. No, Albert Spalding and Donald Tovey have engaged me for a concert in Torquay.”

“I have some business in Torquay which will keep me there for a few days on my way back to Wells,” said Appleton nonchalantly. (The bishop’s letter had been a pure and undefiled source of information on all points.)

“Why, how funny! I hope you’ll be there on Saturday. There’ll be no plate! Tickets two and six to seven and six, but you shall be my guest, my sovereign guest. I am going to Wells myself to stay till—till I make up my mind about a few things.”

“America next?” inquired Appleton, keeping his voice as colorless as possible.

“I don’t know. Helena made me resign my church position in Brooklyn, and for the moment my ‘career’ is undecided.”

She laughed, but her eyes denied the mirth that her lips affirmed, and Appleton had such a sudden, illogical desire to meddle with her career, to help or hinder it, to have a hand in it at any rate, that he could hardly hold his tongue.

“The Torquay concert will be charming, I hope. You know what Spalding’s violin-playing is, and Donald Tovey is a young genius at piano-playing and composing. He is going to accompany me in some of his own songs, and he wants me to sing a group of American ones—Macdowell, Chadwick, Nevin, Mrs. Beach, and Margaret Lang.”

“I hope you’ll accompany yourself in some of your own ballads!”

“No, the occasion is too grand; unless they should happen to like me very much. Then I could play for myself, and sing ‘Allan Water,’ or ‘Believe Me,’ or ‘Early One Morning,’ or ‘Barbara Allen.’”

(Appleton wondered if a claque of sizable, trustworthy boys could be secured in Torquay, and under his intelligent and inspired leadership carry Miss Thomasina Tucker like a cork on the wave of success.)

“Wouldn’t it be lunch-time?” asked Miss Tucker, after a slight pause.

“It is always time for something when I’m particularly enjoying myself,” grumbled Appleton, looking at his watch. “It’s not quite one o’clock. Must we go in?”

“Oh, yes; we’ve ten minutes’ walk,”—and Tommy scrambled up and began to brush sand from her skirts.

“Couldn’t I sit at your table—under the chaperonage of the Bishop of Bath and Wells?” And Appleton got on his feet and collected Tommy’s books.

The girl’s laugh was full-hearted this time. “Certainly not,” she said. “What does Bexley Sands know of the bishop and his interest in us? But if you can find the drawing-room utterly deserted at any time, I’ll sing for you.”

“How about a tea-basket and a walk to Gray Rocks at four o’clock?” asked Appleton as they strolled toward the hotel.

“Charming! And I love singing out of doors without accompaniment. I’m determined to earn that sovereign in course of time! Are you from New England?”

“Yes; and you?”

“Oh, I’m from New York. I was born in a row of brown-stone fronts, in a numbered street, twenty-five or thirty houses to a block, all exactly alike. I wonder how I’ve outlived my start. And you?”

“In the country, bless it,—in the eastern part of Massachusetts. We had a garden and my mother and I lived in it during all the months of my life that matter. That’s where the mignonette grew.”

“‘And He planted a garden eastward in Eden,’” quoted Tommy, half to herself.

“It’s the only Eden I ever knew! Do you like it over here, Miss Tucker, or are you homesick now that your friend is in America?”

“Oh, I’m never homesick; for the reason that I have never had any home since I was ten years old, when I was left an orphan. I haven’t any deep roots in New York; it’s like the ocean, too big to love. I respect and admire the ocean, but I love a little river. You know the made-over aphorism: ‘The home is where the hat is’? For ‘hat’ read ‘trunk,’ and you have my case, precisely.”

“That’s because you are absurdly, riotously young! It won’t suit you forever.”

“Does anything suit one forever?” asked Tommy frivolously, not cynically, but making Appleton a trifle uncomfortable nevertheless. “Anything except singing, I mean? Perhaps you feel the same way about writing? You haven’t told me anything about your work, and I’ve confided my past history, present prospects, and future aspirations to you!”

“There’s not so much to say. It is good work, and it is growing better. I studied architecture at the Beaux-Arts. I do art-criticism, and I write about buildings chiefly. That would seem rather dull to a warbler like you.”

“Not a bit. Doesn’t somebody say that architecture is frozen music?”

“I don’t get as immediate response to my work as you do to yours.”

“No, but you never had sixpences and pennies put into your plate! Now give me my books, please. I’ll go in at the upper gate alone, and run upstairs to my room. You enter by the lower one and go through the lounge, where the guests chiefly congregate waiting for the opening of the dining-room. Au revoir!”

When Tommy opened her bedroom door she elevated her pretty, impertinent little nose and sniffed the air. It was laden with a delicate perfume that came from a huge bunch of mignonette on the table. It was long-stemmed, fresh, and moist, loosely bound together, and every one of its tiny brown blossoms was sending out fragrance into the room. It did not need Fergus Appleton’s card to identify the giver, but there it was.

“What a nice, kind, understanding person he is! And how cheerful it makes life to have somebody from your own country taking an interest in you, and liking your singing, and hating those beastly pennies!” And Tommy, quickly merging artist in woman, slipped on a coatee of dull-green crêpe over her old black taffeta, and taking down her hat with the garland of mignonette from the shelf in her closet, tucked some of the green sprays in her belt, and went down to luncheon. She didn’t know where Fergus Appleton’s table was, but she would make her seat face his. Then she could smile thanks at him over the mulligatawny soup, or the filet of sole, or the boiled mutton, or the apple tart. Even the Bishop of Bath and Wells couldn’t object to that!

Their friendship grew perceptibly during the next two days, though constantly under the espionage of the permanent guests of the Bexley Sands Inn, but on Wednesday night Miss Tucker left for Torquay, according to schedule. Fergus Appleton remained behind, partly to make up arrears in his literary work, and partly as a sop to decency and common sense. He did not deem it either proper or dignified to escort the young lady on her journey (particularly as he had not been asked to do so), so he pined in solitary confinement at Bexley until Saturday morning, when he followed her to the scene of her labors.