HB Classics - Arsene Lupin The Collection

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Arsene Lupin The Collection: краткое содержание, описание и аннотация

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The collection, brings together the works that inspired the original NETFLIX series, directed by Louis Leterrier as well as the Hero, Assane Diop, performed by OMAR SY.
Slender, elegant, refined, seductive, Arsène Lupine, gentleman-burglar by trade, is the model of the «Belle Epoque» dandy. His intelligence, his culture, his talents as an illusionist between Fregoli and Robert-Houdin are at the service of an astonishing nerve. But this accomplished man of the world is also an anarchist at heart who plays with social conventions with marvelous insolence.
Arsène Lupine, gentleman-burglar is a collection of short stories written by Maurice Leblanc and recounting the adventures of Arsène Lupine.
The first short story of this collection was published in July 1905 in the newspaper Je sais tout. It was the first short story featuring Arsène Lupine. This one having success, Maurice Leblanc is encouraged to write the continuation, in several short stories. What will be done until 1907.
Content:
Arsène Lupin, Gentleman Burglar
Arsène Lupin Versus Herlock Sholmes
The Hollow Needle
813 The Arsène Lupin
The Crystal Stopper
The Confessions Of Arsène Lupin
The Teeth Of The Tiger
The Woman Of Mystery
The Golden Triangle
The Secret Of Sarek
Eight Strokes Of The Clock
The Secret Tomb

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"There's no one there—but the border has been trodden down—we can easily identify the footprints—"

He closed the window and sat down again:

"You see, Monsieur le Juge d'Instruction, the enemy has even ceased to take the most ordinary precautions-he has not time left—he too feels that the hour is urgent. Let us be quick, there-fore, and speak, since they do not wish us to speak."

He laid the document on the table and held it in position, unfolded:

"One observation, Monsieur le Juge d'Instruction, to begin with. The paper consists almost entirely of dots and figures. And in the first three lines and the fifth—the only ones with which we have to do at present, for the fourth seems to present an entirely different character—not one of those figures is higher than the figure 5. There is, therefore, a great chance that each of these figures represents one of the five vowels, taken in alphabetical order. Let us put down the result."

He wrote on a separate piece of paper:

E . A . A . . E . . E . A . . A . . A … E . E . . E OI . E . . E . . OU . . E . O … E . . E . O . . E AI . UI . . E . . EU . E

Then he continued:

"As you see, this does not give us much to go upon. The key is, at the same time, very easy, because the inventor has contented himself with replacing the vowels by figures and the consonants by dots, and very difficult, if not impossible, because he has taken no further trouble to complicate the problem."

"It is certainly pretty obscure."

"Let us try to throw some light upon it. The second line is divided into two parts; and the second part appears in such a way that it probably forms one word. If we now seek to replace the intermediary dots by consonants, we arrive at the conclusion, after searching and casting about, that the only consonants which are logically able to support the vowels are also logically able to produce only one word, the word DEMOISELLES."

"That would refer to Mlle. de Gesvres and Mlle. de Saint-Veran."

"Undoubtedly."

"And do you see nothing more?"

"Yes. I also note an hiatus in the middle of the last line; and, if I apply a similar operation to the beginning of the line, I at once see that the only consonant able to take the place of the dot between the diphthongs FAI and UI is the letter G and that, when I have thus formed the first five letters of the word, AIGUI, it is natural and inevitable that, with the two next dots and the final E, I should arrive at the word AIGUILLE."

"Yes, the word AIGUILLE forces itself upon us."

"Finally, for the last word, I have three vowels and three consonants. I cast about again, I try all the letters, one after the other, and, starting with the principle that the two first letters are necessary consonants, I find that three words apply: F*EUVE, PREUVE and CREUSE. I eliminate the words F*EUVE and PREUVE, as possessing no possible relation to a needle, and I keep the word CREUSE."

"Making 'hollow needle'! By jove! I admit that your solution is correct, because it needs must be; but how does it help us?"

