Андрей Третьяков - Энциклопедия Омской Рок-сцены. 1965-2003

×åïóðèí Åâãåíèé 125, 141, 144, 247 228, 245, 250, 251 , 253 ×åïóðêî Âÿ÷åñëàâ 52 Øàáóðîâ Âèêòîð 53

×åðáà Àëåêñàíäð 106 Øàäðèí Âëàäèìèð 16, 189

×åðäûíöåâ Îëåã 73, 87, 111 Øàäðèí Äìèòðèé 128, 251

×åðåäíè÷åíêî Àëåêñåé 232 Øàäðèí Ñåðãåé 24, 48

×åðåìíûõ Åâãåíèé 16, 247 Øàëèìîâ Þðèé 42

×åðåïàíîâ Êîíñòàíòèí 227 Øàëûãèí Èëüÿ 14, 278

×åðåïîê Àëåêñåé 14, 130, 143, 247 Øàìðàé Äìèòðèé 50, 52, 62, 98, 99, 251, 252 , 282, 285 Øòåéí Íàòàëüÿ 274

Øàìóèëîâ Àëåêñåé 87 Øòåëå Àëåêñàíäð 66

Øàìóðçèí Êàìèëü 57 Øòîëü Àëåêñåé 73, 161, 184

Øàíèí Ñåðãåé 292 Øòîëü ßêîâ 74

Øàíòèí Àëåêñàíäð 118 Øòûõíî Ñåðãåé 9, 55, 84

Øàïèöà Èâàí 91 Øóáèí Åâãåíèé 18, 122, 137, 142, 143, 254 Øàðàïîâ Ñåðãåé 106, 285 Øóëüãèí Âëàäèìèð 15 Øàðêî Àíäðåé 68, 275 Øóëüãèí Ñòàñ 68

Øàðîìîâ Ìèõàèë 81 Øóìåéêî Ñåðãåé 90

Øàðîõà Ëåîíèä 229 Øóïîâ Âëàäèìèð 102

Øàòàëèí Äìèòðèé 68, 252, 253 , 269, 270 Øóòååâ Àëåêñåé 47, 48 Øàôðàí Âåíèàìèí 28 Øóòåé Àëåêñåé 27

Øâàøòåéí Àëåêñàíäð 228 Øóòîâ Àëåêñàíäð 249

Øâàøòåéí Ðîìàí 14, 227, 251 Øóøàðèí Àëåêñàíäð 9

Øâàøòåéí Ñòàíèñëàâ 91 Ùåáåòóí Îëåã 76

Øåáàëèí Äåíèñ 131 Ùåãëîâ Âëàäèìèð 127

Øåáåòà Òàíÿ 134 Ùåëêóíîâ Ñåðãåé 159

Øåâåëåâ Âëàäèìèð 24 Ùåðáàêîâ Âÿ÷åñëàâ 84

Øåâ÷åíêî Àíàòîëèé 18 Ùåðáèíà Âàëåðèé 11, 12, 203

Øåâ÷åíêî Âåðà 295 Ù¸òêèí Áîðèñ 37, 38, 57, 90, 167, 172, 173, Øåéíèíà Çèíàèäà 14 189, 196, 218, 222

Øåêîâ Îëåã 106, 285 Ùóêèí Èãîðü ( Ãàððè) 22, 24, 137, 138, 166, Øåëåõîâ Äåíèñ 95 179, 254 , 286

Øåëëåíáåðã Âåðîíèêà 278, 286, 287 Ýäåëüøòåéí Ëåîíèä 89 Øåëîíöåâ Âëàäèìèð 27, 168, 253 Ýêãàðò Âèêòîð 18 Øåìåò Èãîðü 87 Ýíèìàë (Îëåã Äèêòÿé) 139, 146

Øåïòþêîâ Àëåêñàíäð 21 Ýíòèí Ìèõàèë 100

Øåñòàêîâ Àëåêñàíäð 77, 78, 111, 238, 248 Ýòèíãåð Äìèòðèé 32, 33, 280 Øåñòàêîâ Àëåêñåé 131, 136, 253 Þäèí Àíäðåé 40, 255 Øåñòîïàëîâ Âëàäèìèð 74 Þäèí Þðèé 120 Øèêîâåö Ñåðãåé 24 Þðãàíîâ Âëàäèìèð 22, 24, 137, 166, 254, 255 Øèëëåð Âàëåðèé 119 Þðèé Þðüåâè÷ 117

Øèëÿåâ Äìèòðèé 52, 98, 109, 111, 166, 253 Þðêåíü Þ. 73

Øèìïô Åâãåíèé 69, 80, 81 Þð÷àê Îëåã 22, 39, 72, 255

Øèïèëîâ Âëàäèìèð 14 Þôåðîâ Âëàäèìèð 255, 256

Øèðîáîêîâ Àëåêñàíäð 67 Þôåðîâ Äìèòðèé 86, 193, 255, 256 , 267 Øèðîêîâ Àëåêñàíäð 141 Þøêîâ Åâãåíèé 135 Øèðÿåâ Àíàòîëèé 275 ßêèìåíêî Îëüãà 82, 287 Øèòèêîâ Æîðà 43 ßêèìóê Âëàäèìèð 20

Øèòîâ Àíäðåé 72 ßêèìóê Äìèòðèé 20

Øèõìàòîâ Àëåêñàíäð 99 ßêèøèí Ïàâåë 95

Øèøêîâ Ãðèãîðèé 20 ßêîâåíêî Àëåêñàíäð 94

Øèøîâ Àëåêñàíäð 102 ßêîâëåâ Àëåêñåé 45

Øêàáàðà Ðàèñà 29 ßêîâëåâ Âëàäèìèð 19

Øëåâêî Èãîðü 13, 118, 204, 228 ßêîâëåâ Ñåðãåé 22

Øëåâêî (Êîíóñîâà) Ëàðèñà 13, 118, 204, 219 ßêñàíîâ Âÿ÷åñëàâ 100, 229 Øìàêîâà Àëåêñàíäðà 40 ßêøèí Âèêòîð 14 Øìèäò Îéãåí 21, 22, 279 ßíåíêî Àðòåì 136 Øìûãèí Âèêòîð 35 ßíè÷êèí Ñåðãåé 28

