Stephen Messer - The Death of Yorik Mortwell

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Inspired by the artwork of Edward Gorey,
author Stephen Messer delivers a mock-Gothic tale about poor Yorick (alas!), son of the Gamekeeper at venerable Ravenby Manor, who meets an untimely demise—in chapter one! Worry not, dear reader, for Yorick returns in ghostly form, intent on revenge. In the course of his hauntings, however, ghostly Yorick discovers that all manner of otherworldy creatures inhabit the manor grounds, and that he has a part to play in saving not only his still-living orphan sister but also the manor and everyone in it.
For every young reader who enjoyed the dour dalliance of
here is Stephen Messer's playful homage to the poor orphans of Charles Dickens, the bleak poetry of Edgar Allen Poe, and the exaggerated characters of Roald Dahl.

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Yorik always found the hound pacing nervously outside when he returned from within.

Inside the Manor, Yorik found that despite the hard work of the Kennelmaster and the hounds, more of the Dark Ones were somehow slipping through. Yorik learned to avoid bedrooms, where Dark Ones gathered at night, muttering into the ears of sleepers as though whispering into their dreams. And, despite his curiosity, he was forced to stay away from the grand sleeping chambers of Lord Ravenby, where the largest clusters of Dark Ones were found. He could only assume they were whispering into the dreams of the Lord of the Estate too, but in far greater numbers.

Yet he could not stay away from these chambers entirely, for it was there, more and more often, that he found Susan. She seemed to have graduated in the hierarchy of the Estate’s servants, for now it was she who brought Lord Ravenby’s tea at odd hours.

One night Yorik watched as she was stopped in the hallway by Lord Ravenby’s doctor, who had two Dark Ones on his shoulders.

“Here, girl,” ordered the doctor crisply, snapping his fingers. Susan came obediently, and the doctor placed a vial on the tea tray. “This is sleep medicine, for your master’s insomnia. Put two drops in his tea, just before it’s served.” The doctor hurried away.

Susan watched him leave, then put two drops in a plant instead. The next day, the plant was dead. After that, Susan threw away anything the doctor gave her for Lord Ravenby.

Soon Lord Ravenby was calling for her at all hours. Yorik noticed the older servants watching her, shooting resentful looks. They often had Dark Ones on their shoulders. Accidents began to happen, such as a servant spilling hot water on her, scalding her.

And the Dark Ones began to pay more attention to Susan too.

One night as she was bringing tea, she was turned away by the butler. “But I was told Lord Ravenby is asking for me,” she protested. Nevertheless, she was forced to surrender the tray. As she left, Yorik noticed two Dark Ones following her. Yorik followed too, anxiously, keeping a safe distance.

Strangely, Susan did not return to the maids’ quarters, but went up a back staircase instead. Soon she came to a storage closet, in which there was a ladder. Up the ladder she went, pushing open a trapdoor at the top. The Dark Ones were behind her. Yorik waited, then climbed after, fading up through the trapdoor. He found himself in a long, narrow, deserted attic, surrounded by thousands of things for which the household had no immediate need—stacks of beds, wardrobes, and mirrors stretched in all directions.

He heard a scraping sound and found Susan reaching into a space beneath a floorboard. From there she removed Eleanor—the corncob doll Yorik had made for her years before. She stroked the worn yarn of Eleanor’s hair and gazed out a garret window into the night.

Yorik crouched, hidden in a wardrobe, watching.

The two Dark Ones crept near Susan. You are all alone in the world, girl .

Susan began humming softly.

You should have stopped him from killing your brother. Your brother’s death is your fault .

With gentle fingers, Susan combed Eleanor’s hair.

Yorik stood, putting a hand in his pocket. A few of Erde’s mud-balls were there, made by her for his protection.

You are only a weak little girl. Your master is going to turn you out into the snow .

Yorik withdrew two mud-balls.

You should slip the poison into his drink! the dark voids hissed.

Yorik put one hand back to throw, then stopped as he saw his sister’s soft smile. She continued humming as she carefully straightened Eleanor’s homespun dress.

The Dark Ones bristled and pulsed. Then there were more, four more, fading in from the corners. Too many for Yorik’s mud-balls. They gabbled and cried, surrounding Susan and chanting horrible fears at her. He had seen them do the same thing with Thomas, to deadly effect.

And then Susan sang. In a clear, high voice, she sang, looking out into the night. Yorik knew the song—a lament their father had taught them, an old song in a dead language from across the sea.

The Dark Ones’ babbling taunts faded away. Slowly, silently, they disappeared back into the shadows.

Susan kissed Eleanor, laid her beneath the floorboard, and crept away.

Not that night, nor on any night to come, did they gain control of Susan. They failed, just as they had with Yorik in the water garden. Gradually, they gave up trying. Yorik watched, and wondered why this was.

The Dark Ones did not fail with others in the Manor. Gradually their control and their numbers increased. Yorik noticed that some of them had even stationed themselves in a scattered circle around the aviary glade.

The Princess wasn’t worried. “They know better than to get too close,” she sniffed from her sycamore throne. “By the way, if that other boy is coming back, it should be soon.”

“Won’t he be in danger?” asked Yorik, remembering what happend to Doris.

“I should say so,” chuckled the Princess, chewing absently on the end of her twig. “Sounds like they possessed him once already. He’s forever vulnerable now. They’d only have to touch him to get him back.”

And so Yorik began to wait below the balcony where Master Thomas had fallen.

Chapter Ten

A summer breeze swirled through the courtyard Yorik waited crouched on the - фото 20

A summer breeze swirled through the courtyard. Yorik waited, crouched on the balls of his feet. Nearby, Hatch paced relentlessly, sniffing the wind.

This was the sixth night that Yorik had waited below Thomas’s balcony, arriving after sunset and waiting until dawn. He found that being dead gave him patience enough to do this night after night, while Hatch stood guard.

The hound stopped pacing. He growled into the shadows.

Yorik tensed. From around a corner of the courtyard, toward the front of the Manor, electric torch beams sliced through the darkness, and voices argued.

Yorik relaxed. Whatever it was, it was the business of the living. He turned his attention back to the flagstones.

A ghost lay there, where moments ago there had been nothing.

Thomas opened his eyes.

“Welcome back,” said Yorik, not quite able to keep the anger out of his voice.

Thomas attempted to sit up. His hands waved helplessly over the flagstones. “Wh—” he said thickly.

Yorik eyed the struggling boy. “It’s not so bad. Just one broken neck, that’s all. I broke that and more when I fell. Anyway, the Princess will fix you.”

“B—” croaked Thomas. His head was stuck pointing sideways.

Yorik considered. Then he reached out, grasped Thomas’s head in both hands, and gave it a tremendous crank . Now Thomas’s head was facing forward, though still tilted at an angle, making him look as though he were thinking about the answer to a question.

“Not perfect,” said Yorik. “But at least you won’t have to walk crabwise.”

Thomas floundered into a sitting position and bugged his eyes at Yorik. He swiveled to look at the courtyard, saw Hatch, and made a bleating noise.

“Wuff,” said Hatch. His ember eyes flared. Warm brimstone scent wafted over the boys.

“N—!” said Thomas.

“Listen,” said Yorik. “What’s happened is that you died.” He proceeded to explain as insects buzzed and chirped, a bat flew overhead, and Hatch patrolled the courtyard. He told Thomas about the Princess and Erde and the topiaries, and everything else that had happened since the day the Dark Ones had convinced Thomas to throw those rocks.

Thomas interrupted regularly, making thick, strangled noises. He quieted only when Yorik spoke of his encounter with Dark Doris.

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