Chinua Achebe - Anthills of the Savannah
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- Название:Anthills of the Savannah
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The other incident was at the Motor Park itself. I was sitting in my car reading and waiting for a friend who was having her hair plaited down at the hairdressers' shed. All around the parked cars young sellers of second-hand clothes displayed their articles on wooden clothes-horses. From time to time there would be a sharp stampede at some secret signal for the approach of a policeman or the Market Master, for none of these boisterous hawkers apparently had any right whatsoever to display their goods at that section of the market reserved for cars. It took no more than one second of unbelievable motion and all those hundreds of wooden frames bedecked with the heavy castoffs of distant affluent and consumer cultures of cold climates would simply melt away in the bright noonday sun. Usually the alarm would prove to be false and they would reappear as promptly and miraculously as they had vanished, with much laughter and joking, and take up their illegal positions again. I never pass up a chance of just sitting in my car, reading or pretending to read, surrounded by the vitality and thrill of these dramatic people. Of course the whole of Gelegele Market is one thousand live theatres going at once. The hair-plaiting shed, for example, where Joy was now having her hair done, seated on a mat on the floor her head held between the knees of the artist into whose nimble hand she fed lengths of black thread, did not lack its own entertainment. But I would pick my vivacious youngsters of the used clothes, any day.
It was a great shock to me then when that army car drove up furiously, went into reverse before it had had time to stop going forward and backed at high speed into a young man and his clothes who just barely managed to scramble out of the car's vicious path. A cry went up all round. The driver climbed out, pressed down the lock button and slammed the door. The young trader found his voice then and asked, timidly:
'Oga, you want kill me?'
'If I kill you I kill dog,' said the soldier with a vehemence I found totally astounding. Quite mechanically I opened my door and came out. I believe I was about to tell the fellow that there was no need for him to have said that. But I am glad I didn't in the end, because there are things which an observer can only see if he resists the temptation to jump into the fray and become an actor himself. So I watched the ass walk away with the exaggerated swagger of the coward, and went back into my car. But I was truly seething with anger. My young friends were stunned into total silence. But then the one who had had the brush with the car suddenly laughed and asked:
'Does he mean that after killing me he will go and kill a dog?'
And the others joined in the laughter.
'No, he means that to kill you is like to kill a dog.'
'So therefore you na dog… Na dog born you.'
But the victim stuck to his far more imaginative interpretation. 'No,' he said again. 'If I kill you I kill dog means that after he kill me he will go home and kill his dog.'
Within ten minutes the life of the group was so well restored by this new make-believe that when the offensive soldier returned to his car to drive away his victim of half an hour ago said to him:
'Go well, oga.' To which he said nothing though it diminished him further still, if such a thing could be conceived. And then I was truly glad that I had not interfered with that impeccable scenario.
To say that Sam was never very bright is not to suggest that he was a dunce at any time in the past or that he is one now. His major flaw was that all he ever wanted was to do what was expected of him especially by the English whom he admired sometimes to the point of foolishness. When our headmaster, John Williams, told him that the Army was the career for gentlemen he immediately abandoned thoughts of becoming a doctor and became a soldier. I am sure the only reason he didn't marry the English girl MM found for him in Surrey was the shattering example of Chris and his American wife Louise whom he married, if you please, not in New York which might have made a certain sense but in London. I suppose it is not impossible for two strangers to fabricate an affinity of sorts from being exiled to the same desert island even from opposite ends of the earth. Unfortunately Chris and Louise didn't make it once in bed, or anywhere else, throughout their six months cohabitation.
John Williams, our teacher, whose favourite phrase was 'good and proper, pressed down and flowing over,' in describing punishment, probably made the best choice for Sam after all. He grew so naturally into the part, more easily, I think, than he would have slipped into the role of doctor although I am sure his bedside manner would have been impeccable. But after Sandhurst he was a catalogue model of an officer. His favourite expression after he came home was: it's not done , spoken in his perfect accent.
I went to see Sam the morning after I heard news of his promotion to Captain. It was Sunday and the time about ten o'clock. I found him in his morning coat lounging in a sofa with Sunday papers scattered around him on the floor, a half-smoked pipe on a side-table and from his hi-fi Mozart's Eine Kleine Nachtmusik on a 45 r.p.m. record playing at 33 1/3. That was Sam's problem. Not very bright but not wicked. And completely tone-deaf. Nothing is more entertaining than Sam trying to whistle a tune.
There is something else about Sam which makes him enormously easy to take: his sense of theatre. He is basically an actor and half of the things we are inclined to hold against him are no more than scenes from his repertory to which he may have no sense of moral commitment whatsoever. He was fascinated by the customs of the English, especially their well-to-do classes and enjoyed playing at their foibles. When he told me about his elegant pipe which he had spent a whole morning choosing in a Mayfair shop I could see that he was not taking himself seriously at all. And therefore I had no reason to do so.
Of course one may well question the appropriateness of these attitudes in a Head of State. But quite frankly, I am not troubled by that. In fact the sort of intellectual playfulness displayed by Sam must be less dangerous than the joyless passion for power of many African tyrants. As long as he gets good advice and does not fall too deeply under the influence of such Rasputins as Reginald Okong we may yet avoid the very worst.
Perhaps I am altogether too sanguine but his response to the doctors' crisis gave me great hope and encouragement. He saw right away — just as I did and Chris refused to — that it wasn't Mad Medico's insane graffiti that brought all those worthy people so viciously about his throat. Far from it. His crime was rather that he had dared to get one of their number disgraced. Publicly they admitted that Dr Ofe may have behaved unethically. But did that give a layman, especially one who was also a foreigner, the right to instigate relatives of a dead patient and even give them his own money to sue the very hospital in which he works? Their answer to their own rhetorical question was, of course, an emphatic no. Mine was an equally strong yes and so, thank God, was His Excellency's. In fairness to Chris he did not disagree with us on the Ofe affair but took the legalistic line that the Doctors' complaint about Mad Medico's notices must be seen in isolation and entirely on its own merit. That shyster of an Attorney-General must have given free lessons to Chris.
Admittedly Mad Medico made a complete fool of himself putting up those atrocious jokes. He was both irresponsible in his action and careless of his safety. After his brush with the doctors he should have known that he had made enemies who would deploy themselves in various ambushes for his head. He obliged them far beyond the call of duty by offering it on a platter of gold.
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