Шарлотта Бронте - Джейн Эйр / Jane Eyre

Здесь есть возможность читать онлайн «Шарлотта Бронте - Джейн Эйр / Jane Eyre» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: Москва, Год выпуска: 2016, ISBN: 2016, Издательство: Литагент 2 редакция, Жанр: Проза, Классическая проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Джейн Эйр / Jane Eyre: краткое содержание, описание и аннотация

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Чтение оригинальных произведений – простой и действенный способ погрузиться в языковую среду и совершенствоваться в иностранном языке. Серия «Бестселлер на все времена» – это возможность улучшить свой английский, читая лучшие произведения англоязычных авторов, любимые миллионами читателей. Для лучшего понимания текста в книгу включены краткий словарь и комментарии, поясняющие языковые и лингвострановедческие вопросы, исторические и культурные реалии описываемой эпохи.
«Джейн Эйр» – это история о силе духа и твердости воли, о становлении личности и поиске своей дороги. Героине предстоит долгий и трудный путь к счастью, на котором будут и роковые тайны, и неожиданные повороты сюжета, и негаданные радости, и трудные решения. Великолепно написанная история не оставит читателей равнодушными и поможет им совершенствоваться в английском языке.
Книга предназначена для тех, кто изучает английский язык на продолжающем или продвинутом уровне и стремится к его совершенствованию.

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‘Whenever I marry,’ she continued after a pause which none interrupted, ‘I am resolved my husband shall not be a rival, but a foil to me. I will suffer no competitor near the throne; I shall exact an undivided homage. His devotions shall not be shared between me and the shape he sees in his mirror. Mr. Rochester, now sing, and I will play for you.’

‘I am all obedience,’ was the response.

‘Here then is a Corsair-song. Know that I dote on Corsairs; and for that reason, sing it con spirito. [79] Здесь: с воодушевлением ( итал .)

‘Commands from Miss Ingram’s lips would put spirit into a mug of milk and water.’

‘Take care, then; if you don’t please me, I will shame you by showing how such things should be done.’

‘That is offering a premium on incapacity; I shall now endeavour to fail.’

‘Gardez-vous en bien! [80] Берегитесь! ( фр .) If you err wilfully, I shall devise a proportionate punishment.’

‘Miss Ingram ought to be clement, for she has it in her power to inflict a chastisement beyond mortal endurance.’

‘Ha! explain!’ commanded the lady.

‘Pardon me, madam; no need of explanation; your own fine sense must inform you that one of your frowns would be a sufficient substitute for capital punishment.’

‘Sing!’ said she, and again touching the piano, she commenced an accompaniment in spirited style.

‘Now is my time to slip away,’ thought I; but the tones that then severed the air arrested me. Mrs. Fairfax had said Mr. Rochester possessed a fine voice; he did – a mellow, powerful bass, into which he threw his own feeling, his own force; finding a way through the ear to the heart, and there waking sensation strangely. I waited till the last deep and full vibration had expired – till the tide of talk, checked an instant, had resumed its flow; I then quitted my sheltered corner and made my exit by the side-door, which was fortunately near. Thence a narrow passage led into the hall; in crossing it, I perceived my sandal was loose; I stopped to tie it, kneeling down for that purpose on the mat at the foot of the staircase. I heard the dining-room door unclose; a gentleman came out; rising hastily, I stood face to face with him; it was Mr. Rochester.

‘How do you do?’ he asked.

‘I am very well, sir.’

‘Why did you not come and speak to me in the room?’

I thought I might have retorted the question on him who put it; but I would not take that freedom. I answered:

‘I did not wish to disturb you, as you seemed engaged, sir.’

‘What have you been doing during my absence?’

‘Nothing particular; teaching Adèle as usual.’

‘And getting a good deal paler than you were – as I saw at first sight. What is the matter?’

‘Nothing at all, sir.’

‘Did you take any cold that night you half drowned me?’

‘Not the least.’

‘Return to the drawing-room; you are deserting too early.’

‘I am tired, sir.’

He looked at me for a minute.

‘And a little depressed,’ he said. ‘What about? Tell me.’

‘Nothing – nothing, sir. I am not depressed.’

