Шарлотта Бронте - Джейн Эйр / Jane Eyre

To this house I came, just ere dark, on an evening marked by the characteristics of sad sky, cold gale, and continued small penetrating rain. The last mile I performed on foot, having dismissed the chaise and driver with the double remuneration I had promised. Even when within a very short distance of the manor-house, you could see nothing of it; so thick and dark grew the timber of the gloomy wood about it. Iron gates between granite pillars showed me where to enter, and passing through them, I found myself at once in the twilight of close-ranked trees. There was a grass-grown track descending the forest aisle between hoar and knotty shafts and under branched arches. I followed it, expecting soon to reach the dwelling; but it stretched on and on, it would far and farther: no sign of habitation or grounds was visible.

I thought I had taken a wrong direction and lost my way. The darkness of natural as well as of sylvan dusk gathered over me. I looked round in search of another road. There was none: all was interwoven stem, columnar trunk, dense, summer foliage – no opening anywhere.

I proceeded: at last my way opened, the trees thinned a little; presently I beheld a railing, then the house – scarce, by this dim light, distinguishable from the trees; so dank and green were its decaying walls. Entering a portal, fastened only by a latch, I stood amidst a space of enclosed ground, from which the wood swept away in a semicircle. There were no flowers, no garden-beds; only a broad gravel-walk girdling a grass-plat, and this set in the heavy frame of the forest. The house presented two pointed gables in its front; the windows were latticed and narrow: the front-door was narrow too, one step led up to it. The whole looked, as the host of the Rochester Arms had said, ‘quite a desolate spot.’ It was as still as a church on a weekday: the pattering rain on the forest leaves was the only sound audible in its vicinage.

‘Can there be life here?’ I asked.

Yes: life of some kind there was; for I heard a movement – that narrow front-door was unclosing, and some shape was about to issue from the grange.

It opened slowly: a figure came out into the twilight and stood on the step; a man without a hat: he stretched forth his hand as if to feel whether it rained. Dusk as it was, I had recognised him – it was my master, Edward Fairfax Rochester, and no other.

I stayed my step, almost my breath, and stood to watch him – to examine him, myself unseen, and alas! to him invisible. It was a sudden meeting, and one in which rapture was kept well in check by pain. I had no difficulty in restraining my voice from exclamation, my step from hasty advance.

His form was of the same strong and stalwart contour as ever: his port was still erect, his hair was still raven-black; nor were his features altered or sunk; not in one year’s space, by any sorrow, could his athletic strength be quelled, or his vigorous prime blighted. But in his countenance I saw a change: that looked desperate and brooding – that reminded me of some wronged and fettered wild beast or bird, dangerous to approach in his sullen woe. The caged eagle, whose gold-ringed eyes cruelty has extinguished, might look as looked that sightless Samson.

And, reader, do you think I feared him in his blind ferocity? – if you do, you little know me. A soft hope blest with my sorrow that soon I should dare to drop a kiss on that brow of rock, and on those lips so sternly sealed beneath it: but not yet. I would not accost him yet.

He descended the one step, and advanced slowly and gropingly towards the grass-plat. Where was his daring stride now? Then he paused, as if he knew not which way to turn. He lifted his hand and opened his eyelids; gazed blank, and with a straining effort, on the sky, and toward the amphitheatre of trees: one saw that all to him was void darkness. He stretched his right hand (the left arm, the mutilated one, he kept hidden in his bosom); he seemed to wish by touch to gain an idea of what lay around him: he met but vacancy still; for the trees were some yards off where he stood. He relinquished the endeavour, folded his arms, and stood quiet and mute in the rain, now falling fast on his uncovered head. At this moment John approached him from some quarter.

‘Will you take my arm, sir?’ he said; ‘there is a heavy shower coming on: had you not better go in?’

‘Let me alone,’ was the answer.

John withdrew, without having observed me. Mr. Rochester now tried to walk about: vainly, – all was too uncertain. He groped his way back to the house, and, re-entering it, closed the door.

I now drew near and knocked: John’s wife opened for me.

‘Mary,’ I said, ‘how are you?’

She started as if she had seen a ghost: I calmed her. To her hurried ‘Is it really you, miss, come at this late hour to this lonely place?’ I answered by taking her hand; and then I followed her into the kitchen, where John now sat by a good fire. I explained to them, in few words, that I had heard all which had happened since I left Thornfield, and that I was come to see Mr. Rochester. I asked John to go down to the turnpike-house, where I had dismissed the chaise, and bring my trunk, which I had left there: and then, while I removed my bonnet and shawl, I questioned Mary as to whether I could be accommodated at the Manor House for the night; and finding that arrangements to that effect, though difficult, would not be impossible, I informed her I should stay. Just at this moment the parlour-bell rang.

‘When you go in,’ said I, ‘tell your master that a person wishes to speak to him, but do not give my name.’

‘I don’t think he will see you,’ she answered; ‘he refuses everybody.’

When she returned, I inquired what he had said.

‘You are to send in your name and your business,’ she replied. She then proceeded to fill a glass with water, and place it on a tray, together with candles.

‘Is that what he rang for?’ I asked.

‘Yes: he always has candles brought in at dark, though he is blind.’

‘Give the tray to me, I will carry it in.’

I took it from her hand: she pointed me out the parlour door. The tray shook as I held it; the water spilt from the glass; my heart struck my ribs loud and fast. Mary opened the door for me, and shut it behind me.

This parlour looked gloomy: a neglected handful of fire burnt low in the grate; and leaning over it, with his head supported against the high, old-fashioned mantelpiece, appeared the blind tenant of the room. His old dog, Pilot, lay on one side, removed out of the way, and coiled up as if afraid of being inadvertently trodden upon. Pilot pricked up his ears when I came in: then he jumped up with a yelp and a whine, and bounded towards me: he almost knocked the tray from my hands. I set it on the table; then patted him, and said softly, ‘Lie down!’ Mr. Rochester turned mechanically to see what the commotion was: but as he saw nothing, he returned and sighed.

‘Give me the water, Mary,’ he said.

I approached him with the now only half-filled glass: Pilot followed me, still excited.

‘What is the matter?’ he inquired.

‘Down, Pilot!’ I again said. He checked the water on its way to his lips, and seemed to listen; he drank, and put the glass down. ‘This is you, Mary, is it not?’

‘Mary is in the kitchen,’ I answered.

He put out his hand with a quick gesture, but not seeing where I stood, he did not touch me. ‘Who is this? Who is this?’ he demanded, trying, as it seemed, to see with those sightless eyes – unavailing and distressing attempt! ‘Answer me – speak again!’ he ordered, imperiously and aloud.

‘Will you have a little more water, sir? I spilt half of what was in the glass,’ I said.

‘ Who is it? What is it? Who speaks?’