HB Classics - Arsene Lupin The Collection

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The collection, brings together the works that inspired the original NETFLIX series, directed by Louis Leterrier as well as the Hero, Assane Diop, performed by OMAR SY.
Slender, elegant, refined, seductive, Arsène Lupine, gentleman-burglar by trade, is the model of the «Belle Epoque» dandy. His intelligence, his culture, his talents as an illusionist between Fregoli and Robert-Houdin are at the service of an astonishing nerve. But this accomplished man of the world is also an anarchist at heart who plays with social conventions with marvelous insolence.
Arsène Lupine, gentleman-burglar is a collection of short stories written by Maurice Leblanc and recounting the adventures of Arsène Lupine.
The first short story of this collection was published in July 1905 in the newspaper Je sais tout. It was the first short story featuring Arsène Lupine. This one having success, Maurice Leblanc is encouraged to write the continuation, in several short stories. What will be done until 1907.
Content:
Arsène Lupin, Gentleman Burglar
Arsène Lupin Versus Herlock Sholmes
The Hollow Needle
813 The Arsène Lupin
The Crystal Stopper
The Confessions Of Arsène Lupin
The Teeth Of The Tiger
The Woman Of Mystery
The Golden Triangle
The Secret Of Sarek
Eight Strokes Of The Clock
The Secret Tomb

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M. Lenormand attended to his men, had them put to bed and looked to see if the assailants had dropped anything or left any traces. He found nothing and went back to bed again himself.

In the morning, as Gourel and the Doudevilles felt none the worse for their injuries, he told the two brothers to scour the neighborhood and himself set out with Gourel for Paris, in order to hurry matters on and give his orders.

He lunched in his office. At two o'clock, he heard good news. One of his best detectives, Dieuzy, had picked up Steinweg, Rudolf Kesselbach's correspondent, as the German was stepping out of a train from Marseilles.

"Is Dieuzy there?"

"Yes, chief," said Gourel. "He's here with the German."

"Have them brought in to me."

At that moment, the telephone-bell rang. It was Jean Doudeville, speaking from the post-office at Garches. The conversation did not take long:

"Is that you, Jean? Any news?"

"Yes, chief, Major Parbury. . . ."

"Well?"

"We have found him. He has become a Spaniard and has darkened his skin. We have just seen him. He was entering the Garches free-school. He was received by that young lady . . . you know, the girl who knows Prince Sernine, Geneviève Ernemont."

"Thunder!"

M. Lenormand let go the receiver, made a grab at his hat, flew into the passage, met Dieuzy and the German, shouted to them to meet him in his office at six o'clock, rushed down the stairs, followed by Gourel and two inspectors whom he picked up on the way, and dived into a taxi-cab:

"Quick as you can to Garches . . . ten francs for yourself!"

He stopped the car a little before the Parc de Villeneuve, at the turn of the lane that led to the school. Jean Doudeville was waiting for him and at once exclaimed:

"He slipped away, ten minutes ago, by the other end of the lane."

"Alone?"

"No, with the girl."

M. Lenormand took Doudeville by the collar:

"Wretch! You let him go! But you ought to have . . . you ought to have . . ."

"My brother is on his track."

"A lot of good that will do us! He'll stick your brother. You're no match for him, either of you!"

He himself took the steering-wheel of the taxi, and resolutely drove into the lane, regardless of the cart-ruts and of the bushes on each side. They soon emerged on a parish-road, which took them to a crossway where five roads met. M. Lenormand, without hesitation chose the one on the left, the Saint-Cucufa Road. As a matter of fact, at the top of the slope that runs down to the lake, they met the other Doudeville brother, who shouted:

"They are in a carriage . . . half a mile away."

The chief did not stop. He sent the car flying down the incline, rushed along the bends, drove round the lake and suddenly uttered an exclamation of triumph. Right at the top of a little hill that stood in front of them, he had seen the hood of a carriage.

Unfortunately, he had taken the wrong road and had to back the machine. When he reached the place where the roads branched, the carriage was still there, stationary. And, suddenly, while he was turning, he saw a girl spring from the carriage. A man appeared on the step. The girl stretched out her arm. Two reports rang out.

She had taken bad aim, without a doubt, for a head looked round the other side of the hood and the man, catching sight of the motor-cab, gave his horse a great lash with the whip and it started off at a gallop. The next moment, a turn of the road hid the carriage from sight.

M. Lenormand finished his tacking in a few seconds, darted straight up the incline, passed the girl without stopping and turned round boldly. He found himself on a steep, pebbly forest road, which ran down between dense woods and which could only be followed very slowly and with the greatest caution. But what did he care! Twenty yards in front of him, the carriage, a sort of two-wheeled cabriolet, was dancing over the stones, drawn, or rather held back, by a horse which knew enough only to go very carefully, feeling its way and taking no risks. There was nothing to fear; escape was impossible.

And the two conveyances went shaking and jolting down-hill. At one moment, they were so close together that M. Lenormand thought of alighting and running with his men. But he felt the danger of putting on the brake on so steep a slope; and he went on, pressing the enemy closely, like a prey which one keeps within sight, within touch. . . .

"We've got him, chief, we've got him!" muttered the inspectors, excited by the unexpected nature of the chase.

At the bottom, the way flattened out into a road that ran towards the Seine, towards Bougival. The horse, on reaching level ground, set off at a jog-trot, without hurrying itself and keeping to the middle of the road.

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1

Arsene Lupin, play in three acts and four scenes, by Maurice Leblanc and Drancis de Croisset.

2

Arsene Lupin versus Holmlock Shears, by Maurice Leblanc.

3

Arsene Lupin, play in four acts, by Maurice Leblanc and Francis de Croisset.

4

Les Origines d'Etretat. The Abbe Cochet seems to conclude, in the end, that the two letters are the initials of a passer-by. The revelations now made prove the fallacy of the theory.

5

The toise, or fathom, measured 1.949 metres.—Translator's Note.

6

Magna porta.

7

The Exploits of Arsene Lupin. By Maurice Leblanc. VI: The Seven of Hearts.

8

Arsene Lupin, play in four acts, by Maurice Leblanc and Francis de Croisset.

9

See Arsène Lupin . By Edgar Jepson and Maurice Leblanc. (Doubleday, Page & Co.).

10

See The Hollow Needle . By Maurice Leblanc. Translated by Alexander Teixeira de Mattos and published by Doubleday, Page & Co.

11

See Arsène Lupin , by Edgar Jepson and Maurice Leblanc, and The Hollow Needle , by Maurice Leblanc, translated by Alexander Teixeira de Mattos.

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