Lucy Montgomery - Chronicles of Avonlea

Salome obeyed. She walked across the kitchen and back, slowly, stiffly, falteringly, now that the stimulus of frantic fear was spent; but still she walked. The doctor nodded his satisfaction.

"Keep that up every day. Walk as much as you can without tiring yourself, and you'll soon be as spry as ever. No more need of crutches for you, but there's no miracle in the case."

Judith Marsh turned to him. She had not spoken a word since her question concerning Salome's crutch. Now she said passionately:

"It WAS a miracle. God has worked it to prove His existence for me, and I accept the proof."

The old doctor shrugged his shoulders again. Being a wise man, he knew when to hold his tongue.

"Well, put Salome to bed, and let her sleep the rest of the day. She's worn out. And for pity's sake let some one take that poor child and put some dry clothes on him before he catches his death of cold."

That evening, as Salome Marsh lay in her bed in a glory of sunset light, her heart filled with unutterable gratitude and happiness, Judith came into the room. She wore her best hat and dress, and she held Lionel Hezekiah by the hand. Lionel Hezekiah's beaming face was scrubbed clean, and his curls fell in beautiful sleekness over the lace collar of his velvet suit.

"How do you feel now, Salome?" asked Judith gently.

"Better. I've had a lovely sleep. But where are you going, Judith?"

"I am going to church," said Judith firmly, "and I am going to take Lionel Hezekiah with me."

Nancy Rogerson sat down on Louisa Shaw's front doorstep and looked about her, drawing a long breath of delight that seemed tinged with pain. Everything was very much the same; the square garden was a charming hodge-podge of fruit and flowers, and goose-berry bushes and tiger lilies, a gnarled old apple tree sticking up here and there, and a thick cherry copse at the foot. Behind was a row of pointed firs, coming out darkly against the swimming pink sunset sky, not looking a day older than they had looked twenty years ago, when Nancy had been a young girl walking and dreaming in their shadows. The old willow to the left was as big and sweeping and, Nancy thought with a little shudder, probably as caterpillary, as ever. Nancy had learned many things in her twenty years of exile from Avonlea, but she had never learned to conquer her dread of caterpillars.

"Nothing is much changed, Louisa," she said, propping her chin on her plump white hands, and sniffing at the delectable odour of the bruised mint upon which Louisa was trampling. "I'm glad; I was afraid to come back for fear you would have improved the old garden out of existence, or else into some prim, orderly lawn, which would have been worse. It's as magnificently untidy as ever, and the fence still wobbles. It CAN'T be the same fence, but it looks exactly like it. No, nothing is much changed. Thank you, Louisa."

Louisa had not the faintest idea what Nancy was thanking her for, but then she had never been able to fathom Nancy, much as she had always liked her in the old girlhood days that now seemed much further away to Louisa than they did to Nancy. Louisa was separated from them by the fulness of wifehood and motherhood, while Nancy looked back only over the narrow gap that empty years make.

"You haven't changed much yourself, Nancy," she said, looking admiringly at Nancy's trim figure, in the nurse's uniform she had donned to show Louisa what it was like, her firm, pink-and-white face and the the glossy waves of her golden brown hair. "You've held your own wonderfully well."

"Haven't I?" said Nancy complacently. "Modern methods of massage and cold cream have kept away the crowsfeet, and fortunately I had the Rogerson complexion to start with. You wouldn't think I was really thirty-eight, would you? Thirty-eight! Twenty years ago I thought anybody who was thirty-eight was a perfect female Methuselah. And now I feel so horribly, ridiculously young, Louisa. Every morning when I get up I have to say solemnly to myself three times, 'You're an old maid, Nancy Rogerson,' to tone myself down to anything like a becoming attitude for the day."

"I guess you don't mind being an old maid much," said Louisa, shrugging her shoulders. She would not have been an old maid herself for anything; yet she inconsistently envied Nancy her freedom, her wide life in the world, her unlined brow, and care-free lightness of spirit.

"Oh, but I do mind," said Nancy frankly. "I hate being an old maid."

"Why don't you get married, then?" asked Louisa, paying an unconscious tribute to Nancy's perennial chance by her use of the present tense.

Nancy shook her head.

"No, that wouldn't suit me either. I don't want to be married. Do you remember that story Anne Shirley used to tell long ago of the pupil who wanted to be a widow because 'if you were married your husband bossed you and if you weren't married people called you an old maid?' Well, that is precisely my opinion. I'd like to be a widow. Then I'd have the freedom of the unmarried, with the kudos of the married. I could eat my cake and have it, too. Oh, to be a widow!"

"Nancy!" said Louisa in a shocked tone.

Nancy laughed, a mellow gurgle that rippled through the garden like a brook.

"Oh, Louisa, I can shock you yet. That was just how you used to say 'Nancy' long ago, as if I'd broken all the commandments at once."

"You do say such queer things," protested Louisa, "and half the time I don't know what you mean."

"Bless you, dear coz, half the time I don't myself. Perhaps the joy of coming back to the old spot has slightly turned my brain, I've found my lost girlhood here. I'm NOT thirty-eight in this garden—it is a flat impossibility. I'm sweet eighteen, with a waist line two inches smaller. Look, the sun is just setting. I see he has still his old trick of throwing his last beams over the Wright farmhouse. By the way, Louisa, is Peter Wright still living there?"

"Yes." Louisa threw a sudden interested glance at the apparently placid Nancy.

"Married, I suppose, with half a dozen children?" said Nancy indifferently, pulling up some more sprigs of mint and pinning them on her breast. Perhaps the exertion of leaning over to do it flushed her face. There was more than the Rogerson colour in it, anyhow, and Louisa, slow though her mental processes might be in some respects, thought she understood the meaning of a blush as well as the next one. All the instinct of the matchmaker flamed up in her.

"Indeed he isn't," she said promptly. "Peter Wright has never married. He has been faithful to your memory, Nancy."

"Ugh! You make me feel as if I were buried up there in the Avonlea cemetery and had a monument over me with a weeping willow carved on it," shivered Nancy. "When it is said that a man has been faithful to a woman's memory it generally means that he couldn't get anyone else to take him."

"That isn't the case with Peter," protested Louisa. "He is a good match, and many a woman would have been glad to take him, and would yet. He's only forty-three. But he's never taken the slightest interest in anyone since you threw him over, Nancy."

"But I didn't. He threw me over," said Nancy, plaintively, looking afar over the low-lying fields and a feathery young spruce valley to the white buildings of the Wright farm, glowing rosily in the sunset light when all the rest of Avonlea was scarfing itself in shadows. There was laughter in her eyes. Louisa could not pierce beneath that laughter to find if there were anything under it.

"Fudge!" said Louisa. "What on earth did you and Peter quarrel about?" she added, curiously.

"I've often wondered," parried Nancy.

"And you've never seen him since?" reflected Louisa.

"No. Has he changed much?"

"Well, some. He is gray and kind of tired-looking. But it isn't to be wondered at—living the life he does. He hasn't had a housekeeper for two years—not since his old aunt died. He just lives there alone and cooks his own meals. I've never been in the house, but folks say the disorder is something awful."