"Not at all," said Beautrelet, in a thoughtful tone. "Not at all, for the moment.—Later on, we shall see.—I have an idea that a number of things are included in the puzzling conjunction of those two words, AIGUILLE CREUSE. What is troubling me at present is rather the material on which the document is written, the paper employed.—Do they still manufacture this sort of rather coarse- grained parchment? And then this ivory color.—And those folds—the wear of those folds—and. lastly, look, those marks of red sealing- wax, on the back—"

At that moment Beautrelet, was interrupted by Bredoux, the magistrate's clerk, who opened the door and announced the unexpected arrival of the chief public prosecutor. M. Filleul rose:

"Anything new? Is Monsieur le Procureur General downstairs?"

"No, Monsieur le Juge d'Instruction. Monsieur le Procureur General has not left his carriage. He is only passing through Ambrumesy and begs you to be good enough to go down to him at the gate. He only has a word to say to you."

"That's curious," muttered M. Filleul. "How-ever—we shall see. Excuse me, Beautrelet, I shan't be long."

He went away. His footsteps sounded outside. Then the clerk closed the door, turned the key and put it in his pocket.

"Hullo!" exclaimed Beautrelet, greatly surprised. "What are you locking us in for?"

"We shall be able to talk so much better," retorted Bredoux.

Beautrelet rushed toward another door, which led to the next room. He had understood: the accomplice was Bredoux, the clerk of the examining magistrate himself. Bredoux grinned:

"Don't hurt your fingers, my young friend. I have the key of that door, too."

"There's the window!" cried Beautrelet.

"Too late," said Bredoux, planting himself in front of the casement, revolver in hand.

Every chance of retreat was cut off. There was nothing more for Isidore to do, nothing except to defend himself against the enemy who was revealing himself with such brutal daring. He crossed his arms.

"Good," mumbled the clerk. "And now let us waste no time." He took out his watch. "Our worthy M. Filleul will walk down to the gate. At the gate, he will find nobody, of course: no more public prosecutor than my eye. Then he will come back. That gives us about four minutes. It will take me one minute to escape by this window, clear through the little door by the ruins and jump on the motor cycle waiting for me. That leaves three minutes, which is just enough."

Bredoux was a queer sort of misshapen creature, who balanced on a pair of very long spindle-legs a huge trunk, as round as the body of a spider and furnished with immense arms. A bony face and a low, small stubborn forehead pointed to the man's narrow obstinacy.

Beautrelet felt a weakness in the legs and staggered. He had to sit down:

"Speak," he said. "What do you want?"

"The paper. I've been looking for it for three days."

"I haven't got it."

"You're lying. I saw you put it back in your pocket-book when I came in."

"Next?"

"Next, you must undertake to keep quite quiet. You're annoying us. Leave us alone and mind your own business. Our patience is at an end."

He had come nearer, with the revolver still aimed at the young man's head, and spoke in a hollow voice, with a powerful stress on each syllable that he uttered. His eyes were hard, his smile cruel.

Beautrelet gave a shudder. It was the first time that he was experiencing the sense of danger. And such danger! He felt himself in the presence of an implacable enemy, endowed with blind and irresistible strength.

"And next?" he asked, with less assurance in his voice.

"Next? Nothing.—You will be free.—We will forget—"

There was a pause. Then Bredoux resumed:

"There is only a minute left. You must make up your mind. Come, old chap, don't be a fool.—We are the stronger, you know, always and everywhere.—Quick, the paper—"

Isidore did not flinch. With a livid and terrified face, he remained master of himself, nevertheless, and his brain remained clear amid the breakdown of his nerves. The little black hole of the revolver was pointing at six inches from his eyes. The finger was bent and obviously pressing on the trigger. It only wanted a moment—

"The paper," repeated Bredoux. "If not—"

"Here it is," said Beautrelet.

He took out his pocket-book and handed it to the clerk, who seized it eagerly.

"Capital! We've come to our senses. I've no doubt there's something to be done with you.—You're troublesome, but full of common sense. I'll talk about it to my pals. And now I'm off. Good-bye!"

He pocketed his revolver and turned back the fastening of the window. There was a noise in the passage.

"Good-bye," he said again. "I'm only just in time."

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