Øîêîëîâ Ñåðãåé 148 ßðêî Àëåêñàíäð 143

Øïà÷åíêî Êîíñòàíòèí 14, 48, 63, 113, 130, ßðêîâ Âëàäèñëàâ 55 139, 140, 254 ßðîâåíêî Îëåã 52, 138, 139

Øïåò Àëåêñåé 106 ßðîøåíêî Þðèé 59

Øïåõò Ñòåïàí 47, 78, 105, 107, 254 ßñòðåáîâ Èëüÿ 291

Øðåéí Èãîðü 17 ßôàåâ Âàëåðèé 90

Øòàéíêå Îëüãà 94 ßöåíêî Àëåêñàíäð 40, 256

Øòàíåíêî Èãîðü 117, 238 ßùóð Àðêàäèé 105

Øòàíîâ Àëåêñàíäð 59

ÎÃËÀÂËÅÍÈÅ

Óâåðòþðà (îò àâòîðà) .................................................................. 1

Àíñàìáëè, ãðóïïû, ïðîåêòû ........................................................ 9

Ïåðñîíàëèè .............................................................................. 151

Êîíöåðòíàÿ ðåòðî-àôèøà ....................................................... 257

Ñàìèçäàò è ìàññ-ìåäèà ........................................................... 273

Ïðèëîæåíèå 1: Äèñêîãðàôèè .................................................. 278

Ïðèëîæåíèå 2: Post Scriptum ................................................. 290

Àëôàâèòíûé èíäåêñ 1 ............................................................. 297

Àëôàâèòíûé èíäåêñ 2 ............................................................. 304

 îñíîâó Ýíöèêëîïåäèè ëåãëè, ãëàâíûì îáðàçîì, èíòåðâüþ ñ ìóçûêàíòàìè.  êíèãó âîøëè òàêæå èíîãîðîäíèå ãðóïïû, äæàç-ðîêîâûå è äæàçîâûå àíñàìáëè è êîëëåêòèâû ïîïóëÿðíîãî æàíðà.

Èñïîëüçîâàëèñü òàêæå èñòî÷íèêè:

ìíîãîòèðàæíûå ãàçåòû “Çà ìåäèöèíñêèå êàäðû” (ìåäèöèíñêèé èíñòèòóò), “Ìîëîäîñòü” (ïåäàãîãè÷åñêèé èíñòèòóò), “Ïîëèòåõíèê” (ïîëèòåõíè÷åñêèé èíñòèòóò), “Òðàíñïîðòíèê” (òðàíñïîðòíûé èíñòèòóò);

ãàçåòû “Âðåìåíà ãîäà” (1997-99), “Êîììåð÷åñêèå âåñòè (ðîê-ñòðàíèöà “Ôëèï”)”, “Ìîëîäîé ñèáèðÿê”, “Îìñêàÿ ïðàâäà”, “TV 11 ïëþñ (TV ïëþñ)”, “Òèáåòñêèé ¨æ”;

æóðíàëû “ÀÎД, “Î.Ð.Ç.”, “Ïàòåôîí Ñêâåð”, “Melodie” (×ÑÑÐ), “2000 Revolutions Per Minute”, “Melody Maker” (Âåëèêîáðèòàíèÿ), “Billboard” (ÑØÀ);

êíèãè “Êòî åñòü êòî â ñîâåòñêîì ðîêå. Èëëþñòðèðîâàííàÿ ýíöèêëîïåäèÿ îòå÷åñòâåííîé ðîê-ìóçûêè” (Ìîñêâà, 1991), “Beat Lexicon” (Áåðëèí, 1977);

èíòåðíåò-ñàéòû; àðõèâû ìóçûêàíòîâ; ñîáñòâåííûå àðõèâû.

P.S. “… The time is gone the song is over, thought I’d something more to say…” (“Time”, Dark Side of the Moon, Pink Floyd ).

Àíäðåé Òðåòüÿêîâ: àâòîð èäåè, ñáîð è îáðàáîòêà èíôîðìàöèè, íàáîð òåêñòà, äèçàéí, êîððåêòóðà

Ãóëüíàðà Ñàëèêîâà: ñêàíèðîâàíèå, îáðàáîòêà ôîòîãðàôèé, äèçàéí, âåðñòêà Àâòîð âûðàæàåò áîëüøóþ ïðèçíàòåëüíîñòü (“with a little help from my friends”) Ñåðãåþ Áàé÷óðàêîâó, Òàòüÿíå Áó÷àêîâîé, Ñåðãåþ Ãàí÷àðóêó, Âèòàëèþ Ëîïàòèíó, Ñåðãåþ Ìàðñååâó, Èðèíå Ìàðòûíîâîé, Ñåðãåþ Ìåçåíöåâó, Âèêòîðó Ìåëüíè÷åíêî, Þðèþ Îãóäîâó, Ñåðãåþ Îëåéíèêó, Ñåðãåþ Ñêâîðöîâó, Àëëå Ïóøíîé, Îëåãó Òàòàðåíêî, Åâãåíèþ Òåâåëåâè÷ó, Ëþäìèëå, Äàíèëå è Íèêèòå Òðåòüÿêîâûì, Ñåðãåþ Óìàðîâó çà îêàçàííóþ ïîìîùü è ïîääåðæêó.