‘But I affirm that you are; so much depressed that a few more words would bring tears to your eyes – indeed, they are there now, shining and swimming; and a bead has slipped from the lash and fallen on to the flag. If I had time, and was not in mortal dread of some prating prig of a servant passing, I would know what all this means. Well, tonight I excuse you; but understand that so long as my visitors stay, I expect you to appear in the drawing-room every evening; it is my wish; don’t neglect it. Now go, and send Sophie for Adèle. Goodnight, my – ’ He stopped, bit his lip, and abruptly left me.

Chapter XVIII

Merry days were these at Thornfield Hall; and busy days too. How different from the first three months of stillness, monotony, and solitude I had passed beneath its roof! All sad feelings seemed now driven from the house, all gloomy associations forgotten. There was life everywhere, movement all day long. You could not now traverse the gallery, once so hushed, nor enter the front chambers, once so tenantless, without encountering a smart lady’s-maid or a dandy valet.

The kitchen, the butler’s pantry, the servants’ hall, the entrance hall, were equally alive; and the saloons were only left void and still when the blue sky and halcyon sunshine of the genial spring weather called their occupants out into the grounds. Even when that weather was broken, and continuous rain set in for some days, no damp seemed cast over enjoyment; indoor amusements only became more lively and varied, in consequence of the stop put to outdoor gaiety.

I wondered what they were going to do the first evening a change of entertainment was proposed. They spoke of ‘playing charades,’ but in my ignorance I did not understand the term. The servants were called in, the dining-room tables wheeled away, the lights otherwise disposed, the chairs placed in a semicircle opposite the arch. While Mr. Rochester and the other gentlemen directed these alterations, the ladies were running up and down stairs ringing for their maids. Mrs. Fairfax was summoned to give information respecting the resources of the house in shawls, dresses, draperies of any kind; and certain wardrobes of the third storey were ransacked, and their contents, in the shape of brocaded and hooped petticoats, satin sacques, black modes, lace lappets, &c., were brought down in armfuls by the Abigails; then a selection was made, and such things as were chosen were carried to the boudoir within the drawing-room.

Meantime, Mr. Rochester had again summoned the ladies round him, and was selecting certain of their number to be of his party. ‘Miss Ingram is mine, of course,’ said he; afterwards he named the two Misses Eshton, and Mrs. Dent. He looked at me; I happened to be near him, as I had been fastening the clasp of Mrs. Dent’s bracelet, which had got loose.

‘Will you play?’ he asked. I shook my head. He did not insist, which I rather feared he would have done; he allowed me to return quietly to my usual seat.

He and his aids now withdrew behind the curtain; the other party, which was headed by Colonel Dent, sat down on the crescent of chairs. One of the gentlemen, Mr. Eshton, observing me, seemed to propose that I should be asked to join them; but Lady Ingram instantly negatived the notion.

‘No,’ I heard her say: ‘she looks too stupid for any game of the sort.’

Ere long a bell tinkled, and the curtain drew up. Within the arch, the bulky figure of Sir George Lynn, whom Mr. Rochester had likewise chosen, was seen enveloped in a white sheet. Before him, on a table, lay open a large book; and at his side stood Amy Eshton, draped in Mr. Rochester’s cloak, and holding a book in her hand. Somebody, unseen, rang the bell merrily; then Adèle (who had insisted on being one of her guardian’s party), bounded forward, scattering round her the contents of a basket of flowers she carried on her arm. Then appeared the magnificent figure of Miss Ingram, clad in white, a long veil on her head, and a wreath of roses round her brow; by her side walked Mr. Rochester, and together they drew near the table. They knelt; while Mrs. Dent and Louisa Eshton, dressed also in white, took up their stations behind them. A ceremony followed, in dumb show, in which it was easy to recognise the pantomime of a marriage. At its termination, Colonel Dent and his party consulted in whispers for two minutes, then the Colonel called out —

‘Bride!’ Mr. Rochester bowed, and the curtain fell.

A considerable interval elapsed before it again rose. Its second rising displayed a more elaborately prepared scene than the last. The drawing-room, as I have before observed, was raised two steps above the dining-room, and on the top of the upper step, placed a yard or two back within the room, appeared a large marble basin – which I recognised as an ornament of the conservatory – where it usually stood, surrounded by exotics, and tenanted by goldfish – and whence it must have been transported with some trouble, on account of its size and weight.

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