Эрик Кандель - Век самопознания. Поиски бессознательного в искусстве и науке с начала XX века до наших дней

Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. P. 101.

Kokoschka, O. My Life . New York: Macmillan, 1971. P. 33.

Ibid., p. 66.

Hoffman, D. D. Visual Intelligence: How We Create What We See . New York: W. W. Norton, 1998. P. 25.

Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. Pp. 37–38.

Ibid., p. 102.

Ibid., p. 38.

Kokoschka, O. The Dreaming Youths / In: Schorske, C. E. Finde-Siecle Vienna: Politics and Culture . New York: Alfred A. Knopf, 1980. Pp. 332–333.

Zuckerkandl, B. Neues Wiener Journal, April 10, 1927.

Shearman, J. Mannerism ( Style and Civilization ). New York: Penguin Books, 1991. P. 81.

Kokoschka, O. My Life . New York: Macmillan, 1971. Pp. 75–76.

Ibid., p. 76.

Пер. П. Мелковой. – Прим. пер.

Van Gogh, V. The Letters. M. Roskill, ed. London: Atheneum, 1963. Pp. 277–278.

Здесь и далее цитаты из книги Э. Гомбриха “История искусства” в пер. В. Крючковой. – Прим. пер.

Gombrich, E. H. The Story of Art . London: Phaidon Press, 1995. Pp. 429–430.

Kramer, H. Viennese Kokoschka: Painter of the Soul, One-Man Movement // The New York Observer, April 7, 2002.

Ibid.

Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. P. 34.

Kokoschka, O. My Life . New York: Macmillan, 1971. Pp. 33–34.

Ibid., p. 31.

Ibid., p. 60.

Ibid., p. 37.

Kramer, H. Viennese Kokoschka: Painter of the Soul, One-Man Movement // The New York Observer, April 7, 2002.

Berland, R. The early portraits of Oskar Kokoschka: A narrative of inner life // Image [&] Narrative [e-journal], 2007. См.: http://www.imageandnarrative.be/inarchive/thinking_pictures/berlandhtm.

Пер. В. Крючковой. – Прим. пер.

Gombrich, E. H. The Story of Art . London: Phaidon Press, 1995. P. 431.

Freud, L. Exhibition . L’Atelier, Centre Pompidou, Paris. April 2010.

Kallir, J. Egon Schiele: The Complete Works. New York: Harry N. Abrams, 1990, 1998. P. 44.

Comini, A. Egon Schiele’s Portraits . Berkeley, CA: University of California Press, 1974. P. 32.

Danto, A. C. Live flesh // The Nation, January 23, 2006.

Kallir, J. Egon Schiele: The Complete Works. New York: Harry N. Abrams, 1990, 1998. Pp. 65–68.

Comini, A. Egon Schiele’s Portraits . Berkeley, CA: University of California Press, 1974. Pp. 50–51.

Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture . New York: Alfred A. Knopf, 1980. Pp. 234–235.

Persinger, C. Reconsidering Meyer Schapiro in the New Vienna School // Journal of Art Historiography 3 (2010): 1.

Arnheim, R. Art History and the Partial God // Art Bulletin 44 (1962): 75.

Empson, W. Seven Types of Ambiguity . New York: Harcourt, Brace, 1930. P. x.

Kuspit, D. A Little Madness Goes a Long Creative Way // Artnet, October 7, 2010. См.: http://www.artnet.com/magazineus/features/kuspit/franz-xaver-messerschmidt10-7-10.asp.

Gombrich, E. H. The Image and the Eye: Further Studies in the Psychology of Pictorial Representation . London: Phaidon Press, 1982. P. 11.

Gombrich, E. H. Art and Illusion. A Study in the Psychology of Pictorial Representation . London: Phaidon Press, 1982. P. ix. Princeton and Oxford: Princeton University Press, 1960

Kris, E., and E. Gombrich Caricature . Неопубликованная рукописть из архива Э. Гомбриха ( Archive of E. H. Gombrich Estate, Warburg Institute, London ). Цит. по: Rose, L. Psychology, Art, and Antifascism: Ernst Kris, E. H. Gombrich, and the Politics of Caricature . Неопубликованная рукопись, 2011.

King, D. B., and M. Wertheimer Max Wertheimer and Gestalt Theory. New Brunswick, NJ, and London: Transaction Publishers, 2004. P. 378.

Hoffman, D. D. Visual Intelligence: How We Create What We See . New York: W. W. Norton, 1998. P. 15.

Henle, M. 1879 and All That: Essays in the Theory and History of Psychology. New York: Columbia University Press, 1986. P. 24.

Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007. P. 40.

Gombrich, E. H. Art and Illusion. A Study in the Psychology of Pictorial Representation . London: Phaidon Press, 1982. P. 5.

Ibid., p. 24.

Gombrich, E. H. Kokoschka in His Time. Lecture Given at the Tate Gallery on July 2, 1986. London: Tate Gallery Press, 1986.

Novotny, F. Cezanne and the End of Scientific Perspective. Excerpts / In: The Vienna School Reader: Politics and Art Historical Method in the 1930s . C. S. Wood, ed. New York: Zone Books, 2000. P. 424.

Gregory, R. Seeing Through Illusions . New York: Oxford University Press, 2009. P. 6.

Crick, F. The Astonishing Hypothesis: The Scientific Search for the Soul . New York: Charles Scribner’s Sons, 1994. P. 32.

Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007. Pp. 111, 132.

Zeki, S. Inner Vision: An Exploration of Art and the Brain . Oxford: Oxford University Press, 2001. P. 113.

Gregory, R. Seeing Through Illusions . New York: Oxford University Press, 2009. P. 212.