Эрик Кандель - Век самопознания. Поиски бессознательного в искусстве и науке с начала XX века до наших дней

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Ibid., p. 95.

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Ibid., p. 53.

Hughes, R. The Shock of the New: Art and the Century of Change . 2nd ed. London: Thames and Hudson, 1991. P. 127.

Пер. П. Мелковой. – Прим. пер.

Gage, J. Color in Art . London: Thames and Hudson, 2006. P. 50.

Пер. П. Мелковой. – Прим. пер.

Ibid., p. 51.

Пер. П. Мелковой. – Прим. пер.

Hughes, R. The Shock of the New: Art and the Century of Change . 2nd ed. London: Thames and Hudson, 1991. P. 273.

Ibid., p. 276.

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James, W. Principles of Psychology . Vol. 2. Mineola, NY: Dover Publications, 1950. Pp. 1066–1067.

Ibid., p. 449.

MacMillan, M. An Odd Kind of Fame: Stories of Phineas Gage . Cambridge, MA: MIT Press, 2000. P. 114.

Elsen, A. Drawing and a New Sexual Intimacy: Rodin and Schiele / In: Egon Schiele: Art, Sexuality, and Viennese Modernism . P. Werkner, ed. Palo Alto, CA: The Society for the Promotion of Science and Scholarship, 1994. P. 27.

Dutton, D. D. The Art Instinct: Beauty, Pleasure, and Human Evolution . New York: Bloomsbury Press, 2009. P. 6.

Ibid.

Spurling, H. Matisse the Master: A Life of Henri Matisse: The Conquest of Colour 1909–1954 . New York: Alfred A. Knopf, 2007. P. 26.

Gombrich, E. H., Hochberg, J., and M. Black Art, Perception, and Reality. Baltimore: Johns Hopkins University Press, 1972. P. 41.

Ibid.

Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007. P. 149.

Frith, U. Autism: Explaining the Enigma . Oxford: Blackwell, 1989. Pp. 77–78.

Kanner, L. Autistic Disturbances of Affective Contact // Nervous Child 2 (1943): 217.

Ibid., p. 242.

Frith, U. Autism: Explaining the Enigma . Oxford: Blackwell, 1989. P. 80.

Пер. М. Лозинского. – Прим. пер.

Цит. по кн.: Ochsner, K. N., Bunge, S. A. Gross, J. J. and J. D. E. Gabrieli Rethinking Feelings: An fMRI Study of the Cognitive Regulation of Emotion // Journal of Cognitive Neuroscience 14, no. 8 (2002): 1215.

Mellars, P. Archaeology: Origins of the Female Image // Nature 459 (2009): 176.

Ibid.

Ibid., p. 177.

Aiken, N. E. The Biological Origins of Art . Westport, CT: Praeger, 1998. P. 169.

Dissanayake, E. What Is Art For? Seattle: University of Washington Press, 1988. P. 44.

Tooby, J., and L. Cosmides Does Beauty Build Adapted Minds? Toward an Evolutionary Theory of Aesthetics, Fiction, and the Arts // SubStance 94/95, no. 30 (2001): 25.

Ramachandran, V. The Science of Art: A Neurological Theory of Aesthetic Experience // Journal of Consciousness Study 6 (1999): 49.

Ibid., p. 15.

Gardner, H. Creating Minds: An Anatomy of Creativity as Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi . New York: Basic Books, 1993. P. 298.

Holton, G. The Scientific Imagination: Case Studies . London: Cambridge University Press. Pp. 231–232.