Margaret Atwood - The Tent

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The Tent: краткое содержание, описание и аннотация

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One of the world’s most celebrated authors, Margaret Atwood has penned a collection of smart and entertaining fictional essays, in the genre of her popular books
and
, punctuated with wonderful illustrations by the author. Chilling and witty, prescient and personal, delectable and tart, these highly imaginative, vintage Atwoodian mini-fictions speak on a broad range of subjects, reflecting the times we live in with deadly accuracy and knife-edge precision.
In pieces ranging in length from a mere paragraph to several pages, Atwood gives a sly pep talk to the ambitious young; writes about the disconcerting experience of looking at old photos of ourselves; gives us Horatio's real views on Hamlet; and examines the boons and banes of orphanhood. “Bring Back Mom: An Invocation” explores what life was really like for the “perfect” homemakers of days gone by, and in “The Animals Reject Their Names,” she runs history backward, with surprising results.
Chilling and witty, prescient and personal, delectable and tart,
is vintage Atwood. Enhanced by the author’s delightful drawings, it is perfect for Valentine’s Day, and any other occasion that demands a special, out-of-the-ordinary gift.

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He narrowed his eyes. Maybe he was reading my mind: I’m not very devious, I’ve always been bad at concealing things. I don’t know, he said. We have standards to keep up. I don’t think it would work.

RESOURCES OF THE IKARIANS

A country needs a resource, and ours does not have one. No oil wells, no mineral deposits, no diamonds, no forests, no rich topsoil, no fast-running rivers available for electrical power. How could we have such resources, stuck far out in the ocean on a barren goat-infested lump of geology at a point equidistant from all places of importance?

We have, it is true, some history. In the old days, before radar, a lot of ships were wrecked on our shifting reefs and unreliable shoals. Our ancestors did quite well out of that, moving the beacons around, raiding the shattered holds, robbing the corpses. We’ve tried to make this history into a resource, without much result. The distances tourists must travel in order to view the narrow, stone-covered beaches where these deplorable outrages occurred are too great, the prices therefore too high. We’ve erected a few ruins, but they are not convincing, even from a distance.

Some accounts of us—in the more outmoded and spurious travel books—cite a legend according to which our island came into being—through the act of some god or other—at the point where the Icarus famed in Greek myth plunged into the sea, once his artificial wax wings had melted. This mistake arose from the name of our island: a word not, in fact, even faintly Greek. It means—in our language—simply “wad of mud.” But the resorts—or the former resorts, built by hopeful foreign investors—resorts that invariably closed down halfway into their second season, after which we locals nicked the toilets—these resorts tried to capitalize on the romantic falsehood, and stuck a boy with wings on their notepaper. A scorched boy in the act of plummeting to his death, I should add. As a logo it was not well thought out.

What are we to do? The child sex trade is not for us: our children are unattractive and rude, and—due to their knowledge of our history—have a bad habit of mugging prospective customers and shoving them over cliffs. We’ve tried to work up some local handicrafts: we taught the old women to do tatting—they had a vestigial memory of it—but who wants tatting nowadays? Not even our line of tatted bikinis was successful. We took a crack at Internet telemarketing, which allowed us to raid carelessly guarded credit-card accounts; we’ve always been hard to get at, legally, being so far away from anything resembling a court of law. We also had a period of virtual airline reservation booking, shut down after too many rage-fuelled manslaughters in the business-class lounge; and we tried a fast-food chain specializing in goatburgers, for which we failed to create a vogue. Also we ran out of goats. So what now, we ask ourselves? Our labour force is not numerous, and is in any case averse to labouring. What we would really like is some offshore banks, or else a penal institution, but those do not grow on trees.

In our desperation we’ve fallen back on the idea of artists. Surely we have enough misery in store to produce a crop of these. Out of the pain we’ve taken care to inflict on them during their childhoods and at random intervals thereafter, out of the poverty we can guarantee, the artists will make art. They will write or paint or sing and then they will die early, and after that we can cash in. Postcards will be ours, black-and-white ones in which the artist frowns or scowls; pilgrimages too, and places of interest (the artist’s birthplace, with a blue enamel plaque on it; his local bar, ditto; his favourite sleeping ditch); tasteless figurines of the artist made out of wire coat-hangers; perhaps—is it too much to ask?—a coffee-table book. In the far distance, a film, in which the artist suffers and scowls and drinks and dies young all over again. But this plan hasn’t worked out yet.

We did have a poet who almost won a prize. He kicked the bucket last year, helped along by drink and drugs, and also by some of us. We may have been in too much of a hurry—perhaps we should have let him ripen a bit longer—but a living impoverished poet is a drain on the economy, whereas a dead one has potential.

We have hopes, however. Our greatest resource is surely our optimism: a tribute to the human spirit, you might call it. Already the T-shirt makers have swung into action. All is not lost.

OUR CAT ENTERS HEAVEN

Our cat was raptured up to heaven. He’d never liked heights, so he tried to sink his claws into whatever invisible snake, giant hand, or eagle was causing him to rise in this manner, but he had no luck.

When he got to heaven, it was a large field. There were a lot of little pink things running around that he thought at first were mice. Then he saw God sitting in a tree. Angels were flying here and there with their fluttering white wings; they were making sounds like doves. Every once in a while God would reach out with its large furry paw and snatch one of them out of the air and crunch it up. The ground under the tree was littered with bitten-off angel wings.

Our cat went politely over to the tree.

Meow, said our cat.

Meow, said God. Actually it was more like a roar.

I always thought you were a cat, said our cat, but I wasn’t sure.

In heaven all things are revealed, said God. This is the form in which I choose to appear to you. I’m glad you aren’t a dog, said our cat. Do you think I could have my testicles back?

Of course, said God. They’re over behind that bush.

Our cat had always known his testicles must be somewhere. One day he’d woken up from a fairly bad dream and found them gone. He’d looked everywhere for them—under sofas, under beds, inside closets—and all the time they were here, in heaven! He went over to the bush, and, sure enough, there they were. They reattached themselves immediately.

Our cat was very pleased. Thank you, he said to God.

God was washing its elegant long whiskers. De rien, said God.

Would it be possible for me to help you catch some of those angels? said our cat.

You never liked heights, said God, stretching itself out along the branch, in the sunlight. I forgot to say there was sunlight.

True, said our cat. I never did. There were a few disconcerting episodes he preferred to forget. Well, how about some of those mice?

They aren’t mice, said God. But catch as many as you like. Don’t kill them right away. Make them suffer.

You mean, play with them? said our cat. I used to get in trouble for that.

It’s a question of semantics, said God. You won’t get in trouble for that here.

Our cat chose to ignore this remark, as he did not know what “semantics” was. He did not intend to make a fool of himself. If they aren’t mice, what are they? he said. Already he’d pounced on one. He held it down under his paw. It was kicking, and uttering tiny shrieks.

They’re the souls of human beings who have been bad on Earth, said God, half-closing its yellowy-green eyes. Now if you don’t mind, it’s time for my nap.

What are they doing in heaven then? said our cat.

Our heaven is their hell, said God. I like a balanced universe.

CHICKEN LITTLE GOES TOO FAR

Chicken Little read too many newspapers. He listened to the radio too much, and he watched too much television. One day something snapped. What was the final straw? Hard to say, but whatever it was it shouldn’t have made him hysterical. Most folks take such things in stride because whining is so unattractive, but not Chicken Little. He always had a short fuse. He went running down the street, cheeping at the top of his lungs. The sky is falling! he cheeped.

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