Jesmyn Ward - Sing, Unburied, Sing

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A searing and profound Southern odyssey by National Book Award–winner Jesmyn Ward. 
In Jesmyn Ward’s first novel since her National Book Award–winning
, this singular American writer brings the archetypal road novel into rural twenty-first-century America. Drawing on Morrison and Faulkner,
and the Old Testament, Ward gives us an epochal story, a journey through Mississippi’s past and present that is both an intimate portrait of a family and an epic tale of hope and struggle. Ward is a major American writer, multiply awarded and universally lauded, and in
she is at the height of her powers. 
Jojo and his toddler sister, Kayla, live with their grandparents, Mam and Pop, and the occasional presence of their drug-addicted mother, Leonie, on a farm on the Gulf Coast of Mississippi. Leonie is simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high; Mam is dying of cancer; and quiet, steady Pop tries to run the household and teach Jojo how to be a man. When the white father of Leonie’s children is released from prison, she packs her kids and a friend into her car and sets out across the state for Parchman farm, the Mississippi State Penitentiary, on a journey rife with danger and promise. 
Sing, Unburied, Sing
Sing, Unburied, Sing

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It was a small mercy that I never surfaced in the old Parchman, the one where Riv and I lived. I only visited that Parchman in memory, memories that rose like bubbles of decay to the surface of a swamp. Riv had a woman in Parchman; she shines golden in the dark blanket of memory that surrounds me when I sleep. She was a prostitute who serviced the Black men in the prison, and she looked like she could have been my mama, skinny as me, as dark, eyes inky like the trees when night falls. She wore a lot of yellow. I asked Riv once why he liked her and he told me that was something I would know when I was older. I asked him if he loved her, and he shook his head and I wondered if there was somebody he loved down on the Gulf, some saltwater girl.

It was that yellow-wearing woman, that Sunshine Woman, all the other men called her, who told me and Riv about the lynching. It was her last day at Parchman, but neither of us knew it, and she sat with her arms across her chest and one hand covering her mouth, watching the trusty shooters. We sat in a corner of the yard, in the shade of a shed, and she told us about the latest hanged man. Was a Black man , she said, from outside of Natchez . He went into town one day with his lady, and he didn’t get off the sidewalk when a White woman walked by. Stepped too close to her , Sunshine Woman said, and brushed up against her real close like. Felt her softness through her clothes , Sunshine Woman said. The White woman spit, cursed the Black man and woman, and the Black woman say she sorry. That her man ain’t mean to do it . Truth of it was he didn’t want his woman to have to step down into the street, as it was rutted with puddles because there had been bad rains and flooding. Maybe the Black man was prideful, thought he could be courteous to his woman, keep her walking and clean. She was wearing her best dress , Sunshine woman said. The White woman went home and told her husband that the Black man molested her, and his woman disrespected her. The Black man and woman were on their way home when the mob caught up with them. That’s them , the White woman said, that’s them right there . Sunshine Woman said it was over a hundred of them. The people from the community saw all the lights out there, the torches and lanterns that lit up the night to dawn.

And that’s when Sunshine Woman started to whisper. She said their people went out in the woods and found them the next day. Said the mob beat them so bad they eyes disappeared in they swollen heads. There was wax paper and sausage wrappings and bare corncobs all over the ground. The man was missing his fingers, his toes, and his genitals. The woman was missing her teeth. Both of them were hanged, and the ground all around the roots of the tree was smoking because the mob had set the couple afire, too. A person ain’t safe , Sunshine Woman said, and that’s why this the last you seeing of me around here, Riv. I’m heading north to Chicago with my auntie and uncle , she said, and you be a fool if you don’t come north when you get out .

Riv looked like he had swallowed something nasty, some bug or a rock in his meal, and he said: Naw, Sunshine Woman, I got to go back south . Riv glanced at me and said: Maybe you shouldn’t told both us that story. Maybe you should have waited.

He grown enough to be in here, Riv , Sunshine Woman said. That mean he grown enough to know.

Riv had pulled his arm from her then and stepped out into the sun.

Just ’cause he in here don’t mean he can bear that. He shouldn’t have to , Riv said.

Sunshine Woman seemed disappointed in Riv, angry, but she hooked her hand through his arm even though it look like it hurt her to do so, and she said: I’m sorry, Riv. Sorry, boy. She pulled him away from the shade, and they left me standing in the lee of the building. I looked up at the rusted tin of the walls and realized I could have told Sunshine Woman that she hadn’t told me something I didn’t already know. I wondered if that would have made Riv less angry with her. Once, when I was playing in the woods with my brothers and sisters, we found what had once been a man, hanging from a tree. He was a short man, short as me, but rubbery with rot and stinking and his mouth was open like he was grinning. That grin was the devil. My little brothers and sisters ran home screaming, and when I walked into the house, my mama slapped my face for being the oldest and leading us where we shouldn’t go. But when I thought about the way Riv admonished Sunshine Woman, how he stepped away from her to protect me, I began to understand love. I began to understand that what Riv and Sunshine Woman did wasn’t an expression of love, but Riv’s standing in the sun for me was. I sagged and sat on the ground with the weight of it. I wanted to call to Sunshine Woman, and tell her I would do it: I would go north when I was free. Riv looked back at me and his eyes were glassy and dark; it was as if he could hear my thoughts, as if he knew what I wanted to say. As I watched Sunshine Woman pull Riv away from me, I felt a stinging in my toes, in my soles, in my legs, up my butt, and through my back, where it burst to fire in my bones, licking all through my ribs, a loose powerful feeling, like a voice freed from a throat, a screaming note all through me, and it was then I knew I was going to run.

* * *

I began to understand home when Riv and I slept next to each other, and Riv told me stories in the dark. Once, River told me about the ocean. He said: We got so much water where I’m from. It come down from the north in rivers. Pool in bayous. Rush out to the ocean, and that stretch to the ends of the earth that you can see . It changes colors , he said, like a little lizard. Sometimes stormy blue. Sometimes cool gray. In the early mornings, silver. You could look at that and know there’s a God , he said to me as the other gunmen coughed and tossed. Maybe one day, when you and me get out of here, you could come down and see it , Riv said.

Kayla has her palm curled around Jojo’s neck, and he throws an arm over her back, and I wonder if they dream the same dreams. I wonder if they dream of home: of jungle-tangled trees, bearing the weight of the sky. Of streams leading to rivers leading to the sea. I wonder if the reason I couldn’t leave Parchman before Jojo came was because it was a sort of home to me: terrible and formative as the iron leash that chains dogs, that drives them to bark hysterically and run in circles and burrow to the roots of the grass, to savage smaller animals, to kill the living things they can reach.

On the day Jojo came to Parchman, I woke to the whispering of the white snake, which had dug a nest down into the earth with me so he could speak to me in my ear. So he could curl about my head in the dark and whisper, If you would rise, I can take you across the waters of this world to another. This place binds you. This place blinds you. Keep the scale, even if you cannot fly. Go south, to River, to the face of the waters. He will show you. Go south. He curled around my neck and startled me to climb up and out of the dirt, to rise to the smell of Riv’s blood, thick as the fragrance of spider lilies in flower. When I saw Jojo and Kayla in the parking lot, the snake transformed to a bird on my shoulder before flying away on a wave of wind, speeding south on a lonely migration. As Kayla whines in her sleep and Jojo rubs her back to quiet her, a shadow alights and crosses over them. Up in the sky, the scaly bird drifts, shining a dark light.

I will follow , I say. I hope he can hear me. I say: I’m coming home .

Chapter 10. Leonie

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